Baby Figurative Paintings

Fabulous gouache on paper for the Comedie de Française. This painting depicts Pierrot, the servant, and Columbine, who was the love interest of Harlequin. It is signed G. Barbier a...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) In the arms of my owner, I find my peace. In their embrace, I find my home. Max in Loving Arms presents a singular blend of modernity and timeless elegance. At the centre of the composition is a poised woman, adorned in a vivid green dress that contrasts harmoniously against the soft purple backdrop. Her dark complexion radiates warmth and intensity, highlighted by her voluminous afro, a powerful symbol of natural beauty and cultural pride. Cradled tenderly in her arms is a fluffy, cream-coloured dog, its fur rendered with extraordinary detail, capturing both texture and softness. The dog’s gentle expression and relaxed posture evoke a strong sense of companionship and affection, adding an intimate layer to the portrayal. In the background, a minimalist line drawing framed...

French Landscape signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back watercolour painting on artist paper, unframed measures: 10 high by 7 inches...

"Christ Crucified" is a striking oil on copper painting by an anonymous German School artist. This bold composition presents a powerful portrayal of the crucifixion, a central theme ...

An auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...

Jason Walker's (CAN based) "Donut Pile" is an oil painting that depicts a pile of varied glazed and powdered donuts all sitting together in the dark.

Another great work from the artist's dancing series.

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

Jacob Collins is a leading figure in the contemporary revival of classical painting. In this beautiful painting, a brunette woman lies in wonder next to a sleeping red-headed man with a goatee in a bed of white silk sheets...

Acrylik on canvas Barongan dance is a regional art form in Central Java. This barongan dance is very famous among the people, in this barongan dance it reflects the characteristics...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Wis...

This original acrylic painting on sculpted panel presents a surreal landscape where fragmented Roman statues rest in a dreamlike terrain of deep pinks and reds. Among these sculptura...

Hendrick Bloemaert (Utrecht 1601/02 – Utrecht 1672) Venus and Cupid Oil on panel H. 75 cm; W. 61 cm Signed and dated 1636 Hendrick Bloemaert is a notable figure of the Golden Age of...

Charles Cobelle (French/American, 1902-1998) Untitled, 20th Century Oil on canvas 24 x 30 in. Signed lower right: Cobelle Born in Alsace-Lorraine, France, and becoming a U.S. citiz...

Artist/ School: French School, signed lower front, dated 1970's Title: La Moto Verte, a surrealist composition of nude/ semi nude male figures in a wrestling pose floating in the sk...

Surreal Dreamscape with Nudes French artist, mid 20th century signed oil on canvas, unframed dated 1958? Canvas : 30 x 37.5 inches Provenance: private collection, France Condition: v...

Andrew Thomas Schwartz (American, 1867-1942) The Fates, c. 1900 Oil on canvas 30 x 30 in. Framed: 39 1/4 x 39 in. Andrew T. Schwartz was born in Louisville, Kentucky. His early education was in the public schools of his hometown, where he showed great promise as an artist. In 1890, he began intense art study with the famed Frank Duveneck at the Cincinnati ArtAcademy. He later studied with H. Siddons Mowbray at the Art Students League in New York, where he was awarded the Lazarus Scholarship for mural painting to study abroad, which resulted in three years of study in Italy, France, Germany and England. He was, at the time, only the second person to win that award. His work from the Lazarus trip was the subject of an individual show at the Pratt Institute in Brooklyn. He returned to the United States to assist his teacher Mowbray in decorating the University Club and J. P. Morgan's private library in New York. He later worked independently and developed a following as a mural painter. His reputation was certainly enhanced by the mural Christ, the Good Shepherd for the Baptist Church in South Londonderry, Vermont, which was considered at the time one of the best examples of mural painting. Other murals were painted for the Courthouse of New York, the New York YMCA, the Atkins Museum of Fine Art in Kansas City and the Kansas City Life Insurance Company Building. Schwartz also painted a number of other paintings in addition to his murals, including both figurative and landscapes. Many of his landscapes are views of New England. He exhibited extensively at the National Academy of Design, Pennsylvania Academy of the Fine Arts in Philadelphia, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, and other major cities. He was a member of the National Society of Mural Painters, the Salmagundi Club, the Architectural League of New York, Allied Artists of America, American Watercolor Society, the Circolo Artistico of Rome, Italy, and the Union International Des Beaux Arts et Des Lettres of Paris, France. A memorial show of Schwartz's work was held at the Lotus Club of New York City in 1944 through the efforts of the sculptor, Charles Keck. The dean of art critics of the time, Royal Cortissoz, viewed Schwartz's work before the exhibition in Keck's studio and wrote, "Schwartz could saturate an Italian scene in the handsome 'Roman Twilight' but when he came to paint the countryside of his native land he was moved solely by its racy sentiment. He had charm as well as craftsmanship." Perhaps the best tribute one artist can give another was given Schwartz by the famed American artist, Elihu Vedder...

