Landscape Paintings

Parisian Street Scene signed by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 20 x 12.5 inches inscribed verso condition: This pa...

This vibrant artwork vividly captures a bustling harbor scene with an array of colorful fishing boats gently bobbing on the reflective water. Each vessel, painted with meticulous det...

Charming Garden Path Mid 20th Century signed by Regine David (French mid 20th century, female) oil on canvas, framed framed: 21 x 25 inches canvas: 19.5 x 24.5 inches Provenance: private collection, Paris Condition: very good condition Description: This vibrant oil painting by Régine...

Blossoming Trees by Regine David (female French artist, 1910-2018) oil painting on board, unframed board: 13 x 16 inches inscribed verso condition: This painting is in excellent cond...

Henri Martin 1860-1943 French Le port de Marseille, le quai et les cargos Signed Henri Martin (lower left) Oil on canvas Exemplifying the masterful synthesis of Post-Impressionis...

Rustic Village Landscape by Max Toutain (1935-2006) oil painting on board, unframed board : 29 x 37 inches Provenance: all the paintings we have by this artist have come from the art...

"Portese" is a 40x30 cm oil painting sketch. With rich brushstrokes and a light, almost shining palette of colors, the artist conveys the peaceful atmosphere of a small Italian town...

Charming Stable Scene by Jean Dreyfus-stern (1890-1969) signed verso oil on board, unframed Board : 7.5 x 9.5 inches Provenance: private collection, Paris Condition: very good condit...

Gaston Sebire (1920-2001) Vue de Rouen Oil on canvas Size : 65 x 81 cm Signed lower right Provenance : Private Collection, France Very good condition. Original canvas. Frame included...

This painting depicts a colorful landscape scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so interesting ...

A beautiful pointillist oil on canvas depicting figures waiting for a train at Zevgolatio, Greece. Exhibited at the Royal Academy Summer Exhibition 1987. Original exhibition label on the reverse. Artist: Malcolm John Hitchcock (1929–1998) Title: Zevgolatio Medium: Oil on canvas Size: 26cm x 35cm including frame Malcolm John Hitchcock (1929–1998) was born in Salisbury, Wiltshire. He studied at Andover School of Art, then did “a variety of work to keep the wolf from the door,” becoming a full-time artist in mid-1980s. His main works were Pointillist railway paintings...

The painting was painted in acrylic on canvas in 2009 when artist Anna Shesterikova traveled to beautiful Prague. The spring streets of the Old Town inspired her to create a whole se...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 28 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

Title: French Mid-Century Ink and Wash Drawing of Parisian Boulevard and Rooftops by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed pap...

Original oil on canvas painting of a seaside vista by the American artist, Robert Waltsak. Signed lower left. Condition is excellent. Overall framed in a new custom gold leaf frame....

Leading them Home Belgian School. mid 20th century indistinctly signed oil on board, framed framed: 20 x 25 inches board : 16 x 20 inches Provenance: private collection, England Cond...

Elisée MACLET (1881-1962) Paris, Montmartre : Moulin de la Galette (The Mill), c. 1930 Original oil painting on panel Signed bottom middle On panel 61 x 46 cm (c. 24 x 18 in) Prese...

The Old Town, Provence by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 23 x 17 inches canvas: 16 x 10.5 inches very good condition provenance: fr...

Spring Flower is a vibrant depiction of a pink roses bouquet surrounded by colorful tree branches. Comes unframed and ready to hang.

Jean La Forgue (French 1901-1975) watercolour on paper, unframed painting: 8.25 x 9 inches provenance: the artists estate, France condition: very good and sound condition; there are...

In this artwork, I've harnessed the fleeting beauty of a vibrant sky, as it blankets an idyllic harbor scene. The texture of the oil paint captures the dynamic clouds and glistening ...

Signed lower right, "Valeur" for Mogens Valeur (Danish, 1927-1999) and dated 1963. A vibrant, Post-Impressionist seascape showing green breakers rolling in towards a sandy shore ben...

Vintage Post-Impressionist Painting of a Tree-Lined River in the Irish Countryside by 20th Century Irish Artist, Ray Cochrane. Art measures...

A fine post-impressionist coastal sunset oil painting by American artist Hayley Lever Australian American artist Hayley Lever (1876-1958). Lever was born in Adelaide, Australia and s...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 46' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

Sunlit Village by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 13 x 16 inches condition: the painting is in ve...

Monaco’s Coastline Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper painting : 12.5 x 17 inches Provenance: private collection in the South of France, Conditio...

Title: Mid-20th Century Pastel of the River at Brantôme in France by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.75 inches (height) x 21.25...

Paris by Jozef Popczyk, Polish 1890 - 1971 signed oil on board, framed framed: 7 x 8.25 inches board: 5.5 x 7 inches Provenance: private collection, Paris Condition: very good condi...

