Paint Interior Paintings

Naturalistic still life painting by Dutch artist Leonardus Nardus. The work features three jugs or vases set against a patterned carpet. Currently hung in a carved gold frame. Retains the original gallery tag on the reverse. Dimensions Without Frame: H 27 in. x W 24 in. Artist Biography: Leonardus Nardus, born in Utrecht into the Dutch upper middle class, the son of an antiquarian, was a colorful character. After training at the Amsterdam Academy, he embarked on a brief and unsuccessful gold-hunting expedition to Argentina in 1889. He then settled in America, where he became an art dealer, eventually returning to Paris a few years later. As well as being an art collector, Nardus developed his own talents as a painter. Caught up by a taste for nomadism, Léo Nardus eventually settled in Tunisia, where he built a small palace in the seaside resort of...

Rush Hour by Ali Mourabet [2022] original and hand signed by the artist Acrylic on canvas Image size: H:80 cm x W:80 cm Complete Size of Unframed Work: H...

Krystoff Antier (B.1968) Notre-Dame et sa flèche Oil on canvas 100 x 100 cm / 39.4 x 39.4 inches With frame : 105 x 105 cm / 41.34 x 41.34 inches 2024 Born in 1968 on the banks of t...

Jean Arcelin is a French and Swiss painter born in Paris in June 1962. He studied at Charpentier, a licensed art history school at the Sorbonne, where he developed an interest in sev...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Mother and Daughter Year: Circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size:...

INTROSPECTIVE MAN Size: 63.5 x 73 cm (including frame) Oil on board A large mid century modernist figurative composition in oil, painted onto board. This painting is an expressive,...

A fine impressionist still life with irises in a glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and drawin...

Some of Kreminsky's works give the impression of a designer, while others seem to have been painted by a theater artist, and sometimes they are purely decorative compositions, delibe...

A charming late 19th Century interior scene with later over painting. The scene shows a father (wearing a linen smock often worn by working men over their ...

Joyful figurative scene with two smiling cyclists, connected with a series of colorful, swirling dots, by P. Gren Hayes (American, b. 1932). Signed and dated "© Gren Hayes 1980" at the right edge. Presented in a simple wood frame. Image size: 19.5"H x 23.5"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative / Bay Area Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

Mid Century Blue Green Modern Painting Hand Embellished Giclee on Canvas ORL-6863 Vibrant Colorful Abstract-0-37 State-of-the-art HAND EMBELLISH...

In this work, I have poured my passion using acrylics to evoke depth and movement. Blues and whites intertwine, reflecting abstract emotions that flow freely, like ocean waves on a s...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers, Plants and Peppers) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Con...

Still Life of Flowers by Cécile Hertz-Eyrolles (1875-1974) stamped with the artists studio mark oil on board, unframed board: 18 x 15 inches Provenance: the artists estate, Paris, F...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Lantern, Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Cond...

Artist: Lorik Aveny, Kosovan/American (1972 - ) Title: Orange Light - Purple Heat Year: 2015 Medium: Acrylic on Canvas, signed Size: 31.1 x 31.1 in. (78.9...

The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realities that touch the deepest fee...

Alessandro Sani (Italian, 1856-1927) A Woman and Her Suitors Signed A. Sani (lr) Oil on canvas 26 x 21.5 inches (66 x 54.6 cm) (Framed 37 x 32 inches)

Oil on canvas. Signed to the lower left. Well presented in a painted wooden frame.

William Robert Shulgold (1897-1989), studied under Arthur Watson Sparks, head of Carnegie?€™s art department. He specialized in figurative genre subjects, displaying within his paintings a quality and understanding akin to 19th century impressionism...

"Welcome Home" is an oil painting by American realist Maryann Lucas. It depicts a vase full of flowers sitting on a table w gathered linen and a pair of pears. A wooden windowsill l...

Elegant 1940's still-life of pussy willows in a white vase with a rich royal blue drape by an unknown artist (American, 20th Century). Unsigned and unfram...

One Peeled Satsuma By Kate Verrion [2020] original Oil Paint on Board Image size: H:10 cm x W:15 cm Complete Size of Unframed Work: H:10 cm x W:15 cm x D:2.5cm Frame Size: H:16 cm x...

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...

Untitled Abstract, an original oil on canvas by Edward Gilliam, is a piece for the true collector. Gilliam's use of color and paint thickness immediately captivates the viewer. It is...