Fine 19th Century Enamel on Porcelain Depicting Saint Anthony with the Christ Child Beautiful and finely detailed enamel painting on porcelain representing Saint Anthony of Padua wit...

Miquel Torner de Semir (1938) - Surrealist figure - Oil on canvas Oil measures 46x38 cm. Frameless. Miquel Torner de Semir (1938) Catalan painter attracted by the Middle Ages and I...

Oil on Canvas. The painting looks to the similar work by Paolo Veronese (1528-1588), dated around 1560-70 and now in the Prado Museum, from which our painting takes up the compositio...

Logan Jolie

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

A rich dark purple pansy fills the canvas in this engaging abstract floral by Vancouver artist, Pat Service. The bright white pistil/center provides contrast. Reminiscent of Andy War...

"Les deux moitiés" is a contemporary ethereal nude figures in green and blue water. Astone brought professional dancers into her studio and let them improvise as she painted them. Sh...

The Artist's Apartment Mid-Century Fauvist Interior Scene Original Oil on Canvas Vibrant interior scene by Santa Cruz California artist Frances Rinaldo (American, b. 1943). A bright...

A charming oil painting depicting a classical religious scene of the Holy Family journey done in a highly impressionistic manner with unique colors and expressions with the use of br...

Pigment and aluminum dust on canvased board. Whimsical painting of a figure in the style of a classical nude.

Cherubim with flowers - Oil on canvas cm.80x100 by Giulio Di Sotto, Italy, 2002. Gold leaf gilded wooden frame available on request This wonderful oil on canvas represents two putti...

Original acrylic with wash artwork of children on heavy card stock by the Italian born artist, Domenic Guerrera. Signed lower right. Signed verso, Roma (Rome, Italy). Condition is ve...

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Louis Recchia's "Puppy Love" is an original, hand made mixed media painting that depicts two dogs at a checkered table with a bone on a plate. Louis ...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Virgin with Child & St John, late 16th c. Florentine school Late 16th c. Florentine school Virgin with Child and St John the Baptiste Oil on white marble, h. 41,5 cm, w. 32 cm 17th L...

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...

Katrina Revenaugh Daybreak Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges Year: 2022 Size: 36×24in Signed: On Verso COA ...

Louis Valtat (French, 1869-1952) Fauvist Oil painting of a mother and child. A very large painting by Louis Valtat titled Mere et Enfant (Mother and C...

Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...

Pietro Bardellino (Naples, Italy, 1731 – 1806) Title: Mary Magdalene Medium: Oil on canvas Dimensions: without frame 75 x 60 cm – with frame 97 x 82 cm Antique shaped and carved wood...

Bucolic Scene is a majestic oil painting on canvas attributed to the painter Michelangelo Ricciolini. Includes a frame: 142 x 173 cm. Good conditions, except for little loss of color on the canvas. The beautiful painting represents a bucolic scene where shepherds, women, and children are conversing in a resting moment. The scene is set in an open space, probably a wood. Michelangelo Ricciolini (1654 – 1715) was an Italian painter of the Baroque period. He first studied in Rome under Angelo Canini; he then joined the large studio of Carlo Maratta. He painted various works in Rome, including the dome of Santa Rita...

Original mixed media painting on die cut aluminum. Hand signed on front by Jozza. Artwork size 46 x 40 x 2 inches. Artwork is in excellent condition. Certificate of authenticity i...

Ksenya Istomina 'Sweet Dreams in the Moonlight' 100 x 80 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings...

