Shelter Figurative Paintings

Rooted in the concept of memory born from photographs, Lisa Golightly’s paintings are reconstructions of found film photography as seen through the artist’s eye. Photography remains...

La Plage aux Andelys by Georges Manzana Pissarro (1871 - 1961) Oil on board 23.7 x 32.9 cm (9 ⅓ x 13 inches) Signed lower left, Manzana Pissarro Executed circa 1930 Provenance Priva...

Watercolour on paper Fabrizia Conti is an Italian artist born in 1986 who lives and works in Palermo, Italy. As a daughter of a violin maker, she was always surrounded by art and i...

Attributed to Mary Adshead 1904 - 1995 London Costmongers Oil on canvas Image size: 30 x 36 inches Framed Costermongers were London people that sold fruit and veg and other ‘perishables’ from barrows. Often wheeling and then stationing their barrow on the street, so their customers could easily come and buy from them. Costermongers were fiercely independent, rebellious in their dress and outlook, and had little time for ‘middle class moralising’ and attempts to suppress or restrict their way of life. (Much like modern teenagers) The men depicted stop work for a break with cups of tea and a few read the newspapers. Next to the man with the yellow apron can be seen some cakes on a plate. A work place , a factory can be seen in the distance on the right. It is possible that the painting depicts a cabmen's shelter, as some did serve outside and many still survive today in London. The style of the painting is very much that of a student of the Slade School in London and has similarities with other artists work such as James Batemen or Herbert Ashwin Budd. On the back of the painting it has in chalk the name 'Rhoades', which could refer to the artist Geoffrey Hamilton Rhoades...

Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

Trevor Waugh Watercolour painting

Medium: Gouache Signature: Signed Lower Right a slave with shackles on the ground behind him appealing to Abraham Lincoln with the Civil War battle s...

Glass Houses (Right) is an acrylic on canvas painting, with a canvas size of 30 x 48 inches, signed 'afn' lower right and framed in a contemporary black moulding. Anne Faith...

Acrylic on canvas Juliette Lamarca is a French artist born in 1982 who lives and works in Clamart, near Paris, France. After higher studies in applie...

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: Sight Size 18.75" x 26.00;" Framed 26.00" x 33.00"

Oil on canvas

Acrylic on photo

Acrylic on canvas Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the ...

Medium: Oil Painting Signature: Unsigned Cover of 'April Gold' written by Grace Livingston Hill

Oil on canvas

Signature: Signed Lower Left The Girls of Canby Hall Series by Emily Chase, published by Scholastic (1984–1989), is a collection of young adult novels, based around the lives of a g...

"Day at the Beach" by Henni de Korte measures 20x24 and is available for $7,500. It's a beutiful day at the beach as families set up colorful umbrellas and chairs next to their tiny ...

"The Beach" by Henni de Korte measures 20x24 and is available for $7,500. It's a beutiful day at the beach as families set up colorful umbrellas and cha...

In highly developed nations today there is a widespread alienation and loneliness that engenders fear and distrust, a restrictive self-righteousness of thought, and a dread of what-c...

Date: 1952 Medium: Oil on Board Dimensions: 22.25" x 16.25" Signature: Signed Lower Left This classic Nappi painting was first published as the cover for Backwoods Hussy by Hallam Whitney (PBO, Original books...

Date: 1945 Medium: Gouache Dimensions: 23.50" x 35.50" Signature: Signed Lower Left Story illustration, older man leading horse, concerned kids. "Don't sell him, Uncle Pete' Ba...

Medium: Oil Painting Signature: Signed Lower Left Contact for exact dimensions. Blue Book Magazine Cover, November 1947

Medium: Gouache on Board Dimensions: 12.00" x 16.00" Signature: Signed Lower Left

Contemporary figurative painting

For this exhibition, I wanted to find the coherence of a life shared between different geographies from Tunisia to Canada. Intertwining the imagery of here and there, I ask myself wh...

Medium: Oil on Board Dimensions: 18.50" x 27.00" Signature: Signed Lower Right

Date: 1922 Medium: Oil on Canvas Dimensions: 25.00" x 25.00" Signature: Signed Lower Left "Tain't 'cause they don't want us, Nobbs. It's 'cause we're inel'gible" (Nobbs laid hi...

Bo Bartlett Station, 2017 Gouache on paper 15 1/4 x 22 1/2 inches 38.7 x 57.2 cm Signed: Bo (lower right recto) Dated: Aug 31 2017 (lower left recto) -- Bo Bartlett is an American...

"Irina Miftahova" Landscape Oil Painting 20" x 47" inch by Evgeniya Buravleva Evgeniya Buravleva was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vy...

Mid-day, Zuni Village, 1897 By. Frank Reed Whiteside (American, 1866-1929) Unframed: 20" x 30" Framed: 28" x 38" Frank Reed Whiteside, born in Philadelphia on 20 August 1867, became a student of Thomas Anshutz at the Pennsylvania Academy of the Fine Arts (1888-92). He already began exhibiting there during his student years (1887-98). In 1893, he enrolled in the Académie Julian in Paris where he received instruction from Jean-Paul Laurens and Benjamin Constant. After his French academic training, Whiteside taught art in Philadelphia high schools. He took frequent trips to the Southwest between 1890 and 1928 to live with and paint the Zuni Indians. Whiteside depicted ceremonial dances, Zuni buildings, and other genre scenes, usually in blinding afternoon sunlight. He carefully observed the effects of light on vibrant color, using a finely crafted impressionist technique. He was fond of broad areas of color, subtle combinations of hues, and simplified shapes and silhouettes. Whiteside continued to exhibit at the PAFA (1905-15), at the Art Institute of Chicago (1896-1916), at the Carnegie International (1905 and 1907) and at the Corcoran Gallery (1907). He was a member of Philadelphia art societies and beginning in 1909 had a summer studio in Ogunquit, Maine, where he took part in Hamilton Easter Field's discussion groups. Frank's wife, Clara Walker Whiteside, who published Touring New England in 1926, was active in the Ogunquit Art Association. Like Stanford White, Frank Reed Whiteside was the victim of murder, on 19 September 1929, but Whiteside's case remains unsolved. One night, the sixty-three year-old painter answered the doorbell. Two witnesses...

This work’s strength comes from its range of tonal values combined with coarse texture. In "Selfie," Chambers draws upon a variety of colors and textures to imbue this painting with ...

The rich sense of contrast between green and red hues lends an energetic disposition to this pastoral scene. In combination with a rugged textual treatment, this work’s color and des...

Joseph Orr "Winter Wood" Acrylic on Canvas 18 x 24 28 x 34 framed Joseph Orr, from Missouri, has been painting professionally since 1972. He paints much o...