Landscape Paintings

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

A Rocky Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unframed o...

Realist painting of a pair of cowboys attempting to rope a group of running horses set against an open landscape of rocky mountains. Signed by the artist in the front lower right cor...

Oil on canvas, signed lower right. Dimensions listed include the frame. Featuring the Privateer ship "America" under full sail. Title and dated on the reverse. The dimensions listed ...

Artist: Ian Hornak (1944-2002) Title: Marcia’s Meadow (Vermont) Year: 1983 Medium: Acrylic on Canvas Size: 50 x 72 inches Condition: Excellent Inscription: Signed recto; signed, date...

Antique American impressionist oil painting of a fall landscape by George A. Renouard (American, 1884-1954). Oil on board. Signed. Framed.

Work on cardboard with frame. Total size with frame is 53x69x5 cm Roberto Gherardi is an Italian-Geneva painter born in 1933 in Ascensione in northe...

Otis Dozier (1904 - 1987) Dallas Artist Image Size: 30 x 40 Frame Size: 32 x 42 Medium: Oil Dated 1980 "In Flight" Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

'Brume Sur La Seine (Mist On The Seine)' Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches Signed lower left Raymond Thibesart was born into an affluent family on May 2nd, 1874. As a small child, Thibesart’s family moved to a suburb of Paris where the very young artist found a wealth of teachers and inspiration to pull from. Thibesart showed such proclivity for drawing at an early age, and had enough talent that famed impressionist Emile Boggio began giving him lessons when he was just 11 years old. Eventually, Thibesart began formal training at the Lycee Rollin in Paris, followed by studies at L’Ecole des Beaux-Arts and the Academie Julian. While working in Symbolism, Thibesart became a student of the Impressionist and Post-Impressionist art movements of his native France and began winning numerous medals in France, including the gold medal from the Societe des Artistes Francais in 1897. Thibesart then began his studies with the famed Impressionist Henri Martin for much of his early life. From Martin, he learned the technique of “plein air" painting who as a master of the discipline. Proficiency of this technique and its aesthetic, freed up the young artist, allowing him the ability to create amazingly beautiful light and shadow splayed across his trademark subjects which frequently included the landscapes of Italy...

Work on canvas Gilded wooden frame 59,5 x 69,5 x 4 cm

This artwork titled "The Despatch" c.1985 in an oil painting on canvas by British artist Reginald John Mitchell, 1923-2018. It is signed at the ...

Herzogin Cecilie, 1902 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 15 x 21.75 inches Superb oil painting by the well listed French marine artist Louis Letouche (1924-2015). The painting portrays the early 20th Century ship titled: Herzogin Cecilie, 1902. Herzogin Cecilie was built in 1902 by Rickmers Schiffbau AG in Bremerhaven. She was yard number 122 and was launched on 22 April 1902. Completion was on 7 June that year. She was 334 feet 8 inches (102.01 m) long, with a breadth of 46 feet 3 inches (14.10 m) and a draught of 24 feet 2 inches (7.37 m). Herzogin Cecilie was built for Norddeutscher Lloyd Bremen. Unlike other contemporary German merchant sailing ships, the black Flying-P-Liners or the green ships of Rickmers, she was painted in white. She was one of the fastest windjammers ever built: she logged 21 knots at Skagen. The tall ships of the time remained competitive against the steamers only on the longer trade routes: the Chilean nitrate trade, carrying salpeter from Chile to Europe, and the Australian wheat trade, carrying grain from Australia to Europe. Both routes required rounding Cape Horn routinely, and were not well suited for steamers, as coal was in short supply there. Herzogin Cecilie was one of the fastest merchant sailing ships of her time, on a par with the Flying-P-Liners. The trip around Cape Horn from Portland (Oregon) to The Lizard (England) was done in 1903 in only 106 days. At the outbreak of World War I, she was interned by Chile, returning to Germany in 1920, only to be given to France as reparation, and subsequently sold to Gustaf Erikson (24 October 1872 – 15 August 1947) of Finland for £4250. She was homeported at Mariehamn.[2] As the freight rates for salpeter had dropped after the war, Gustaf Erikson sent her to bring grain from Australia. In so-called grain races, several tall ships tried to arrive first in Europe, to sell their cargo for a higher price, as told, for example, in The Great Tea Race of 1866 or The Last Grain Race. Typically, ships were loaded in the Spencer Gulf area, Port Victoria, South Australia or Wallaroo, South Australia, and travelled to Europe, with ports on the British Isles like Queenstown, Ireland or Falmouth, Cornwall being considered as the finish. After "winning" four times prior to 1921, she again won the grain race four times in eleven trips from 1926 to 1936. In 1927, when Herzogin Cecilie covered Port Lincoln (South Australia) –Falmouth, London and won a race against the Swedish ship Beatrice. Alan Villiers was on board, which would result in his book Falmouth for Orders, and later a trip aboard the barque Parma. Wreck of the Herzogin Cecilie in south Devon. With Sven Erikson as her Captain and Elis Karlsson her First Mate, the ship left Port Lincoln in South Australia on 21 January 1935, with a cargo of wheat, and after taking a more southerly route than usual, reached Falmouth for Orders on 18 May making her passage of 86 days the second fastest ever. Herzogin Cecilie was making for Ipswich in dense fog, when, on 25 April 1936, she grounded on Ham Stone Rock and drifted onto the cliffs of Bolt Head on the south Devon coast. After parts of the cargo were unloaded, she was floating again, only to be towed in June 1936 to Starhole (Starehole) Bay at the mouth of the nearby Kingsbridge Estuary near Salcombe, and beached there.On 18 January 1939, the ship capsized and sank. The remains of the ship sit at a depth of 7 metres at 50°12.82′N 3°47.02′W. The timber and brass portholes from the chart room...