La Garrigue by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 10.5 x 15.5 inches inscribed verso very good condition provenance: from the artists ...

Antonio Sala Herrero (1927-2012) - View of Montjuic Barcelona - Oil on canvas Oil measures 50x61 cm. Frame measures 66x77 cm.

''A Room with a View" by Édouard Righetti (1924-2001) signed on front and back oil painting on canvas, beautifully painted with rich, thick impasto oi...

Dick Beer (b. London 1893 - d. Stockholm 1938) Title: Stormy Weather in St.Arnoult Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred...

EDOUARD LÉON CORTÈS French, 1882 - 1969 NOTRE-DAME VIEW FROM THE QUAYS signed "EDOUARD CORTÈS." (lower right); inscribed "6728" au crayon bleu et cachet "...

Title: Mid-Century French Pastel Beach Scene With Seated Woman Knitting and Parasols by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.5 inche...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Antoine Blanchard French, 1910-1988 Café de la Paix, L’Opera, Paris Oil on canvas 13 by 18 in. W/frame 19 by 24 in. Signed lower right Framed in a fi...

"Under The Summer Sky, Provence" is an exceptional large oil done on location in Provence by Maria Bertran, this Contemporary Impressionist painting captures a timeless scene in the ...

Vibrant Flower Market in Nice Tony Minartz (French, 1873 - 1994) oil on thick artist paper painting : 16 x 20 inches Provenance: private collection in the South of France, Conditi...

George Rene Sinicki (Russian/French, b. 1910), Village Landscape Scene, Oil on Canvas, depicting a forest path beside a town with buildings visible throug...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PARIS EVENING signed "EDOUARD CORTÈS" (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 31-3/4 x 42-1/2 inches (80.5 x 108 cm.) This work is accompanied by a certificate of authenticity issued by "Comité Édouard CORTÈS" PROVENANCE Private Collection, France Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

Signed oil on canvas seascape circa 1920 by French naive painter Camille Bombois. This work depicts workers out at sea on a large sail boat with a few ...

Structure: The Panthéon, a neoclassical monument, dominates the scene. Setting: A Parisian street with people and buildings creates a city atmosphere. The artwork is an oil paintin...

The Town Rooftops Signed verso, inscribed 'Paris' French artist, first half of the 20th century oil on on canvas, unframed canvas : 21 x 29 inches Provenance: private collection, Fra...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 18x22 in original unlined condition....

Francis Biard (mid 20th century) titled verso signed oil on canvas, framed framed: 22 x 26.5 inches canvas: 21 x 25 inches Provenance: private collection, France Condition: very goo...

Gabriel Spat was born in Kishinev, Russia, in 1890. Leaving Russia in 1911, he studied at the Academie des Beaux-Arts in Geneva and at the Academie Colarossi and the Academie de la ...

Signed pointillist landscape oil on canvas circa 1920 by French neo-impressionist painter Jeanne Selmersheim-Desgrange. The piece depicts a view of a French port, with boats dotted a...

Merio Ameglio Italian, 1897-1970 Parisian Street Scene Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left Merio noted impr...

Josep Roca Sastre (1928-1997) - Landscape - Oil on canvas Oil measures 50x100 cm. Frameless. Josep Roca-Sastre i Muncunill (Tarrasa, 1928 - Barcelona, ​​1...

Title: Parisienne Fantasy 2 Year: 1959 Medium: Watercolor on Paper, signed Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 31 x 37 inches

Technical Sheet - Title: Port de la Selva - Artist: Josep Puigdengolas Barella (1906-1987) - Style: Mediterranean Luminism - Technique: Oil on board - Dimensions: 13 x 16.1 inches (u...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: the Village Gathering Medium: oil on stretched canvas on board, unframed board: 10 x 14 inches...

20th century figurative landscape oil on cardboard painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted. Artwork depicts a cityscape MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...

Mont Boron, Nice Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper Titled verso painting : 12.75 x 17 inches Provenance: private collection in the South of Fran...

Carl Wuermer (1900 - 1981) Late Summer, 1924 Oil on canvas 26 x 28 inches Signed and dated lower right Provenance: McColl Fine Art, North Carolina Known for serene, realistic lands...

Provence Jean La Forgue (French 1901-1975) signed watercolour, mounted in a card frame card frame: 12 x 15 inches painting: 9 x 12 inches provenance: the artists estate, France cond...

The French Market Simone Forge, 1930's French Impressionist oil on board unframed signed verso "Sim" board: 13 x 16 inches Provenance: private collection, Paris Condition: good and ...

Penny Whent (American, born 1949) "Lake Tahoe" 2021 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. “Lake Tahoe” by Penny Whent captures the...

"In this work I captured the passionate energy and warm palette of Tuscany." said Anna Shesterikova about this painting. "The picture radiates the bright sun and good mood of the Ita...