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timeless interaction of light and pigment on surface, with subjects ranging from the human figure to fresh fruits and vegetables, architectures, statues and city walls. "I love paper, and the way pigments are transported along a thin surface of transparent water then dry. Although my paintings are often classical, I studied at the Museum School in Boston and the École des Beaux-Arts in Paris when marks, gesture and atmosphere were of greatest importance. As I travelled more and more, the charcoal and oils gave way to a small watercolor box and brushes. Through the streets of Rome, Paris, Barcelona, Boston, New York, Mexico and Guatemala, I have painted indoors and out, subjects from the eternal to the fleeting. The human form and the humble strawberry are endlessly inspiring." “When I paint with watercolor, I try to make each mark count, to make each stroke of the brush describe what I am looking at, to get the right puddle on the paper and capture life. Sometimes the puddle has a skinny red edge, sometimes a soft burst of pigment, sometimes a lucky watery accident.” Artistic Advisor at the American Academy in Rome, Wendy Artin completed her undergraduate studies with honors in Painting and French...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

Francois Gerome’s paintings often capture the elegance and charm of Parisian life, and his depiction of a young woman fashionably dressed in a bustling flower market is no exception....

Children Playing On The Beach by Les Parsons (British b. 1945) * see below signed oil on canvas, framed in swept gilt frame. framed: 27 x 23 inches canvas: 20 x 16 inches provenance: private collection, England condition: This painting is in excellent condition, with vivid colors and sharp details that show no signs of fading. The canvas is pristine, free from any damage or restoration work. The ornate frame is also in very good condition, with only minor wear consistent with age, adding to its character and authenticity. This piece is ready to be displayed and enjoyed, offering a touch of nostalgia and natural beauty to any space. Les Parson has been a popular British Artist with a loyal following for nearly forty years. Despite having a personal interest in art, Parson never received any formal training. Born in Lancashire in 1945, he worked in London as a Computer Engineer until 1974. He then moved to Cornwall working as an installer of Radar, Sonar and Ship to Shore radio on small fishing boats. In a chance meeting with local gallery owners in 1978, Parson was encouraged to expand his artistic skills and transform his hobby into a career. He therefore put aside his pencil sketching and watercolour paintings in lieu of the more permanent medium of oil on canvas and become a flourishing full-time artist. As a professional artist, Les Parson has become renowned for his nostalgic paintings of rural landscapes featuring children at play. His work is internationally recognised, with many of his paintings published as prints. The paintings of Les Parson remain highly-sought after by both domestic and international collectors. Description: This delightful oil painting by Les Parsons...

Signed figure in winter landscape oil on canvas circa 1915 by French Post Impressionist painter Victor Charreton, who was known as the painter of colours. The work depicts a man stro...

Panel depicting the Holy Family with San Giovannino. At the center of the scene is the Virgin, with a red tunic and a blue cloak edged with gold embroidery,...

Self-portrait as a Cautious Hero, 2019 Acrylic on canvas 226 H x 87.5 W cm 88 31/32 H x 34 29/64 inch Rădvan's multifaceted self-portraits are also a reference to Narcissus, a mirro...

Leonard Dufresne Leonard was born in Fall River, Massachusetts on 26 December 1941. After serving in the U.S. Army from 1960 - 1963, he studied at the...

Jay Patel MADHUBANI STYLE 02 (DECORATED ELEPHANTS) Acrylic on Board Year: 2022 Size: 10x12x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1111 "Inspired by the age-old Madhubani style, these paintings celebrate the beauty within the beasts. Elephants are revered animals in the Indian sub-continent and symbolize lord “Gajendra”! To ascertain justice to the inspiration, every element in the painting is worked upon significantly- the tree denotes long life, the flowers stand for happiness, and the elephant denotes power. Embellished by detailed motifs, the composition undoubtedly spurs a moment of joy in the eyes. The captivating intricacies of the saddle cloth tied with heavy jewelry...

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra con un marco en madera policromada El estado de la obra es bueno, solo comentar que e...

Polidoro de Renzi known as Polidoro da Lanciano (Lanciano, 1515 - Venice, 1565) (attr.) Holy Family with San Giovannino Oil on canvas, 76 x 93 cm Framed, 88 x 104 cm The valuable...

Allegorical Scene is a superb original oil painting on canvas, realized by an anonymous artist during Neoclassicism's years. This old master's artwork offers us un unprecedented ap...

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...