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Georges BraqueGeorges Braque (French, 1882-1963) - Nature Morte au Pot1959
1959
About the Item
Georges Braque (French, 1882-1963) - Nature Morte au Pot
Signed ‘G Braque' (underlined) bottom right
Oil on canvas
Canvas: 18 x 21.75 in. (45.7 x 55.2cm)
Framed: 26 x 30 inches
Executed circa 1959
Provenance:
Galerie Beyeler, Basel, Switzerland.
Galerie de l'Élysée (Alex Maguy), Paris, France.
Acquired directly from the above.
Private Collection.
Collection of Sidney Rothberg, Philadelphia, Pennsylvania.
Exhibition:
Galerie Beyeler, Basel, Switzerland, July-September, 1968, no. 55.
Galerie de l'Élysée, Paris, France, October-December 1970.
Worcester Art Museum, Worcester, Massachusetts, 1991 (on loan).
Literature:
Dora Vallier, Georges Braque, Galerie Beyeler, Basel, 1968, pl. 55 (illustrated). This book will accompany the sale.
Condition:
The strip-lined canvas in overall very good condition. The work presents nicely. Examination under UV light reveals a small dot of inpainting in the upper right corner, as well as at center left (on the bottom of the pitcher's handle). Minor areas of crazing also visible at upper center right (in the background) and at center right (on and above the still life)
Nature Morte au Pot was painted four years prior to Braque’s passing in 1963. His late still life paintings are a departure from both his early Cubist compositions, and his still life paintings from decades later. From 1907-1914, the French master’s name was inextricably intertwined with Picasso’s; the latter jokingly referred to Braque as his “ex-wife.” The two were major contributors to and pioneers in Analytic Cubism, whose aim was to depict objects in a manner in which they are radically fractured and deconstructed into overlapping planes and facets, and are meant to be simultaneously viewed from different angles, with traditional notions of perspective and foreshortening abandoned. It was the French art critic Louis Vauxcelles who described his work as “bizarreries cubiques.”
Braque’s still life paintings from the late 1920s to the 1940s are characterized by their decorative and sensual qualities, with an emphasis on color, pattern, ornament, and sometimes shrouded in ambiguous symbolism. Some of the still life works from this period also feature the vanitas element of a human skull. Notwithstanding technical, stylistic, and compositional changes in his still life paintings, it is worth noting that all the while, Braque maintained an adherence to the precepts of Cubism, while Picasso experimented with different movements, including a revival of classicism, also referred to as retour à l’ordre (return to order). Nature Morte au Pot is emblematic of Braque’s late period still life paintings. Said Braque: “Objects don’t exist for me except in so far as a rapport exists between them or between them and myself. When one attains this harmony, one reaches a sort of intellectual non-existence. That is true poetry.”
Executed three years after the artist completed his monumental nine Ateliers paintings, Nature Morte au Pot is not only is more transcendent than the artist’s still life compositions dating to roughly the second quarter of the 20th century, but is fundamentally far removed from the far more painstaking, calculated, multi-angular Analytic Cubist compositions he executed early in his career (along with Picasso and Juan Gris). The objects in the present painting appear ethereal and practically undulating, possessing an almost rhythmic quality, particularly the pot at left, which nearly vibrates uneasily along a slanted surface. It is executed in a highly expressive manner.
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Please also consider Avantique’s eclectic collection of wonderful fine art paintings with artists such as Henri Matisse, Paul Gauguin, Gustavo Klimt, Georges Braque, Anthony Thieme, Emile Albert Gruppe, Alphonse Mucha, Maximilien Luce, Alfred De Breanski, Antoine Blanchard, and Marcel Dyf. We strive to collect the highest-quality paintings in exceptional condition.
- Creator:Georges Braque (1882 - 1963, French)
- Creation Year:1959
- Dimensions:Height: 30 in (76.2 cm)Width: 2 in (5.08 cm)Depth: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU2724214290042
Georges Braque
Georges Braque was born in Argenteuil, France, in 1882. Braque lived much of his childhood and young adult life in Le Havre. He attended night classes at the art school from 1897–99 and then moved to Paris, where he obtained his license as a master decorator. From 1905–06, after studying at École des Beaux-Arts in Paris and having been influenced by the works of Henri Matisse, he began to paint in the way of Fauvism by using bright colors and taking advantage of the freedom of the composition. Paysage à L'Estaque (1906) was one of the prominent works of art made at this time.
The year 1907 was a significant time in Braque's development, wherein he visited the retrospective on Paul Cézanne and he came into contact with Picasso, who was very engrossed in the realization of Les Demoiselles d'Avignon at the time. At this point, Braque began nurturing a considerable interest in primitive art. After the First World War, Braque worked autonomously and developed a more personal style, which was characterized by vivid colors and textured surfaces. Braque painted still life, interior views, and ocean scenes. The Ateliers (1948–55) and Birds (1955–63) series were painted during this period. In 1948, he obtained his first award for painting at the XXIV Biennial in Venice.
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