"Autumn Trees" is an original, unique landscape oil painting on canvas by Michael Boyle. The artist signed the piece lower right and dated it lower left. This piece depicts a line of...

Bold mid century impasto landscape of Mt. Rose in oil by Nancy Coe (American, 1932-1998), c.1968. This piece has evocative, heavy textures from the artist's use of a palette knife. Signed in pen in the lower right corner. Gallery sticker on back of frame. Presented in a copper-colored frame. Image size: 27.25"H x 28.38"W Nancy Patricia Coe (American, 1932-1998), was born in San Jose, California to Henry Surtcliff Coe and spent most of her life on Rancho San Felipe in a two-story, brick colonial residence, originally built by her father, on a commercial cattle ranch. With its weeping willow trees and picturesque red barn, it made for a happy home nestled in the heart of San Felipe Valley. Henry Coe State Park is named after her Grandfather Henry Willard Coe. She studied art at Stanford University and graduated in the 1950's. While there, she met S. Gainer Pillsbury, MD, a fellow alumnus, whom she married on June 19, 1956. While an accomplished user of charcoals and Conte crayons, Ms. Coe painted in primarily in oils, showing and winning awards in Reno, Nevada in the early 1960's. Her works, including landscapes and portraits, have been featured in numerous newspaper articles in the Reno Gazette-Journal. Her palette-knife painting of Salvador and Virginia Prado, two ranch hands, was featured on the cover of a Mexican-American history textbook, A Guide to the Study of the Mexican-American by Feliciano Rivera (1969) and published at San Jose State University. Her paintings of Sada S. Coe (her aunt) and Henry “Harry” W. Coe, Jr. are featured in the museum at Henry Coe State Park in Morgan Hill...

Post Impressionist Landscape, Under the Bridge Gorgeous post-impressionistic landscape in the style of Vincent Van Gogh, circa 1990. The ...

St. Paul de Vence, France signed by Josine Vignon (French 1922-2022) ...

Known for his scenes of the California coast, Rocky Mountain landscapes and depictions of the springtime flowering of the Texas Bluebonnets , Robert W. Wood probably painted more works of the landscape of the United States than any artist in the annals of American art. This painting is a perfect representation of Robert Woods classic American landscape. The trees are starting to turn yellow and gold as a small river rushes down through Topanga canyon...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Street musicians Signed and dated (19)91 Watercolour over traces of pencil 15¾ x 26 25½ x 35 with frame ​​ George Large is a painter in watercolour and oil, born in Islington, London in 1936. He studied at Hornsey College of Art (1958-63), teachers including Maurice de Sausmarez, John Titchell and Alfred Daniels. Large spent some time in the display department of Simpson’s, Piccadilly, was part-time at Hornsey College of Art, then head of department at St Julian...

"In Glacier Park," an original oil painting by renowned artist Nellie Augusta Knopf, captures the serene beauty of Glacier National Park in Montana. This stunning piece depicts a pea...

The Old Harbor signed by Georges Bordonave (French contemporary) dated 1976 oil painting on board, unframed board: 19.5 x 24.5 inches condition: very good, minor wear to the corners ...

March 1989. Oil on canvas, 80x90 cm

Title: French Watercolor of "Château de Cheverny" with Lush Grounds and Towering Trees by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper...

Bold multi-color abstract expressionist oil painting illustrating vivid colors of gold, magenta, teal and yellows by Michael Pauker (American, b. 1957). This high octane colorful hor...

An oil on board view of the port of St Tropez in the South of France. The painting is initial signed bottom right as yet undeciphered. presented in a reeded wood frame with a cut car...

Cataract Creek, Alberta - Canadian Mountain River Valley Landscape Majestic landscape of a sweeping mountain valley vista at Cataract Creek in Alberta by Canadian artist Lloyd C. La...

Title: French Watercolor of "Château de Villandry with Formal Gardens" by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size:...

Title: French Watercolor of Château de Chambord with Reflective Canal Scene by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed ...

Title: French Watercolor Painting of Guéthary Port with Fishing Boats and Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper...

