Paint Interior Paintings

In this piece, I poured my emotions into fluid acrylic strokes, blending the delicate whispers of pale pinks and creams with bold bursts of deep navy. It captures the tension between...

Elevate your space with this large original, gradient of blue, abstract painting! Made on stretched heavy canvas, the edges are painted for a polished look. The glossy varnish not on...

My new work from the series "Infinite Flight" are paintings in which the color combinations of deep blue, navy, white, yellow, red and black affect the viewer emotionally, cause spec...

In this very beautiful large colorful, bold, vivid abstract painting I inspired by my painter palette. In this work you will find many neon nuances, many layers with heavy relief tex...

Voinea’s work can be viewed as a study of contrasts, the interplay of control and precision versus serendipity that evolves and mutates into a free expression of emotion splashed on ...

"Taweret" Mixed Media Painting 39" x 39" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, video a...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

In crafting this piece, I've poured my soul into an alchemy of acrylic to weave a cosmos of emotion. It's an abstract energy burst, merging expressionism with minimalist strokes and ...

Abstract painting in the main color deep green with elements in white, black, yellow, orange and red. This abstract painting is lively and expressive. Abstract minimalism paired with...

This vibrant burst of flowers contains the pure energy of nature's rebirth. Oil allowed for the layering of textures and shades, mixing expressionism with shades of abstraction. It ...

In this piece, I poured my emotions into every bold stroke and textured layer of acrylic. It represents a journey through chaos to calm, capturing fleeting moments between darkness a...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Dimensions...

This beautiful modern abstract is a 100% handmade painting, made with many layers of professional acrylics and Amsterdam acrylic sprays, varnished on stretched heavy canvas. Ready t...

In creating this artwork, I harnessed the raw energy of nature's very own clash of calm and chaos. Swirls of soothing blues and shocking whites mirror the tranquility and turmoil fou...

Abstract textured acrylic painting on canvas 100x100x2 cm (39,4 x39,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides ...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

How often, standing on the bridge above the water, we try to consider what is hidden in the depths ... Perhaps this is the desire of almost every person to know as much as possibl...

This abstract artwork is a symphony of color and texture, with a dynamic interplay between soft pastels and bold, dark strokes. The canvas is alive with light blues, pinks, and yello...

Blue Lagoon of Miyako Island lies 300 km west of Okinawa and is known for its beaches, which are considered the best in Japan. The blue water shines like a polished emerald. The...

"Abstract Calligraphy 3.25" Painting 47" x 31.5" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, ...

3D GALLERY QUALITY - READY TO HANG The technique I used is: palette knife, professional varnished acrylic pigments, neon acrylics on stretched 3D canvas. At the end I covered with a ...

Title: Interconnected Dance Abstract Masculine Contemporary Grey Red Yellow Blue Detail Texture Bold Colors This series expresses our unity and our interconnectedness. We are dancin...

In this piece, I poured my emotions into thick, textured acrylics, letting colors collide and dance freely. It’s a celebration of spontaneity and lightness, capturing moments of joy and vulnerability. The blend of soft pastels and bold strokes brings warmth and energy, ready to uplift any space with its vibrant, expressive spirit. It invites you to feel the movement and breath of life in every layered stroke. ⭐ Artist : Alex Senchenko Title: Abstract 2554 📐 Size: 100cm. x 30cm. 🖌️ Medium: Professional Gallery Canvas, Acrylic Paints Original Painting on a 1.5cm. Deep "GALLERY WRAP" Stretched Canvas 🎨 Style: Abstract Contemporary Modern Wall Art...

Untitled 05, 2015-16 Oil on canvas (signed on reverse) 13.77 H x 9.84 W in. 35 H x 25 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

The technique I used: palette knife, professional varnished Amsterdam acrylic pigments, neon acrylics on stretched canvas. At the end I covered with a glossy coat of varnish, to prot...

❄Winter is the harshest time of the year. But it is in winter we have the most beautiful holidays! We are looking forward to Christmas and New Year in anticipation of a miracle. An...

Abstract textured acrylic painting on canvas 100x100x2 cm (39,4 x39,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides ...

In this piece, I poured my emotions into a dance of textures and soft hues. The creamy creams, gentle pinks, and calming blues blend with unexpected bursts of black to evoke a serene...

This modern interior abstract painting was created by French artist Natalya Mougenot and is part of her latest series exploring the “heart–mind connection.” In this collection, the a...

