Plant Figurative Paintings

Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

Green Room (2022), oil painting on canvas, earth tones, interiors, greenhouse, windows, human figure, potted plants, wooden floor "Green Room" by Delilah Ray Miske...

Flora Carnivora (2021), oil on linen, landscape, skyscape, nightscape, night sky, moon, flowers, garden, florals Painting is 20" high by 16" wide (float frame...

Invoking Medusa (2021), oil on linen, landscape, skyscape, flowers, garden Large scale oil painting, surreal quality to earth scape and skyscape. Mixed flowers blooming from soil. S...

Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

With these pieces Mattia is painting a self-portrait in a unique and creative way without the typical technique of using paint with brush strokes. Mattia starts by creating molds then ice sculptures with color...

oil painting on stretched canvas Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affi...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

Thaddeus Welch (American 1844-1919) The Columbian Exhibition, the 1893 Chicago World’s Fair 70 x 35”, oil on board signed Request Price The C...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

Vibrant, yet also subdued, this work’s use of color and line imbue ordinary subject matter with an uplifting sense of levity and beauty. Bolstered by a strong use of abstract elements and impressionist techniques, this oil on canvas painting is an excellent example of Chambers’ unique stylistic blend. Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention. From the outside looking in, she observes often overlooked aspects of life to discover an otherwise unseen beauty in the ordinary. Her paintings are vibrant compositions of color. She works in two distinct palettes, one bright the other subdued, each containing an incredible diversity of hue and value. Her insistence on variety furthers the idea that everything contains its own unique beauty, if only you stop to notice. Chambers skillfully uses lines and shapes to both break up the vibrancy of the canvas and to imbue her compositions with a narrative power. The line work introduces a tension to the color as the objects of her focus appear to pop and the details of each scene defiantly catch the viewer’s impatient eye. It is in this way that her paintings elevate above mere depiction to offer a lesson in the observation of art. Each painting has strong elements of abstract and impressionist techniques, as well as drawn forms that are cartoon like in character. The blend of the two adds dimension to the flat surface and provides visual anchors in the midst of the cacophony of color. Based in Belleville, Texas, Chambers is a “Texas Big 10 for Art” prize winner at KCAM, a recipient of the “Silver Award” from Art Forward, and the “Alexander Rutsch Painting Award” from the Pelham Art Center. Chambers’ art has been featured in numerous shows in galleries across the United States, including Houston, Lexington, Palm Beach, and New York. Select exhibitions include The Grace Museum in Abilene, the Dairy Arts Center in Boulder, Colorado, the McKinney Avenue Contemporary in Dallas, Texas, the Fort Worth Community Arts Center in Fort Worth, Texas, the Lawndale Art Center in Houston, Texas and the Pelham Art Center in New York. Lindy Chambers "Beware of Dog...

Large and vibrant, this painting on canvas demonstrates a skillful employment of line and color. The variety of color and line, combined with a robust proclivity for abstraction, thi...

This work’s strength comes from its range of tonal values combined with coarse texture. In "Selfie," Chambers draws upon a variety of colors and textures to imbue this painting with ...

Medium scale vertical contemporary still life oil painting of interior, the artist studio window during the 2020 quarantine. Moody color tones border the sunny window with a sheer white curtain revealing the pastel cityscape behind it. A deep green potted plant in a terracotta planter, slightly askew, sits in front of the window along with quarantine everyday life essentials, including toilet paper rolls and a bottle of kelly green dish soap. The sunny window brings hopeful light into the room from the Philadelphia architectural...

A Garden - naive art, primitivism, folk art made in red, green, blue, pink, yellow colors. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau and Niko Pirosmani...

Landscape is an original oil on canvas artwork realized by Antonio Donghi in 1937. Original title: Paesaggio. Hand-signed and dated by the artist on the lower right margin. Inclu...

Robert Elton Tindall (1913-1983) "Tending the Garden" (Girl with a Hoe) c. 1940 Egg Tempera with Resin Oil Glazes on Panel Signed Lower Left Site: 10 x 9 inches Framed: 15 x 14 inch...

Acrylic on canvas Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Since childhood Scott Daniel Ellison has had a fascination with the unknown...

Allison Green grew up on the outskirts of a lush forest in Pennsylvania, an experience that continues to inform her artistic practice. Primarily a painter, Green is best known for he...

Allison Green grew up on the outskirts of a lush forest in Pennsylvania, an experience that continues to inform her artistic practice. Primarily a painter, Green is best known for he...

Allison Green grew up on the outskirts of a lush forest in Pennsylvania, an experience that continues to inform her artistic practice. Primarily a painter, Green is best known for he...

Tran Trong Vu paints a contemporary narrative on the changes that have taken place in his homeland of Vietnam. He paints on large transparent plastic sheets as well as oil on canvas.

Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...

Presenting an original oil on canvas by American artist Darren LeGallo. "Equanimity: Pusher Love Girl", is one of the lifetime masterpieces by American artist Darren LeGallo, and it has just been released for sale, This painting was conceived and executed in the studio while the song, "Pusher Love Girl", was being recorded for, the 20/20 Experience album by Justin Timberlake.. “Equanimity: Pusher Love Girl”, was exhibited at the premiere solo exhibition of American artist Darren LeGallo, “Darren LeGallo: Nothing You Don’t Know”, a retrospective of original oil paintings and drawings, February/March 2013. The exhibition was produced by Trigg Ison...

Phototransfer on engraved, painted plexiglass

An original Pastel by French artist Jean Jannel, known for his figurative, genre portraits. Fleurs, is an original pastel on paper, signed, c.1930, offered superbly framed.