Landscape Paintings

Signed oil on panel landscape circa 1930 by French post impressionist painter Victor Charreton. This stunning work depicts a view of a French hamlet in summer - the buildings in the ...

Artist: Henri Renard, French (1920 - ) Title: French Street Scene Year: circa 1950 Medium: Oil on Canvas, signed l.r. Image Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 31.5 x 44...

Signed oil on panel seascape circa 1920 by French post impressionist painter Adolphe Louis Gaussen. The work depicts a view of waves cascading against a rocky shore. A sail boat is s...

Provence Coastal View from the Garden Terrace signed by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 35 x 51 inches Provenance: all the paintings we have by this...

Title: Mid-20th Century Post-Impressionist Pastel of Boats Moored at a French Harbour by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Siz...

Spring Awakening by Regine David (female French artist, 1910-2018) pastel painting on artist paper, stuck on artist paper painting: 12 x 15.5 inches condition: This painting is in ex...

Paloma Ripollés Sunset Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of how ...

Historic Port of Nice Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Condition...

Spring Zest is a vibrant acrylic painting on canvas depicting a blossoming tree in the spring. Comes unframed and ready to hang.

Title of the work: Costa Brava Artist: Rafael Durán Benet Technique: Oil on canvas mounted on board Dimensions: 15 x 18 inches Support: Board Condition: Unframed Period: 1990s ...

This is an original work by Andre Kohn. Growing up near the Caspian Sea, Kohn's received a formal art education from the University of Moscow where he studied with members of the la...

We present this pair of fascinating coastal views, the fruit of the author's imagination, executed with an elegant descriptive taste and conceived with the scenographic sensitivity typical of the Flemish landscape tradition of the late seventeenth century. The canvases, in particular, fully reflect the pictorial style of the Flemish Peter van den Velde the Elder (Antwerp 1634-1707), a famous painter specialized in marine views with port cities and fortresses. Pair of paintings with fancy coastal views Circle of Peter Van de Velde the Elder (Antwerp 1634 -1714) Oil on canvas, cm. 43 x 64 With framens cm. 70 x 89 They respectively represent a port city and a fortress perched overlooking the sea, both animated small characters, which at first sight evoke the coasts of the Mediterranean, even if the mixes with Northern European elements are inevitable, including a small mill...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Light of Day OIL ON CANVAS FRAMED $1700 PAINTED 2022 Artist Statement Throughout my life I have had the benefit of living in dif...

Antichità Castelbarco SRLS is proud to present: Painting depicting "View of Rome with countryside scene with ancient ruins, with the Palatine from via dei Cerchi", work of high qual...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

The vibrant painting titled "A Little Moment" by Linda Clerget showcases a serene and enchanting natural landscape. The canvas is awash with a kaleidoscope of colors, from the lush g...

Signed fauvist oil on canvas landscape circa 1910 by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer when all of th...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 8 x ...

Countryside Path signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper, stuck on card signed and dated 1952 overall size: 14 x 18 inches card: 12.5...

Scenic View of Nice Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Condit...

Landscape with nudes and waterfall is an old master artwork realized in the Mid 17th century by Artist belonging to the Roman School. Oil painting on canvas Includes a beautiful an...

Signed pointillist oil on panel figures in landscape by French neo-impressionist painter Yvonne Canu. This stunning piece depicts a couple resting under a parasol in a field of wildf...

This painting by Carl Johansson captures the scenic beauty of Ramsele, featuring the Faxälven river winding through a typical Niplandskap. The Niplandskap, characteristic of Sollefte...

Signed oil on panel landscape by post-impressionist painter Emile Octave Denis Victor Guillonnet. This colourful piece depicts a view of a garden in bloom in summer. Dimensions: Fr...

