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Thomas Darsney
Tapestry V

2022

$5,500
£4,184.24
€4,892.65
CA$7,691.99
A$8,641.08
CHF 4,598.69
MX$106,850.31
NOK 56,035.50
SEK 54,178.29
DKK 36,494.63
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About the Item

Thomas Darsney’s paintings reveal a palpable tension between the tactile sensuousness of fabric and the subdued brushstrokes of paint made flesh. United by this visual juxtaposition, the artist’s masterful compositions pay tribute and homage to various painting masters through the inclusion of art historical references. An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt, and Degas. These artists’ attention to detail and adherence to classical ratio, coupled with Darsney’s own innate sense of structural integrity, inform his vision. He is also particularly influenced by the art on view in Boston museums and collections.
  • Creator:
    Thomas Darsney (1965, American)
  • Creation Year:
    2022
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Boston, MA
  • Reference Number:
    1stDibs: LU397312977752

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Signed verso. As Darsney’s work has developed, his compositions and influences have evolved. An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt and Degas. These artists’ attention to detail and adherence to classical ratio, coupled with Darsney’s own innate sense of structural integrity, inform his vision. He is also particularly influenced by the art on view in Boston museums and collections as seen here with his portrayal of The Daughters of Edward Darley Boit...
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Portrait of a British Naval Lieutenant
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'Portrait of British Naval Officer' is attributed to the British painter and engraver Daniel Orme (1766-c.1832) based on the scratched inscription verso, as well as its similarity to Orme’s known engraving oeuvre. The oil on tin portrait bears the scratched inscription “D. Orme” verso, which in the absence of contravening evidence as to the artist is significant in attributing the work to Orme. Katherine Coombs, Curator of Paintings at the Word & Image Department of the Victoria and Albert Museum, London and the writer of the Dictionary of National Biography article on Orme, states that Orme is “so obscure an artist that if his name is indeed scratched on the [tin] that seems good evidence for it being so.” Additionally, Orme’s stipple engravings of prominent naval figures in oval, including John Hunter in 1792, Horatio Nelson in 1798, among others at the National Portrait Gallery, London are consistent with the style and composition of the portrait. Roger Quarm, Curator of Paintings at the National Maritime Museum, Greenwich notes that Orme’s “engraved portraits of naval officers tend to be oval”. Orme is known to have issued a series of engravings by subscription that included portraits of popular naval Admirals and Officers in 1797. Two oils in the collection of the National Maritime Museum, also demonstrate Orme’s execution of naval subject matter. The sitter has been identified as a lieutenant in the British Navy wearing the “full-dress uniform for the period 1787-1812,” according to Roger Quarm. Alfred Umhey has confirmed this identification of the sitter as a “lieutenant in the uniform pattern 1787-1795, which is however worn post that date.” The medal worn around the sitter’s neck has been identified as the Sultan’s Medal for Egypt issued in 1801, by both Quarm and Umhey. The Sultan’s Medal for Egypt or the Turkish Medal for Egypt was issued in 1801 to members of the British Army and Navy by Sultan Selim...
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