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Beatriz GuzmanMeet Her2024
2024
$5,800
£4,384.08
€5,038.09
CA$8,076.46
A$8,984.74
CHF 4,709.91
MX$109,791.28
NOK 59,974.84
SEK 56,458.01
DKK 37,607.42
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About the Item
The basis of Beatriz's painted scenes is an exploration of the construction of reality. She represents this by analyzing all the things that are contained in a given space — and what links them. In her eyes, narrative sequences are thus born or constructed, connected to each other by spontaneous links.
Beatriz views her painted works as collages that she has pieced together to rebuild an everyday scene from her life. What has survived in her memory is ranked, and categorized. Maps, blueprints, cartography; any visual reference from the real world are the basis of her preliminary notes and sketches. That being said, she deliberately introduces a sense of doubt about the events of a scene, replacing, for example, a character with an allusion. Beatriz also works with the notion of instability, visiting the past and representing its uncertainty through new interpretations.
About this piece she says: "This is the memory of my first hands-on project - a small bench - under the surprised gaze of my brother and with the complicity of my mother who hated my 'tomboy' side but who was proud nonetheless. A female tutelary figure evokes one of my favorite drawing teachers."
Beatriz Guzman Catena was born in Argentina in 1974. She lives and works in Paris.
- Creator:Beatriz Guzman (French)
- Creation Year:2024
- Dimensions:Height: 27.6 in (70.11 cm)Width: 39.3 in (99.83 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1566214106652
Beatriz Guzman
Everything is contained in a given space. The links between spaces provide the starting points for her paintings. In this way, narrative sequences are born or reconstructed, newly connected to each other. Every picture is a collage that Beatriz pieces together to rebuild an everyday scene of her life. What has survived in memory is ranked and cartography or visual reference from the real world are the basis for her preliminary notes and sketches. However, Beatriz deliberately introduces a sense of doubt about the events, an allusion, a historical element that takes his or her place. Her work is about playing with a set of different stories. Beatriz works at the notion of instability. Beatriz visits the past and represents its uncertainty through new interpretations. The resulting narratives are an unending re-transcription.
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