Introducing 'Abstract 2399,' a modern abstract painting that redefines the boundaries of traditional art. Crafted with thick, bold strokes of paint that converge to create a mesmeriz...

he wind walks along the sea and drives the boat, it runs in the waves on inflated sails. This painting is a part of my series "Sense of Sea" Tailwind participated in the summer exhib...

This contemporary abstract floral artwork created by French artist Natalya Mougenot, is part of her Floral series. The piece, titled “Floral Exploration,” is a dynamic and expressive...

Unframed dimensions: 50 x 61 cm (19.7 x 24 in) Framed dimensions: 57 x 68 cm (22.4 x 26.8 in) Frame: Black or wood (collector choice) In Composition Littéraire, Sophie Dumont revisi...

Halliday captures the spirit of a French novelist’s cherished home, a place of literary and artistic inspiration. The dining table, central to the composition, exudes warmth and hist...

Impressionism, horizontal, large format, flowers, pink, sakura, cherry blossom. The painting "Cherry Blossom," acrylic on canvas, 90x100 cm, is a vibrant and emotional pictorial sta...

In creating this artwork, I reveled in the raw expression of human emotions, evoked through the dynamic interplay of contrasting hues and the bold, tempestuous strokes. As your gaze ...

Phoenix is a symbol of eternal renewal and immortality. Almost every culture in the world has a holiday in the first months of the year, marking the end of winter and the return of ...

Marine life painting will be a good addition to your original oil painting collection. Fish art is my favourite theme. Original art is painted on stretched canvas, READY to HANG. Ocean art is signed both sides - in front and at the back by OlgaNikitinArt. Explore the enchanting underwater world with this exquisite oil painting on stretched canvas, sized at 50x40cm. Crafted with the impasto technique and palette knife, this original artwork showcases a vibrant school of fish in a captivating marine setting. The dynamic textures and striking colors breathe life into the oceanic scene, making it an ideal enhancement for any home or office. Perfect for art aficionados and ocean lovers, this unique fish painting adds a touch of brilliance to your decor and invites engaging discussions. Celebrate the allure of marine art with this stunning oil painting today! Fish Wall Art Underwater Oil Painting...

Ready to hang with the edges painted A beautiful large modern abstract painting, 100% handmade, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched h...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

Shipping in a rolled tube! "This expressive and vibrant abstraction is enriched with two wonderful white tulips painted in a realistic style. The artist designedly has created an exp...

What could be more beautiful than the human soul, which retains its kindness and love in all circumstances of life. In this piece, I've poured my passion into every stroke, blending...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Medium: Oil on canvas Dimensions (unframed): 50 x 61 x 2 cm (19.7 x 24 in) Framed dimensions: approx. 57 x 68 x 3.5 cm (22.4 x 26.8 x 1.4 in) Framing: Natural wood floater frame (bla...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

Painting: Acrylic on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crear una te...

Red Fish Painting Ocean Art Impasto Painting Palette Knife Art by Olga Nikitina Title: Red Fish Symphony Size: 85x60x2 cm Materials: oil, stretched canvas, palette knife Shipping: ga...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...

Expression 56. A modern, expressive abstract painting created with drops and splashes of paint that sparkle and shimmer! The colors overlap each other and also correspond to differen...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

School of fish painting would be a great addition to your oil painting collection. Coral reef artwork original underwater painting - painted on...

This vibrant and bold abstract painting, titled "YGB," is a stunning exploration of color and texture. The artist, Tiberiu Soos, employs a palette knife technique with professional a...

"Blooming Floral Beauty" is a contemporary, vibrant abstract expressive painting created by French artist Natalya Mougenot. This artwork is part of her abstract series, where she exp...

Sophie Dumont – “Empreintes” Oil on canvas – 23.62 x 23.62 in (60 x 60 cm) Framed dimensions: 26.38 x 26.38 in (67 x 67 cm) – Choice of black or natural wood frame Year: 2025 Certifi...

This unique abstract contemporary floral artwork named "Floral dancing" presents an abstract interpretation of floral beauty, captivating viewers with its dynamic expression and a r...

Oil on canvas – 31.9 x 25.6 in (81 x 65 cm) Framed dimensions: 34.6 x 28.3 in (88 x 72 cm) Black or light wood floater frame – Signed by the artist – Certificate of authenticity – Re...

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...