Photography Figurative Paintings

I aimed to explore the themes of journey and aspiration, juxtaposed with isolation and uncertainty. Acrylics vividly captures the vast desert and clear blue skies, providing a surr...

“I Promised My Wife: Sandy’s Business Trip Adventures,” original cover for Liberty magazine, published September 24, 1927 Traveling on a business trip, Sandy ventures out of his cut...

Masterfully painted portrait with rich paint surface by the famous French Symbolist Signed and dated lower left Provenance: Waterhouse & Dodd, London ...

The Artists Model by Jean Dulac (1902-1968) *see below signed oil painting on canvas, unframed canvas: 26 x 20 inches provenance: private collection, Lyon, France (the artists home c...

Please note that painting is for sale without a frame, if you are interested in framed painting please contact us. Contemporary 20th century figurative oil on canvas portrait painting by Polish artist Adam Marczukiewicz. Portrait depicts a young man in renaissance or baroque styled clothing. He has dark curly hair and is looking in his left direction. Artwork is in warm tones. ADAM MARCZUKIEWICZ (born 1958) He studied at the Faculty of Graphic Arts at the Academy of Fine Arts in Krakow at ateliers of professors Jan Swiderski...

“Away from the Noise” is a metaphorical escape from the constant din of fear, anxiety, and uncertainty that surrounds us. It's a longing for a refuge where one can find solace, clari...

Once I lived in a private house. We had four cats, and then we accidentally found the fifth. Where he came from and how long he lived with us is unknown). For texture on the primed c...

The existence of sisters in their hood is a completion of creation. Apart from being a vibrant colour that saturates the whole universe, they also carry in their embodiment the power...

Date: 1932 Medium: Oil on Canvas Sight Size 30.00" x 22.00", Framed 38.00" x 30.00" Signature: Signed Lower Right Saturday Evening Post Cover, October 1, 1932. Exhibitions: Christi...

Medium: Oil on Board Signature: Signed Center Left Study for Saturday Evening Post Cover 'Who, Me Work?' January 23, 1926

Plum Tree from Higashiyama I is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink and Japanese pigments on cardboard, dimensions a...

Kasia Mazur is a very young artist, she is still studying painting at the Academy of Fine Arts in Gdansk, where she also lives. She has already had exhibitions and I noticed her tale...

American Impressionist sketch of a English landscape with wild flower meadow Charles Bertie Hall painted scenes all over England, Europe, and America in a traditional Impressionist...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating the individuality and inherent strength of the female experience. Each painting features endless floral arrangements that frame the mysterious visages of beautiful women, creating a stunning celebration of floral abstraction and wild, fanciful coloration. Lavish in application and luxurious in composition, Sally K.'s work is inspired by pop art, culture, and fashion, resulting in a powerful, visually stunning artwork that captures the essence of femininity. This original 10-inch high and 8-inch wide acrylic and diamond dust on canvas board painting is signed on the front and back. It is unframed and requires framing for display. Convenient Los Angeles area delivery. Affordable U.S. and global shipping options are available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Sally K. is an Ohio-born artist of Lebanese heritage who spent her formative years in Saudi Arabia before attending high school and college in Beirut. She graduated with distinction from the Lebanese American University of Beirut, earning a BA in Fine Arts. After moving back to the United States in 2013, Sally K. and her family eventually relocated once more to Qatar in 2019. Sally's multicultural background and diverse experiences inform her artistic vision, resulting in a unique style that blends Middle Eastern and Western influences. Sally K's work is a celebration of femininity, strength, and individuality, reflecting her own journey as a woman and artist. Her captivating portraits of contemporary women are a masterful blend of abstract expressionism and portrait painting, featuring vibrant blooms that create a dreamlike aura around her powerful subjects. Her paintings not only capture the beauty of women but also their confidence and strength, conveying a powerful femininity that inspires and empowers. With alluring, flirtatious, and demure features, Sally's portraits radiate sensuality, independence, and confidence - the very qualities that define strong women. Sally's portraits are intensely personal, as each woman she paints is an extension of her own feelings, thoughts, and experiences. Through her work, she captures the qualities that captivate her in other women - the qualities she admires and strives to gain for herself. Her paintings are a celebration of the complexities and strengths of women, conveyed through a masterful use of color, texture, and composition. Sally draws inspiration from photography, pop culture, and fashion as well as artists ranging from the pop art of Willem de Kooning and Jackson Pollock to the gilded florals and figures of Gustav Klimt. Her highly regarded paintings have been featured in group and solo shows in Beirut, Dubai, Italy, Switzerland, and the USA. They have been collected worldwide. Notable collectors include Jesse McCartney and Kelly Clarkson. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2024 Artspace Warehouse, Los Angeles, CA 2024 Affordable Art Fair, Austin, TX 2023 Artspace Warehouse, Los Angeles, CA 2022 “Identity with a Chance of Imperfection”, Artspace Warehouse, Los Angeles, CA 2022 “Saturate Euphoria”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York, NY 2021 “Splatters of Life”, Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Affordable Art Fair Hong Kong 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 "Colored Whipped Cream," Artspace Warehouse, Los Angeles, CA 2018 Threshold Art Gallery, Los Angeles, CA 2018 484 North Gallery, Laguna Beach 2013 Beirut Art Beat 2009 Lebanese Artists Association 2009 Gallery Surface Libre 2008 Lebanese Painters Exhibition 2007 Café De Prague Hamra 2007 Cream Saifi Village 2007 Matignion Gallery, Horsh Tabet 2007 Drops Batroun (permanent) 2007 Cloud Nine Jemaizeh (permanent) 2007 Tribecca Monnot 2006 Art Lounge, Beirut, Lebanon 2006 MILK Jemaizeh (permanent) 2006 Gauche Caviar Jemaizeh (permanent) 2006 ESCWA Riad El Solh 2006 Tapas Jemaizeh (permanent) 2006 Zinc Achrafieh 2006 Blush Monot 2006 The Basement Jemaizeh 2005 Solo Gallery Show, Art Lounge, Beirut 2005 Zinc Achrafieh 2005 Tribecca Monot Café 2004 Paul Guiragossian...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Che...