An impressionistic painting of Fenske's recognizable blue teapot reflecting a window with a view of the Tuscan countryside. A glass and a bottle of wine, a...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

‘Making the Next Move’ is a very typical example of Schroder’s work. The figures sitting around the table debating their ‘next move’ transports the viewer to the scene. You wonder wh...

This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...

This 40" x 40" oil on masonite panel by artist Marc Barker was painted in charcoal and sepia tones, and was created in an 'old world' grisaille style. "This monochromatic abstract harkens back to my collegiate studies, and as a graduate student teaching zoology with the hours spent staring into a microscope mystified by the primordial world just out of site, a bacterial/protozoan cloud chamber...

Signed Upper Left "Tosca" for Tosca Olinski (American, 1909-1984) and painted in 1941. Provenance: Mongerson Wunderlich Galleries, Chicago. Exhibited: New Directions in American Pai...

'Two Pools ' still life painting of a pair of women's heels on stripes by California artist Kim Frohsin, who employs mixed media, acrylic, Stabilo pencil, Prismacolour, watercolor, w...

Coastal Blue Abstract Acrylic Painting on Stretched Canvas 72H X 30"W, Aquatic

Still Life Painting of a Poinsettia Plant on a Persian Rug by Contemporary British Artist Art measures 18 x 24 inches Frame measures 24 x 30 inches Angela Wakefield has twice bee...

This vibrant and dynamic artwork by Koko Hovaguimian is a celebration of jazz through color and form. Measuring 20x24 inches, the painting features a lively composition that captures...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Antique American modernist interior painting by Cecil Crosley ("Spike") Bell (1906 - 1970). Oil on canvas, circa 1935. Signed. Displayed in a period giltwood frame. Image, 30"L ...

Farhad Hussain - Super Hero's Bathroom - 84 x 72 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style: Farhad Hussain's colourful work that includes drawings and watercolours besides paintings on canvas, features day to day visual experiences of middle-class urban India. He endows his narrative with iconography and personality through his figuration, their posturing, dress and the surrounding imagery. The drama of subtle complexities of human relationships and social environment are grounded with a sense of satire mixed with pathos. Farhad’s colours help enhance the brightness and aura of his paintings while he also partakes elements from traditions such as the formulaic textile patterns of Indian miniatures. His compositions are often set in a familiar drawing room or a social space, playing out with humour and sarcasm, the narrative psychologies of human life and encounters at various levels. This young artist who has also experimented with sculpture has already carved a niche and an instantly recognizable individualistic style befitting his aesthetics and concerns. Farhad has chosen to use tempera on cloth for his works, the media allowing him to achieve the desired vibrancy of colours. A slow build-up of images and spontaneous flow of colour while balancing colour and composition simultaneously follow structured formatting. This meticulous planning in the composition and layout is the beginning of a process from where onwards it is very spontaneous and intuitive. Another technique used throughout Farhad’s work is the method of applying the colour: dot-by-dot till the entire area is completely covered. Various elements from miniature paintings, Kalighat paintings, Japanese prints and images from mass media are scrutinized, transformed and transferred on to the surface through the artists own style of expression. About the Artist and his works : Born: 1975 in Jamshedpur, Jharkhand. Education : 2003: B.F.A. in painting from Kala Bhavan, Visva Bharati University, Shantiniketan, 2005: M.F.A. in painting from M.S. University, Baroda. Solo Exhibitions : 2009 : Presented by Pundole Art Gallery at Museum Gallery, Mumbai 2008 : ‘After the Theatre of Absurdity’, Vadehra Art Gallery, New Delhi 2007 : Art and Soul, Bombay 2006 : Sarjan Art Gallery, Vadodara & ‘Recent Paintings’, organized by Chatterjee and Lal at Jehangir Nicholson Gallery, National Centre for the Performing Arts (NCPA), Mumbai. Group Exhibitions : 2011: 'Between Seasons', Gallery Beyond, Mumbai; Gallery Sumukha, Chennai; 'Melange', The Harrington Street Arts Centre, Kolkata; 'The Narrator, Protagonist and the Other', Indigo Blue Art, Singapore & 'New Documents: New Directions in Documentary Photography', presented by Art Konsult at Alliance Francaise de, Delhi. 2010: 'Holy Now', presented by Religare Arts Initiative, New Delhi at Gallery 27, London; 'Snow', The Palette Art Gallery, New Delhi in collaboration with Tao Art Gallery, Mumbai & 'Symbols and Metaphors', Centre of International Modern Art (CIMA), Kolkata. 2009: 'Vicissitudes of the Constructed Image', Tangerine Art Space, Bangalore; 'The Urbane Records', The Viewing Room, Mumbai; 'With the Best Intentions', presented by Anant Art at Shridharni Gallery, New Delhi & 1x1 Art Gallery, Dubai 2008: 'Review', Centre for International Modern Art (CIMA), Kolkata & 'Baroda: A Tale of Two Cities', (Part II), Sarjan Art Gallery, Vadodara 2006 ‘Concern’, The Charity Auction Exhibition, Gallery Sumukha, Bangalore; Gallery Sumukha, Bangalore and Hong Kong; Art World, Chennai and Singapore; ‘New Paradigms’, Gallery Threshold, New Delhi & ‘Baroda’s Most Wanted’, The Artist’s Studio, Vadodara 2004: Sarjan Art Gallery, Vadodara; Maharaja Sayajirao University of Baroda & Camlin Exhibition, Mumbai Honours and Awards : 2006: ‘Most Promising Artist’, Runner up, India Habitat Centre, New Delhi 2004: Nasreen Mohamedi...