Wonderful double sided oil on heavy fiber board paintings done by the well known North Fork Peconic Bay artist Caroline Bell. The coastal sailing painting is signed lower left. The haystack painting verso is signed in pencil lower right. The sailing painting is in good condition; the haystack painting is in good condition. Both done circa 1930. In a period but not original gold leaf over wood frame. Framed measurements are 19 by 23.75 inches. Provenance: A Long Island, New York estate. (1874-1970) Caroline Bell was the leader of a group of artists known as the Peconic Bay Impressionists...

This superb French Old Master oil painting with excellent provenance is by Jean Francois I Millet. It was painted circa 1675 and is a figurative landscape depicting Diana hunting in ...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 1947 From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed mea...

An incredibly atmospheric oil painting of two figures sitting chatting by a woodland stream . A rare work by this master of early 19th century English painting. A very handsome piece...

Artist: Albert Junyent Quinquer Technique: Oil on canvas Dimensions: 44 x 53 cm. (approx. 17 x 21 inches). Frame 66x75 cm. (approx. 26 x 30 inches) Title: Urban Scene in the Rain - L...

Jaume Mariné - Coastal view - Oil on canvas cardboard Oil measurements 16x21 cm. Without frame. Born in Poblenou in 1935. died in 2012. He was the son of a wall painter, in whose ...

In "Marks of the Day's End on the Return", Linda Clerget masterfully captures the fleeting beauty of dusk with a dynamic and expressive palette. Bold brushstrokes and vibrant colors ...

Signed post impressionist landscape oil on panel by French painter Henri le Sidaner. The work depicts a nighttime view of the bay at Saint Servan, Brittany in the north of France. Th...

Viggo Loos lists the painting under works from 1875 as a "Skåne farmstead," but this is likely incorrect. Skånberg was in France at that time. In this composition, he incorporates a ...

A fine 19th century oil on canvas painting "South Pier, Sunderland " signed and indistinctly dated 1844, the size of the painting being approx. 45 x 80 cm whilst overall size bei...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is comparable to those of Jules Herve, Antoine Blanchard and Edouard Cortes. This painting is a wonderful example of his work from the prime of his career. Here you see the artists vendors selling paintings along the view of Notre Dame de Paris, located on the Île de la Cité in the 4th Arrondissement of Paris. People are scattered throughout between the tree lined street. The details are magnificent as Salabet captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower left and it comes housed in a wonderful wood carved antique frame with linen liner and hanging wire on verso ready to be displayed. Art measures 10.75 x 13.75 inches Frame measures 16.25 x 19.25 inches Jean Salabet was a pseudonym used by the Spanish artist Juan Bayón Salado (1913-1995) in the mid-20th century. Juan Bayón Salado (Jean Salabet) was born in Bilbao Spain on June 24, 1913. He settled in Paris between 1950 and 1969 and when using the pseudonym Jean Salabet between 1950 and 1957 he was mainly selling his works through Mr...

Le Pont Neuf - Paris. Oil on canvas by Spanish artist Joan Raset. Dimension with frame 84 cm H x 104 cm W x 4 cm D Dimension without frame 73 cm H x 92 cm W x 2 cm D Beautiful Pa...

In creating this oil painting, I poured my fascination with the interplay of light and nature onto the canvas. As an impressionistic work, it captures the serene essence of a coastal...

Regatta in the gulf - John Stevens Italia 2006 - Oil on canvas cm.40x80. Using thin washes of oil paint, John Stevens slowly builds up his highly detailed paintings of scenes of nava...

Title: Original Oil Painting of a Vibrant Still Life with Lemons and Bottle Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 14 (height...

Provence by Max Toutain (1935-2006) oil painting on canvas, framed framed: 12 x 16 inches canvas : 10 x 13 inches Provenance: all the paintings we have by this artist have come from ...

"Awakening Light" is a vibrant acrylic painting on canvas, measuring 100 x 80 cm. The artwork captures a moment of revelation and connection with nature. A woman in a flowing red dre...

Giuseppe Zais (Canale d'Agordo, Belluno 1709 - Treviso 1781) Pendant of paintings - The assault of the brigands / After the assault Oil on canvas, 108 x 42 cm. each In the frame 128...