Sincronia Rosa - Abstract Oil on Canvas Paintng , Angelom Palazzini, Italy Angelo Palazzini was born in Lodi in 1953 where he still resides and has his own studio. His encounter wit...

The Island Woman (La Mujer Isla) Artist signed and titled. Enrique Chavarría (1927-1998) was a Mexican painter and neo-surrealist, whose fantastic imagery carries forward the work of the Mexican Surrealists. He created hundreds of easel-sized oil paintings on masonite and numerous smaller works. For four decades his principal patron was Bryna Prensky, an American gallery owner from Florida who moved to Mexico City in 1954. She bought most of Chavarría’s known works for her gallery and her own collection. Prensky said she often found Chavarría in his pajamas at mid-day. He read widely and painted dreamlike images that reflect his wide-ranging scholarly interests. Much of his work is thought to have been inspired by poetry, especially the writings of André Breton, Paul Éluard, Arthur Rimbaud, and Paul Valéry; by the classic surrealism of Salvador Dalí; and by the paintings of Mexican neo-surrealist artists Remedios Varo...

French Landscape signed by Josine Vignon (French 1922-2022) ...

Calm farm scene of a bucket filled with daisies by an unknown artist (20th Century). In the background a brick barn has a door open, with weeds and plants growing in front of it. A p...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Oil on cardboard without frame. Signed A. Ramseier Swiss artist from 19th century

Robert Harrison (Born 1949) San Antonio Artist Image Size: 36 x 48 Frame Size: 44 x 56 Medium: Oil on canvas Dated 1999 "Coreopsis & Daggers" Texas Hill Country. Wildflowers Biograph...

Well painted French late 20th Century Anglo/American Impressionist painter Charles B. Hall. This was painted on a trip to France circa 1988 Hall painted marine scenes, landscapes,...

La obra va firmada por el artista en la parte inferior y fechada del año 1990 El estado de conservación es bueno Se presenta enmarcada la obra (sin cristal) Medidas de la obra: 70...

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Pr...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

So perfect for your ski house! Fantastic oil painting of Glacier National Park by Artist John Modesitt. Artwork size: 8" x 10". Framed size: 12 1/2" x 14 1/2". Primarily self-taught, William was best known as a California Landscape Painter. His paintings were reminiscent of the California Impressionists with rich atmospheric perspective and depth. It is important to note that William had difficulty seeing distance due to an eye condition. He would create the illusion of depth with skillful painting techniques and his sophisticated use of color. William’s paintings were frequently available on the secondary market, in antique stores and auction houses, where they were often paired with early California painters such as Edgar Payne, William Wendt and Ray Strong...

Signed oil on panel impressionist seascape circa 1920 by Paul Emile Lecomte. The work depicts the entrance to a busy port as the sun begins to set. The dying light is illuminating th...

Landscape by the lake. Oil on cardboard, 40x50 cm Arnolds Pankoks (born 1914.21.IX - 2008.) Graduated Art Academy of Latvia (1937 – 43, 1945 – 47) with diploma work "Restoration of ...

Small Vintage Oil Painting of Cottages in the Mournes in Ireland by Contemporary Artist, Derek Quann Art measures 8 x 6 inches Frame measures 1...

Artist/ School: Deborah Poynton, British contemporary, signed Title: Summer Landscape Medium: oil painting on canvas, framed Size: painting: 20 x 30 inches, frame: 22.75 x 32.75 ...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower ...

La Lac de Castillon (Provence) by Josine Vignon (French 1922-2022) ...

"On The Beach" By Greg Harris is a perfect example of his most sought after paintings. Measuring 36x48 in., this painting is timeless with woman and children at the beach...

Grand Canal, Venice by Sydney Foley (British 1916-2001) signed oil on board, framed framed: 12.5 x 23 inches board: 8.25 x 18 inches provenance: private collection, UK condition: ver...

A beautiful signed and dated 1977 Italian cubist oil painting depicting snow covered roofs in a city. Striking and excellent quality work in bright and vibrant colours. Excellent c...

La obra va firmada por el artista en la parte inferior y fechada del año 1971 El estado de conservación es bueno Se presenta sin enmarcar la obra Medidas de la obra: 73 cm. de alt...

Technical Data of the Artwork Title: Life by the Pier Artist: Rosendo González Carbonell Medium: Oil on panel Dimensions: 8.3 x 10.2 inches (unframed), 13 x 15 inches (framed)...

Joan Vives Maristany (XX) - Boats on the beach - Oil on panel Oil measures 23x41 cm. Frameless.

Initialed lower right in pencil, 'B.R.' for Barbara Rainforth (American, 20th century) and dated 1989. Additionally signed in pencil, verso, 'Barbara...

Giner Bueno (1935-2000) Reparando Las Redes Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his stu...

Miniature oil on board original painting of a view of Place du Tertre in Montmartre, Paris. France. Circa 1975. Signed illegibly lower right. Condit...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed canvas size: 46 x 35 inches condition: overall very good, a few min...