20th Century Interior Paintings

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Vibrant contemporary still-life with bold primary colors of a red apple and blue mug on a yellow table cloth with a bottle of wine by E. Star (American, 20th century). Presented in a...

Artist: Elisabeth Hahn (German 1924-2021) Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studies ...

This superb Post Impressionist portrait oil painting is by noted Jewish artist Alfred Lomnitz. Lomnitz was born in Germany and Jewish by denomination. He emigrated to England in 1933...

This appealing original oil on canvas painting is by British artist Paul Earee. Painted in a Post Cubist manner circa 1930, this floral still life depicts a vase of flowers on a table in bold blocks of colour. A really vibrant painting in superb tones. Signed lower right. Provenance. Estate of the artist. Condition. Oil on canvas. Image size 24 inches by 20 inches and in excellent condition. Housed in a gallery frame with complementary tones, 31 inches by 27 inches approx framed. As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (1862-1941), mat weaver, and his wife Hannah (1860-1939). Known as Paul Earee, he was an artist who was professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

This lovely Edwardian oil painting is by French artist William Albert Ablett. Dated 1901, the brush work and use of light are superb. Ablett has perfectly captured the movement and f...

Charming still life of a teapot, teacup, and large red plate displayed on a green tablecloth by California artist Vlasta M. Janecek (Salak) (American,...

This charming oil painting is by British female artist Agnes L Reid. Painted circa 1920 the painting is of a little boy playing on the floor with his train set, with balloons and a b...

ARTIST: Sonia Mervyn (1893-1977) British TITLE: "Still Life of White Peonies" SIGNED: lower right MEDIUM: oil on board SIZE: 65cm x 55cm inc frame CONDITION: excellent DETAIL: Studied under Ralph Todd at Regent Street School Of Art London. Exhibited at all the leading London galleries, including Beaux Arts and Leicester Galleries, RA, NEAC and had pictures toured by AB and Arts Council GB. Her work drew admiring letters from Sir Alfred Munnings, Sir Stanley Spencer, Dame Ethel Walker...

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.

Leo Roth (1914–2002), also known as Lior Roth, was an Israeli painter, born in 1914 in Austria-Hungary. (later Poland) In 1920, Roth moved to Germany and, in 1933, immigrated to Palestine. He studied at the École des Beaux-Arts in Paris and completed frescoes in Italy and France in the 1950s. Roth first settled in Tel Aviv, then moved to Kvutzat Kinneret, then finally to Kibbutz Afikim where he remained until his death. He served as Director of the Art Academy of the Kibbutzim. In 1959, he was awarded the Jordan Valley Prize for Painting. Roth exhibited in the United States, Israel, Mexico, Spain, Holland, Sweden, and Denmark. He died in 2002. Education: 1930 School of Art, Duisberg-Hamborn, Germany, under Josef Doppelfeld Academy of Fine Arts, Hamburg, Germany 1951 Fresco and mural painting, Ecole nationale superiere des Beaux-Arts, Paris, France 1951 fresco in Italy Teaching: Director of Art Academy of the Kibbutzim Roth's work was influenced by Cubism and bears much in common with the work of compatriot painter Naftali Bezem. His colourful canvases contain biblical imagery and references to early Israeli pioneer culture. Selected Solo Exhibitions 2015 Home, Montefiore Art Gallery, Tel Aviv 2009 Kibbutz Machanayim Art Gallery 2000 Retrospective, Museum of Art, Kibbutz Ein Harod 1997 Oil paintings, Kibbutz Machanayim Art Gallery 1993 Solo Exhibition, Beit Yad Lebanim, Tiberias 1983 Oil paintings, ''Bet-Emanuel'', Ramat Gan 1980 Wilfrid Israel Museum, Oriental Art and Studies, Kibbutz Hazorea 1977 Tiroche Gallery, Old Jaffa 1976 Hatzrif Art Gallery, Be'er Sheva 1957 Oil paintings, Tel Aviv Art Museum 1950 Katz Gallery, Tel AvivSelected exhibitions 2000: Chaim Atar Art Museum, Ein Harod, Israel: The Works of Leo Roth: An Exhibition Selected Group Exhibitions 2014 Revelations, Jerusalem Print Workshop 2013 Group Exhibition, Yair Art Gallery, Tel Aviv 2008 The First Decade: Hegemony and Plurality, Ein Harod Art Museum 2000 Group...

