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Jessie Willcox Smith
Bed-Time, Scribners Monthly Magazine Illustration

1902

About the Item

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published in Scribner's Monthly Magazine, December 1902 This work is one of six paintings from the Mother's Days series published in Scribner's Monthly Magazine December 1902 issue.

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"Preview" Story Illustration for Saturday Evening Post, Nov. 5, 1938
By John LaGatta
Located in Fort Washington, PA
Medium: Mixed Media on Board Signature: Signed Lower Center "Dancing the minuet before a camera and the hundred people behind it isn't the same as just dancing because you like the ...
Category

1930s Mixed Media

Materials

Crayon, Mixed Media, Oil, Gouache, Board

Saturday Evening Post Illustration
By Clarence Underwood
Located in Fort Washington, PA
Medium: Gouache on Board Dimensions: 30.00" x 22.00" Signature: Signed Lower Right
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20th Century Interior Paintings

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Story Illustration "Katie Cling & the Dutchess"
By Harry Anderson
Located in Fort Washington, PA
Date: 1944 Medium: Gouache on Board Dimensions: 20.00" x 25.00" Signature: Signed and Dated Lower Right Story Illustration: "Katie Cling & the Dutchess", by Dorothy Staley, Goo...
Category

1940s Interior Paintings

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He sat opposite the distorted figure
By Howard Chandler Christy
Located in Fort Washington, PA
Signature: Signed and Dated Lower Left Vignette for an unknown publication, with Scientific Engraving Company labels on verso
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1920s Interior Paintings

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The Story of Rembrandt
By W. Smithson Broadhead
Located in Fort Washington, PA
Signed Lower Right illustration for Cosmopolitan magazine, published May 1928, with inventory stamp and notes on verso.
Category

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"Every Sunday, Mowbray and the boy had dinner together"
By Tom Lovell
Located in Fort Washington, PA
Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...
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1950s Interior Paintings

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