WILLIAM SHAYER SENIOR (1787-1879)

The Master Greeting Gypsies

19th Century

Joran van der Haar Chopped Aurelia (Butterfly) 20 x 20 cm (framed included in price) 22 x 22 cm Oil paint on panel Joran van der Haar studied the education Illustration at the acade...

Painted by Anton Hansen (Danish, 1891-1960) circa 1935 and stamped, verso, with certification of authenticity. Provenance: Airforce Captain A.P. Botved, a personal friend of the arti...

Raimond Louis Lecourt French ( b.1882 - d.1946 ). Chevaux À L'Abreuvoir, 1908. (Horses At The Trough). Oil On Canvas. Signed & Dated 1908 Lower Left. Image size 14.2 inches x 17.3 in...

Modern naturalistic portrait painting by well-known Houston-based artist Herb Mears. The work features a detailed rendering of a jockey wearing a yellow and blue outfit standing next to his wife and a young lion. Signed by the artist in the front lower right corner. Retains the original DuBose Gallery label on the reverse. Currently hung in a complementary frame. Dimensions Without Frame: H 48 in. x W 54 in. Artist Biography: Born in New York City in 1923, Herb Mears was interested in art from a young age. He studied under Fernand Leger in Paris and went on to paint and study in various studios in France and Italy before his arrival in Houston in 1951. With colleague David Adickes, whom he had met in Paris, Mears decided to open an art school. Their Studio of Contemporary Arts finally settled in an old building on Main Street with Mears and Adickes hoping to give classes to potential students. However money was tight and Mears found himself as a draftsman for Houston Lighting and Power Company, a job he excelled at and enjoyed. Later, Mears was involved in the Contemporary Arts Association, frequently making trips to ensure security in addition to enjoying the art scene the Association provided. From the CAA to the Art League of Houston and the Museum of Fine Arts, Mears began to gain recognition. An abstract, or non-objective piece as he called it, won a prize at a competition held by the Museum of Fine Arts, earning him a teaching position at the Museum School. Mears also taught at the Contemporary Arts Museum, University of Houston...

Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting the banana as...

Harold Walton Freckleton. English ( b.1890 - d.1979 ). Milly With Minstrel. Oil On Canvas. Signed Lower Right. Image size 24.4 inches x 29.52 inches ( 62cm x 75cm ). Frame size 30.7 inches x 35.8 inches ( 78cm x 91cm ). Available for sale; this original oil painting is by the Nottingham artist Harry Freckleton and dates from the 1960s. The painting is presented and supplied in its’ original wooden frame (which is shown in these photographs). The frame, canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The original cotton covered slip has been replaced. This vintage painting is now in very good condition, defying its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. The acclaimed artist Harry Freckleton was born in Nottingham in 1890 and lived there for most of his life. He studied at the Nottingham School of Arts, as it was then known, from 1904 to 1912 under Wilson Foster and was much influenced by the local painter Arthur Spooner. He worked as a lithograph artist, and then served in the army during World War 1. He then worked as an artist for New Zealand Cine Studios and went on to run his own photographic business from 1924-65. Freckleton married the artist Vera Freckleton and they spent most of their married life living in at Whitegates in The Park, Nottingham. Most of Freckleton’s art is painted in oils, and he specialised in still life, landscape and figurative work, especially childhood scenes. His best works have a strong human interest, with an individual technique showing quality and fine execution. He was a member of the Nottingham Society of Artists, exhibiting there and becoming an esteemed Associate. As a successful artist Freckleton exhibited work seven times at the Royal Academy, as well as the Royal Society of Portrait Painters and the Royal Society of British Artists. His work continues to be sought-after and is today represented in permanent collections in Nottingham, Blackpool, Huddersfield and elsewhere. © Big Sky Fine Art This beautiful oil on canvas painting by Harry Freckleton shows a scene in an English farmyard. Besides an old green painted barn and a tall haystack, we see Minnie, a young girl sitting astride Minstrel, her brown pony. She is wearing a riding hat, white blouse and red trousers, and looks down at her left side towards a second figure, in a blue top and tan trousers, who is possibly adjusting her stirrups. A third figure, another girl, in grey blouse...

Oil on cardboard realized by Lillo Bartoloni in 1980s. Hand signed. Very good condition.

A charming pastoral study depicting a shepherdess bringing her animals to a rural well to drink. The scene looks over a rustic Italian landscape. Unsigned. Presented in a black casse...

"Sysonby" Edward Herbert Miner (American, 1882-1941) Depicting the champion thoroughbred horse Sysonby (1902-1906) Oil on canvas, signed "E H Miner 1905" 24 x 32 inches (31 1/4 x 39...

Oil measures 30x30 cm. Frame measures 52x52 cm. He was born in 1951. Under the direction of the teacher Pedro Bermejo, he began his artistic career, quickly standing out and observing in his works an unusual mastery of drawing. A highly mature painter who has known how to stop time in all his works. His themes are preferably costumbrist, although in his work it is usual to see 18th century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, due to the theme, of Maestro Palmero...