Dutch Female Artist Liseth Visser is no stranger to the world of portraiture. In the past she was nominated for the 'BP portrait award' from 'Th National...

F. CLEVEROT Captain 1898 Oil on panel 18 x 14 inches Framed: 28 x 24 inches Hand signed lower right recto

Medium: Oil on Board Signature: Signed Lower Right Father and Son, Women's Day Magazine Cover, January 1945 The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...

Imke 16 x 16 cm ( it will be delivered framed/ frame is included: size with frame 18 x 18 cm ) Acrylic paint on wood The Dutch artist Jantina Peperkamp likes to paint portraits of ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Eugene Brands: 1913-2002. Very important Dutch painter with auction records over $165,000. He was one of the founders of the avant-garde Cobra School. T...

November, 2022 acrylic on canvas 78 47/64 x 106 19/64 inches 200 x 270 cm The painting by Alexandru Rădvan is about our moments of 'respiro' about the minutes/seconds when we noti...

Tuna Fishing by Gilbert Fulio signed, dated 1993 and titled oil on canvas, framed Framed: 27 x 31 inches Canvas: 21 x 26 inches Provenance: private collection, France Condition: very...

Medium: Oil on Board Dimensions: 25.50" x 20.00" Signature: Initialed Lower Right

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Hold...

Being black is our heritage, what we have inherited from the past to value and enjoy in the present, and to preserve and pass on to future generations. Shipping Procedure Ships in a...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in ...

Graham Dean 1977 Signpost Acrylic on canvas Image size: 78 x 50 inches The painting depicts a time before electronic travel boards, when train times were chalked on blackboards. The...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certifica...

Marina Dieul's "Petite Souris 700", 2024" is an exquisite handmade original oil on panel artwork, measuring 4 x 4 x 1 inches, that comes directly from the artist's studio. This piece is a primary market offering that showcases Dieul's impeccable talent and her mastery of the trompe l'oeil technique. The painting features the captivating face of an adorable mouse with a an orange knitted cap and mittens peering from a green shuttered...

James George Weiland American, 1872-1968 Young Girl Resting in a Bed of Flowers Oil on canvas 24 by 30 in. W/frame 30 by 36 in. Signed lower left...

Julien-Auguste HERVÉ (1854-1932) Toothache, circa 1900 Oil on canvas Signed "JULIEN HERVE" and dated lower right 61.5 x 50 cm Born in 1854 in Basse-Indre, Loire-Atlantique, Julien-A...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

Shana Levenson's "Rare" is an original, handmade oil painting that depicts the artist in a lace dress with butterflies surrounding her. Shana Levenson is an accomplished representa...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Pathfinder is Inspired by portraying the struggles, aspirations, and joys of women in my society, and to encourage viewers to connect with these experiences on a personal and emotion...

This artwork captures a solitary figure standing beside a sleek, vintage black car against a muted, ethereal background. The figure, viewed from behi...