"Sheets" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on a bed with her clothing and the she...

About the artist: Ruslan Perekucha was born in 1967. Since childhood, he has been interested in the history of art, and he loves modernism most of all. This prompted him to collect a...

Artist: Yvette Bossiere (French, b.1926) signed lower corner and verso Title: The Violin Medium: oil painting on canvas, unframed Size: painting: 25...

This painting offers a captivating immersion into the vibrant and creative atmosphere of an artist's studio. The shades of blue and green used by Sophie Dumont create a rich and harm...

Daffodils on a Blank Canvas, British Artist, Oil Painting by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 21.5 x 25.5 inc...

This contemporary still-life depicts a ripe artichoke and lemon wedge on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready to be hung ...

Beautifully executed realistic Southwestern still life of traditional Native American pottery, with a patterned textile, feather, and ear of red corn, by an unknown artist (20th cent...

Charles Edouard Edmond Delort (French, 1841-1895) oil on canvas "Game for the Cardinal", depicting a seated cardinal behind an ornate French Louis XV roll-top Bureau du Roi, after th...

Beyond Words and Numbers The painting features a dynamic, textured background composed of letters and numbers in various sizes and typographic styles. These characters are scattered...

Marcel Dyf French, 1899-1985 A Look at the Menu Oil on Canvas 21 ¼ by 25 ½ in, w/ frame 27 ¾ by 32 ¼ in Signed lower right Marcel Dyf (Marcel Dreyfus) was born in Paris on October ...

Geometric abstraction of an artist's studio where the canvases are placed pell-mell plunging us into the world of Sophie Dumont and the organized disorder of her studio. The use of t...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

While Jayne Wrightman’s taste was universally recognized as exquisite—she was a peerless collector and long served as a trustee at the Metropolitan Museum of Art—the society grande dame and philanthropist chose to work with Parisian decorators Maison Jansen upon acquiring her palatial Fifth Avenue home. In fact, Jansen had already started; the apartment’s previous owner, private dealer Renée de Becker, had brought them in. Wrightsman and husband Charles continued with Jansen; upon principal Stephane Boudin’s death, they began working with Henri Samuel, thus beginning a long association. While the bones of the room owe much to Jansen, the decoration—the colors, the upholstery, and most of the furnishings—are Samuel. Shown here is the sprawling 31-foot-by-21-foot drawing...

"Unexpected Visitors" is a classic and wonderful early example of Anne Coe's painting on canvas. Titled "Unexpected Visitors" and signed "Anne Coe" in pencil on the back of the painting, this is a gem of a wholly original work painted by Anne. Coe’s early paintings were humorous and comic-book styled. Over the years, her paintings evolved from lighthearted whimsy (such as radioactive, mutant Gila...

Modern Abstracted Still-Life with Antique Coffee Grinder by Anthony Rappa Modern textural still-life by California artist Anthony Rappa (America...

"Madam Suburbia #III - Doing Dishes" Figurative in Oil on Canvas African-American woman at her kitchen sink by Patricia Gren Hayes (Canadian/American, b....