Landscape Paintings

Italian mountains, sky, blues, greys, by American painter and illustrator Peter Geregely

Beautiful gouache on paper, Moody atmospheric landscape in shades of black, blue green and gold by French artist, Roger Etienne Everaert Ret, signed on top right. Roger Etienne, Fren...

Broken Wagon Wheel in the Snow Thaw, Original Oil Painting on Canvas A broken wagon wheel sits along a fence in the dead of winter as signs of the first snow melt begin to show and ...

The Beach Mid 20th century, Scandinavian School, indistinctly signed oil on canvas, framed framed: 16 x 19 inches canvas: 15 x 18 inches provenance...

Genre: Modern Subject: Marine Landscape Medium: Oil Surface: Canvas Country: United States Dimensions w/Frame: 20.5" x 24.5" The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Painted at the hight of summer in a stuffy room in london, missing the flat fields and sea breeze of summers growing up in norfolk. there's a car i really miss too. nostalgic but not in any way a sad painting. more a celebration of that life and time. ADDITIONAL INFORMATION: Acrylic paint on Canvas 81 H x 100 W x 4 D cm (31.89 x 39.37 x 1.57 in) Sold unframed Image size: Height: 81cm (31.89 in) Width: 101cm (39.76 in) Complete size of unframed painting Height: 81cm (31.89 in) Width: 100cm (39.37 in) Depth: 4cm (1.57 in) ARTIST BIOGRAPHY: Dan Bloodworth, artist and painter, has artworks available at Wychwood Art online. Dan was born in Norfolk but now lives and works in London. His paintings are inspired by everyday life, British folklore and old Westerns

Mid Century Figurative Landscape - The Search A dreamlike landscape by Winifred Lucy Shaffer (American, 20th Century). Several figures are clustered together in a forest setting. Th...

Arthur Hoeber Green Landscape Signed lower right Oil on canvas 25 x 30 inches Arthur Hoeber was an American painter best known for his writing on art-...

Midwestern Chicago artist Aaron Bohrod painted in 1931 this modernist industrial cityscape during the WPA of the 20th Century. Aaron Bohrod (American 1907 – 1992), Industrial Citysc...

Luis Moscardó describes natural landscapes in his paintings, but his landscapes are not real, nor possible. They are abstract, invented or, as many critics observe, 'born from the artist's soul'. It is a natural artifact...

Signed lower left, "Kathleen Gee" and painted circa 1970. A delicate Modernist oil landscape showing a view of verdant coastal foliage with the setting sun reflected in a calm Pacif...

Oil on canvas 60.3 x 73 cm.; 23 3/4 x 28 3/4 inches Signed lower right

Albert Heckman Glasco Landscape, circa 1940 Signed lower right Oil on canvas 25 1/4 x 39 1/2 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

Work on canvas without frame

Work on canvas Grey wooden frame With frame 75 x 86 x 4 cm This captivating work depicts a rural landscape in soft, earthy hues, evoking a peaceful, harmonious atmosphere. The rollin...

Roger Delapierre was born in Geneva in 1935. ... Roger Delapierre's painting has reached full maturity and the success of his exhibitions has proven i...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Oil landscape showing a view of several age-worn buildings near waters edge, with two sailboats making their way past, and gold and lavender hued hills in the background. Signed low...

This beautiful oil on linen canvas painting, entitled "Rail Crossing: Middletown, was executed by the esteemed artist Jules Halfant (American, 1909-2001)...

Antique American modernist street scene painting. OIl on board. Framed. Signed "Van Zandt 50". Really finely painted and an interesting subject as well!

Annieo Klaas Dreamland 2024 Oil on Wood Panel 8 x 8 inches (20.32 x 20.32 cm) Signed verso COA provided *Ready to hang Annieo Klaas’s Alabama Billboard Series is a whimsical explor...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Nude Walking through Woodland Glade French Modernist artist, circa 1960's period oil on canvas, unframed canvas: 26 x 39.5 inches provenance: private collection, France condition: ve...

PASTORAL HORIZON Size: 45.5 x 52 cm (including frame) Oil on Canvas A very well executed mid century modernist semi-abstract landscape depicting a rocky shoreline with water reflect...

An original oil on canvas painting by American female artist Enid Smiley. Enid Smiley (1924-2004) American New York. Born as Enid Ginsberg and later the family name changed to Gilb...