Staring, 2012 Oil on canvas (Signed on reverse) 19.68 H x 23.62 W in 50 H x 60 W cm The painting represents two children in the playground. One child is painted eating a banana and...

“Vision of Twilight” is a captivating and contemplative artwork that suspends us in the ethereal realm of the in-between. This enchanting title captures the essence of a fleeting mom...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Canadian realist painter Dan Hughes pays homage to fellow painter and member of the "New Spanish Realists," Antonio Lopez Garcia. The glowing hyper-realis...

Crockwell is as good as Rockwell. Many would agree with that statement including the editors of the Saturday Evening Post in which both artists were frequent contributors. In fact, ...

Un ultimo ritocco is a wonderful original oil painting on wooden panel, realized by the contemporary Italian artist Claudio Benghi. Title, tecnique, dimensions and signature are han...

Medium: Oil on Canvas Signature: Signed Lower Right

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Lawrence...

Three young boys talking. One of the boys is playing with a military jacket on the chair. Signed lower center. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...

This figurative blue, green, brown, white, and beige painting titled "Outward Bound" is an original oil painting by Katherine Fraser in a handmade wood f...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Jum...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by ...

Original advertisement for Goodyear Super-Cushion Tires, circa 1950 The image shows three men drinking coffee at a hunting camp in an autumn landscape. Frank C. Bensing was born in Chicago, Illinois, and received his art training there at the Art Institute. Among his teachers were DeForrest Schook, Wellington Reynolds, Charles Schroeder and Walter Biggs...

Tiffany Dae's (US based) "Shadow Self" is a original, handmade oil painting that depicts a feminine face with blue lipstick fading into the darkness of spa...

Portrait of a lady with long hair, wearing a kimono Date: late 19th/early 20th century Origin: Berlin Signed C. Schmidt on L/L Dimension: 9 1/4 in x 6 1/2 in

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Ganiyat Abdulazeez, a contemporary Nigerian artist, has created many notable works of art that capture the beauty and complexity of the human form. Among her most striking pieces is "Portrait of Theophilus," a painting that captures the essence of a man with a cap, who exudes both confidence and vulnerability. The portrait is executed in a style that is typical of Abdulazeez's work, featuring bold and vivid colors that are applied with loose, impressionistic brushstrokes. The colors in the painting are warm and earthy, with a predominantly brown and pink, and red color scheme that creates a sense of warmth and intimacy. The subject of the painting, Theophilus, is a young man with a cap that partially obscures his face. His expression is one of quiet contemplation, with a hint of a smile on his lips that suggests a sense of humor and lightness of spirit. The pose of the figure is relaxed, with his head tilted slightly to the side and his shoulders hunched forward, creating a sense of intimacy and vulnerability. What sets "Portrait of Theophilus" apart from other portraits is its emotional depth. The figure's relaxed pose and warm color scheme create a sense of intimacy that invites the viewer to connect with the subject on a personal level. The viewer is drawn into the painting, invited to consider the complexities and contradictions that exist within the figure's inner world. The painting is also notable for its simplicity. The figure is depicted against a background, with no distracting elements or contextual details to distract from the essence of the figure. This minimalist approach allows the viewer to focus on the details of the subject's expression, posture, and clothing, all of which contribute to the overall impression of the figure. Overall, "Portrait of Theophilus" is a masterful work of art that captures the essence of a man with a cap in all his complexity and vulnerability. It is a testament to Ganiyat's skill as an artist, and to her ability to create paintings that are both aesthetically pleasing and emotionally resonant. Whether viewed as a portrait or as a study of the human form, this painting is sure to leave a lasting impression on those who see it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abdulazeez Ganiyat Abosede is a visual artist based in Lagos, Nigeria. She graduated with a National Diploma from the prestigious Yaba College of Technology in 2017 and went on to earn a Higher National Diploma in the same school in 2021. Ganiyat explores a diversity of media spanning pastels, graphites, charcoal, watercolors, acrylics, and oils (being her most favored). In her recent works, she incorporates a distinctive floral motif - believed to have a deep connection with her childhood experiences in her portraits. This reoccurring phenomenon in her work is called jatropha multifida ( coral plant...

In this oil painting, I aimed to capture the quiet melancholy and reflective beauty of autumn through the soulful eyes of a young woman cloaked in a deep blue coat. Her gaze, interwo...

Ale Casanova's "Captured Moment 3" is an original, handmade oil painting that depicts a portrait of a model with her hand on her forehead. Alejandro Casa...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...