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Franz Bergmann3 - Original Set Renderings by Franz Bergmanncirca 1940
circa 1940
$3,000
£2,303.87
€2,640.21
CA$4,223.26
A$4,730.98
CHF 2,465.27
MX$57,708.23
NOK 31,327.97
SEK 29,540.05
DKK 19,705.79
About the Item
Presenting three original set renderings by American artist Franz Bergmann(8198-1970) Franz Bergmann studied at the Academy of Fine Arts in Vienna, before settling in Northern California in the mid 1930s where he worked and taught until his death in 1970.
All three are original watercolors, c.1940, unsigned, acquired originally from the estate of the artist. All are unframed and in good original condition with the exception of a tear on the lower right side of one which you can see in the photos.
- Creator:Franz Bergmann (1838 - 1894, Austrian)
- Creation Year:circa 1940
- Dimensions:Height: 6.75 in (17.15 cm)Width: 10.75 in (27.31 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:One painting has a small tear at the mid right side, please see photos.
- Gallery Location:West Hollywood, CA
- Reference Number:1stDibs: LU130687072
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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