City Skyline - Mid Century Modern Urban Landscape in Oil on Burlap Vibrant cityscape by S. Craig (20th Century). Several tall, thin buildings rise above a city street lined with tre...

Antique Israeli American modernist folk art landscape by Malcah Zeldis. Mixed media painting on paper. Framed. Signed. Measuring 18 by 22 inches overall and 11 by 14 painting alone....

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. A farm stand...

Work on canvas

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 12.5 x 12.5 inches condition: very good and ready to be enjoyed provenan...

Rare and important large landscape painting by Paul Esteban (Pablo) O'Higgins (1904 - 1983). Oil on canvas. Signed lower right. Framed. Image size, 23.25L by 33.25H image size al...

View of the Gulf of Naples from Capodimonte is an oil on canvas realized by a follower of Camillo De Vito. The Gulf of Naples, including a smoking Vesu...

Oil on canvas sold with frame Total size with frame 52x62 cm Gustave François BARRAUD is an artist born in Switzerland in 1883 and died in 19...

J. Mossaz is a Geneva artist from the 20th century. Work on canvas sold with frame Total size with frame 49x62 cm

RIVERSIDE TOWN Size: 42 x 61.5 cm (including frame) Oil on canvas A serene and charming mid-century modernist riverside townscape, executed in oil onto canvas. The composition pres...

Morris Kantor New York (1896 - 1974) Paris from the Ile St. Louis, 1927 (view of Eiffel Tower) Oil painting on canvas Hand Signed lower left. Provenance: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution ( bears label verso) Size: 20 3/4"H x 28 1/8"W (sight), 28.75 "H x 36"W (framed) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018 Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...

Katrina Revenaugh Piccolo Giardino Numero 8 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 8 x 8 x 1.75 inches Signed: On Verso COA provided...

Large photo-realist still life painting on canvas of a pink lotus flower with green leaves on a sky blue background 'Lotus Number Twenty-Five' by Frank Depietro...

Antique American modernist nocturnal street scene oil painting by Jerome Myers (1867 - 1940). Oil on board. Framed. Signed. Measuring 16 by 18 inches overall and 9 by 11 painting al...

Oil on Canvas realized by Miloslava Vrbova (1909-1991) in the mid-20th century. Good condition.

Vladimir was born in the city of Khabarovsk, on December 19, 1957. When he was two years old, his mother abandoned his father, took her son and moved to Sverdlovsk (formerly, Yekater...

'The Olive Tree Behind the Stone Wall', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a...

Oil on canvas mounted on cardboard realized in 1930s. Good conition

Antique Canadian modernist signed oil painting. Oil on board. Signed. Framed. Image size, 16L x 12H.

COASTAL HORIZONS Size: 46 x 58.5 cm (including frame) Oil on board A serene mid-century modernist coastal landscape that captures the essence of a tranquil shoreline, executed in oi...

Impressive early American modernist landscape oil painting. Framed. Oil on board. Signed. Image size, 11H by 16L.

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, unframed stamped verso size: 10 x 8.5 inches condition: very good and read...

Skyscapers by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed stamped verso painting : 14.5 x 19 inches provenance: artists estate, France condition: very good a...

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

"Mutual Admiration" Flower Mid-Century Modern Oil Painting Monterey Artist Mid-Century Modern painting of a little blonde girl in a white apron adoring her flowers by Monterey Artist Rose Marie (Smith) Ansel, (American, 1921-2012) Rose Marie was born and lived in the Monterey area all her life. She volunteered in various city government associations and founded the Parade of Nations in 1970 which celebrated the many ethnic cultures on the Monterey Peninsula...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

oil paint on panel 12 x 12 inches This contemporary cityscape oil painting is painted on wood panel in a realistic style. The scene is of a Brooklyn skyline where old water towers...

SEA CATCH Size: 54.5 x 87 cm (including frame) Oil on Canvas A brilliantly executed and lively mid-century modernist composition in oil, painted onto canvas. In this scene, we see ...

Autumn Reverie Size: 73.5 x 69 cm (including frame) Oil on board A mid-century modernist landscape painting that captures a tranquil autumnal scene with soft, expressive brushstroke...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

Work on canvas Molded frame in wood and gilded plaster 68 x 59 x 7 cm