Mid Century Italian still life tablescape by Italian artist Fulvio Pendini. The painting is signed bottom right and is presented in a period gilt wood and cloth frame under glass. Th...

"Grey Still Life" is a tabletop still life by Philadelphia born Expressionist painter Bernard Harmon. The 24.25" x 28.25" oil on board painting is framed in a new black wood frame. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American...

"Architectural Fantasies" is a 40" x 30" gouache on paper, abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. Born...

Signed lower right, 'C. Obin' for Claude Obin (Haitian, 1934-2000), titled, 'Cap Haitien' and painted circa 1970. Born in Cap Haitien, Claude Obin painted in the classic Cap Haitien...

"White on White Blue" is a monochromatic, interior still life by Philadelphia born Expressionist painter Bernard Harmon. The 20" x 16" oil on canvas painting is framed and signed "B ...

CELSO LAGAR Spanish, 1891 - 1966 LES MUSICIENS signed "Lagar" (lower right) signed again, located & dated "Lagar / Paris 1928" (on the reverse) oil on canvas 23-3/4 x 28-3/4 inches ...

Large scale French still life of a vase with flowers by André Vagh Weinmann. The painting is signed and dated bottom right. Presented in a very fine patinated wood frame. An imposin...

Elegant 1940's still-life of pussy willows in a white vase with a rich royal blue drape by an unknown artist (American, 20th Century). Unsigned and unfram...

Oil paint on canvas Unique work Hand-signed lower right by the artist

Still life of an interior with lemons and draped cloth by James Pollock (American, 20th Century). Signed and dated "Jim Pollock 7/87" on verso. Unframed. Image size: 18"H x 24"W.

"Abstract Calligraphy" Abstract Oil Painting 31.5" x 39" inch by KAMAL EL SARRAG

Pierre Coquet, Still life with a blue armchair, Reference number F468 Framed with a natural oak floated frame 43 x 46 cm frame included (38 x 41 cm without frame) This work is painted with oil on a paper that is laid on a board and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. A dramatic, Post-Impressionist still-life showing a group of items including a flute...

Mid 20th Century oil on board Post-Impressionist still life by Polish painter P Mostowski, signed bottom right, presented in modern contemporary frame. ...

Gorgeous mid century floral still life in soft spring palette with roses and apple blossoms by J. Herron (American, 20th Century), circa 1960. Signed lower right. Unframed. Image siz...

Louis Berthommé Saint-André French 1905 - 1977 Nature Morte, 1958 oil on canvas, signed and dated lower left, 61 x 50cm Born in Barbary, France in 1905, Modern artist Louis Berthommé Saint-André spent his early childhood in Saintes, a commune in the southwest of France. Berthommé-Saint-André entered the École des Beaux-Arts of Paris in 1921 where he studied under Fernand Cormon and Jean-Paul Laurens. ​ He began exhibiting at the Salon des Artistes Français in 1924, where he won a silver medal in 1928. He also exhibited at the Salon d'Automne beginning in 1928, at the Salon de la Société Nationale des Beaux-Arts from 1934-1936, and at the Salon des Tuileries after 1935. ​ A prolific figurative illustrator and painter, Berthommé-Saint-André created landscapes of Haute-Provence and Île-de-France, as well as erotic illustrations...

Artist/ School: August Pietri, French mid 20th century, signed Title: attic room interior scene with a window overlooking winter snow rooftops Medium: signed oil painting on board...

Original oil on canvas painting of the olden days of Paris with Parisians strolling and horse drawn carriages making their way after a rain through the streets of Paris along the Seine River. Historic landmark buildings can be seen in the hazy background notably Cathedral Notre Dame to the left and the Basilica Sacre Coeur in the distance to the right. Signed lower right by the Belgian artist, Antione Verdy. Circa 1980. Condition is excellent. Framed in a gold gallery frame with white linen liner. Overall framed measurements are 27.5 by 31.5 inches. Provenance: A Naples, Florida estate. Antione Verdy was a Belgian artist noted for his landscape and figurative paintings of city life.

Amazing quality early 20th century trompe l'oeil oil painting. Oil on canvas. No signature found. Framed. Image size, 25L x 24H.