Edmund Garvey (Kilkenny 1740-1813) A view of Bath Oil on canvas Canvas Size 20 x 28 in Framed Size 26 x 33 in Edmund Garvey (1740 – 28 May 1813) was an Irish landscape painter whose...

Title: French Mid-Century Drawing of Mont-Saint-Michel with Medieval Ramparts by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed paper S...

In this vibrantly textured oil painting, I explore the jubilant essence of autumn's splendor. Each brushstroke represents a joyful dance of leaves, swirling in the brisk air, encapsu...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

Landscape with martyrdom of Saint Stephen is an old master artwork realized in 17th century. Mixed colored oil painting on canvas. Includes coeval gilded frame cm. 148x196. The artwork is attributed to Vincent Adriaenssen called il Manciola (Antwerp, 1595 - Roma, 1675) Among the painters who worked in the first half of the seventeenth century it is possible to indicate only the Neapolitan Scipione Compagno (1624-1680) as the author of scenes of martyrs set within a landscape or a view such as, for example, the Martyrdom of Saint Stefano recently hesitated at the Ansorena in Madrid on June 16, 2021. It should be noted, however, that the landscape represented in the painting examined here, characterized by luxuriant vegetation, meticulously represented "in the Flemish style", shows differences with the typical settings of the paintings di Compagno, characterized above all by urban views, visionary architectures or rather arid vegetation. Even the refined figures, so elongated and lanky, represented in our painting, in particular the group of knights in the foreground on the right, are not reflected in the production of the Neapolitan painter. These elements, to which we add the depiction of the Eternal Father amidst the clouds and the detail of the dog in profile in the foreground, instead recall a painter mainly known as a battle soldier, but who was also the author of many works depicting episodes from ancient Rome set within luxuriant landscapes, or rather Vincent Adriaenssen known as Manciola, a painter from Antwerp whose figure has been shed light thanks to recent studies. The group of horsemen represented to the right of the examined painting is, in fact, comparable with other groups on horseback present in numerous works by Manciola such as, for example, in the Triumph of Caesar (Rome, Babuino, 23-03-2010; formerly Florence, Collection Privata, 2006), while similar elongated and somewhat lanky figures, dressed in red, yellow, blue and white, can be found in the three paintings conserved at the Cassa di Risparmio di Pesaro, which in the past were erroneously attributed to the Umbrian painter Francesco Allegrini...

In this work, I've passionately captured the dramatic dance of light and shadows, as lively clouds drape over the coastal allure of a bustling town. With oil paints, I've embraced im...

This piece is a pertinent example of Charles Genge most sought after works, depicting a colorful view of the Forest. As a British Post Impressionist artist, most of Genge's works wer...

Mediterranean Garden Scene by Regine David (female French artist, 1910-2018) inscribed verso, dated 1986 watercolor painting on artist paper, unframed panting: 10 x 6.5 inches condit...

Follower of George Stubbs (British, 18th–early 19th century) English Gun Dog in a Landscape, ca. 1800 Oil on canvas Set against a serene English countryside, this striking portrait ...

"The painting "Canal in Venice" continues my series of paintings about this wonderful city." said Anna Shesterikova about this artwork. "It is getting dark... A couple is walking alo...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...

Structure: The Panthéon, a neoclassical monument, dominates the scene. Setting: A Parisian street with people and buildings creates a city atmosphere. The artwork is an oil paintin...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary The Valley Oil on canvas Hand signed lower left and again to stretcher and verso 16 x 20 inches. frame dimensions: 22 1/4 x 26 inches, wood frame Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

The painting we have for sale, executed by Swedish artist Erik Tryggelin on May 3rd, 1907, presents an atmospheric and dynamic view of Sankt Matteus Church in Stockholm. This piece i...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Elisee Maclet. The work depicts a view of the coastal city of Arles in the South of France from the wat...

20th century figurative landscape oil on canvas on cardboard painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is pa...