Frederick Coffay Yohn

Book illustration for The Last Days of Pompeii

circa 1926

Date: 1936 Dimensions: Oil on Canvas Signature: Signed Lower Right Medium: 25.00" x 20.00" Home Arts Needlecraft Magazine Cover, August 1936.

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 38.25" x 29.25", Framed 45" x 35" Cover of The Saturday Evening Post Magazine, June 13, 1925 Edmund Davenport was a New Yorker and a successful illustrator in the 1920’s. He painted covers for Women’s Home Companion and The Saturday Evening Post, and at the same time, he worked in the art department of Paramount Studios. At the time of this publication, a young woman’s graduation from college was a rare accomplishment, and the opportunities for employment that required a college diploma, were even rarer. Nevertheless, it was a good reason for this pretty, young woman to be sitting on top of the world in the vicinity of “cloud nine.” “Top of the World” appeared on the cover of The Saturday Evening Post on June 13, 1925. Exhibited: Christie's New York, Illustrating America: Norman Rockwell and His Contemporaries, November 30, 2013- January, 2014 A luminous and rare Golden Age of Illustration cover...

Medium: Oil on Canvas Size: 40" x 20"

Medium: Oil on Canvas Signature: Signed Lower Left Size: 26.20" x 24.00" As noted in Vintage Illustration by Rick and Charlotte Martin, Hy Hintermeister was actually the pen name of the father-son team of John Henry Hintermeister and Henry Hintermeister. The two created calendar art and prints for nearly fifty years. The Martins write, "Like Norman Rockwell, the Hintermeisters excelled in situational or storytelling illustration." Calendar Illustration

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...

"Teller 3" Oil on Canvas presents a singular form and background in varying shades of green, blue, yellow and white and eart tones. Frank Arnold is viewed as one of the foremost abstract figurative painters and sculptors of our time. He is a living master guided by a personal mission to “turn on a light in the human soul,” through his passionate creation of “Messengers” from his deeper mind connection with Carl Jung's archetypal images, the collective unconscious, and Jungian Synchronicity. These unconscious forms from his deeper mind resonate as personal messages of universal acceptance, reaching out to the viewer. Arnold has been honored as IAD Artist of the year 2018 by International Artist Day, and 2013 FAC Horizon Artist Award. He has exhibited his artwork in numerous galleries and museums and is in collections worldwide. Arnold divides his working days between oil painting in San Jose del Cabo, Baja Sur...

“Moving 5” is 60”x 48”. The vibrant yellow surface tones of this piece are broken in several places allowing random glimpses of Arnold’s dreamlike underpainting for a multi-dimension...