Pierre Coquet - "Les pots gris"/"Grey pitchers" Reference number F438 73 x 54 cm The painting is not framed but it could be with a natural oak floated (s...

Richard Andres (American, 1927-2013) Garden, 1972 acrylic on canvas signed, dated and titled verso 59.5 x 50 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Signed lower left, 'DeVee' for Robert DeVee (American, 1940-2017) and painted circa 1995. Robert DeVee first studied painting at the California College o...

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Vintage still life in earthy hues of a wine bottle with two golden apples and a copper mug by California artist Friedel Riise (American, 20th century). Sign...

Warm and inviting Mid-Century oil painting on board with a peaceful approach to what must have been the artist's humble slant front desk where he sketched. One of six Robert Blanchar...

A Royal Greenhouse Interior, Brussels Marcotte Marie-Antoinette Troyes 1869 – 1929 Paris French School Signature: Signed bottom left Dimensions: Image size 101 x 80,50 cm, frame size 103,50 x 93,50 cm Medium: Oil on canvas Biography: Marcotte Marie-Antoinette was a French luminist and impressionist painter and a watercolourist of genre scenes, landscapes, still-life, gardens and flowers. Born in Troyes, France on May 31 in 1869. Settled in a very young age with her family and raised in Antwerp. Follows in the age of nineteen several months lessons in the studio of the famed Jules Joseph Lefèbvre in Paris. Further education at the Academy Royale des Beaux-Art of Brussels (1889 -1891) pupil of Jean François Portaels and Emile Claus...

Reference number F356 Framed with an ebony color wood floated frame. 61 x 44 cm frame included (41 x 24 cm without frame) This work is painted with oil on a board and placed in a mad...

Pink peonies in vase. 1983, canvas, oil, 60x70 cm Light pink peonies bouquet in day light in brown vase on the table

Charles Gresham "Reading by the Window" Original Oil Painting c.1970 Fine vintage oil painting by San Francisco artist and philanthropist Charles Gres...

Fun, vibrant floral still life with lime green background by Rudolf (American, 20th Century). Presented in a white painted wooden frame. Signed "Rudo...

Artist/ School: French School, circa 1970's, signed Title: interior setting depicting a garden conservatory room with high ceilings, green plants ...

Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...

Blossom by Édouard Righetti (1924-2001) influenced by the works of Vincent van Gogh Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto ...

A stunning oil on canvas in the purest art deco style by French born Jean Hanau. It depicts a harlequin-in a tight chequered body suit. Athletically built, ...

"Untitled 8" Painting 12" x 18" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC COLLECTIONS: The...

A Garden with Tulips Daens Antoine Brussels 1871 – 1946 Belgian Painter Signature: Signed bottom left and dated 1936 Dimensions: Image size 53 x 69 cm, frame size 61 x 77 cm Medium...

Work on canvas

''Fleurs" by Édouard Righetti (1924-2001) Signed lower front and back, 1959. oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors of deep greens...

Portrait of cat in living room with balcony in background, circa 1970s. Represented by numerous art galleries and auction houses in the U.S.

Artist/ School: Marika Eversfield (Hungarian 1914-2014) Marika Eversfield was born in 1914 in Gyòr near Budapest. She studied at the art school in Vienna and moved to London with he...

Artist/ School: French School, signed with initials upper right corner, dated (19)45. Title: Interior Room scene with an elaborate display of fl...

The greens are blooming. Cardboard, oil, 48x67 cm Spring beginning by the river. Landscape with threes

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and painted circa 1915. Previously with: Arnbaks Kunsthandel, Bredgade 24, Copenhagen, from label verso. Framed dimensions: ...

Artist/ School: Monique Le Bret, French b. 1920, signed lower left corner Title: A Balcony overlooking the Sea Medium: oil painting on canvas board, unframed and inscribed verso S...

An interior scene with red roses filling the foreground. The painting has been signed and dated in the lower right corner and there is a label at the reverse with the artist's name, ...

Artist/ School: French School, signed and dated 1940's Title: Post-Impressionist oil depicting this 'Van Gogh' chair in an interior with fruit. Medium: oil on canvas, unframed C...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. A cheerful, mid-century oil showing a pair of leisure chairs wit...