Landscape Paintings

Antique American modernist beach scene oil painting. Oil on board. Framed. Image size, 16L x 20H.

Farm in the English Countryside with Warm Golden Brown & Lush Green Colours by 20th Century British Artist, Christopher Osborne. Art measures 10 x 8 inches Frame measures 13 x 11 ...

MODERNIST FOREST Oil on canvas Size: 49 x 60 cm (including frame) A very pleasant modernist landscape oil composition dated 1977, and painted by the established Swedish artist Ture ...

A charming, colorful 1930s oil painting of a young woman in a rowboat by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). This vibrant harbor scene was most likely paint...

Big Sur California Seascape Original Mid-Century Oil on Linen Exceptional Seascape ainting in Oil Impasto technique by Ralph Victor Murray (American, 1897-1991). Heavy brush work of the Big Sur Coast rocks and crashing waves. In a period rustic carved frame. Image 24"H x 30.88"W Frame 28.25"H x 35.25"W x 2"D, frame is rustic and has some edge wear included as-is. Ralph Victor Murray was born June 27, 1897 in Fredericton, New Brunswick, Canada. He was raised in Fredericton and Campbellton. He was living in Campbellton in 1910 and witnessed the whole town burn to the ground. He studied at Rothesay Academy and left school at the age of 15 to help support his mother and sisters when his father passed away. He joined the Canadian Expeditionary Forces at age 18 and served during World War 1 in England until he was stricken with Diptheria and transferred to Halifax. He was walking to work on Dec. 16, 1917 when the great explosion of Halifax took place. After leaving the military, he traveled and worked in Canada and the United States until he ended up in San Francisco. While there he heard the California Highway Division was hiring, so he took the test and was hired as a surveyor. From 1923 to 1924 he surveyed Highway One (The Big Sur Highway) between Santa Maria and Carmel. He was retired from the State of California in 1940 and took up oil painting. In 1941 he won 2nd place in the Santa Cruz County Fair. He was mostly self taught, however he did take some private lessons from Burton Boundey and Abel Warshawsky. His work was landscapes and seascapes in oils. He was a lifetime member of the Carmel Art Association in Carmel, California. He frequently exhibited his work there from 1940-1960. His work was also exhibited in Wells Fargo Bank, Cal Am Water Co., Monterey Savings and Loan, Pacific Gas and Electric and numerous other businesses around the Monterey Peninsula. His work was shown in the "Monterey Peninsula Herald" and was also photographed for the L. A. Times for the July 20, 1958 insert. In the 1960's he gave private lessons to Helen Barker and Charles Lee. He also showed his work in the Helen Barker Gallery in Carmel, California. He was featured under People in the February, 1989 issue of Monterey Life. The California Art Review solicited information from him as well as California Artists. His friends and peers were such greats as Abel Warshawsky, Frank Meyers, Myron Oliver, Armin Hansen, Arthur Hill Gilbert, Burton Boundey and Leslie Emery...

Drying Nets Spanish School, late 20th century signed lower corner and inscribed verso oil on canvas, framed framed: 29.75 x 41 inches canvas: 28.5 x 29.5 inches provenance: private c...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Alina Hubarenko’s “Aguas Cristalinas” mesmerizes with its port...

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed verso.

A large, magnificent 1950s Southwestern Painting of Sedona, Arizona by Francis Chapin depicting Cathedral Rock, Red Rock State Park. Canvas Size: 20" x 40"; Framed Size: 20 1/2" x 4...

Artist: Ian Hornak (1944-2002) Title: Hannah’s Mirror, Rembrandt’s Three Trees Transformed Into The Expulsion From Eden Year: 1978 Medium: Acryli...

SUNLIT TREE Size: 38 x 53 cm (including frame) Oil on Canvas A striking and surreal mid century modernist landscape that blends abstraction and symbolism, painted in oil onto canvas...

Work on wood Gilded wood frame 42 x 57 x 3 cm

Oil on table realize by Michele Ricciuti in 1980s. Hand signed. In good condition, includes a contemporary wooden frame.

Max Beckmann Holzbrücke, 1922 Signed in pencil lower right Drypoint on cream wove paper 11 3/8 x 9 3/8 inches From the edition of 150 Max Beckmann dreamed up a world of actors, cab...

Abstract landscape painting of a gestural blue cloud over an olive green field "Hayfields" painted by David Konigsberg in 2015 oil on wood panel, 23 x 24 x 2 inches Ready to hang, s...

"February 21st - Red" Abstract Expressionist Landscape by William Morehouse The image shows an abstract landscape painting by William Paul Morehouse (American, 1929-1993), titled "February 21st - Red". The painting has a textured application of impasto, in oil on canvas, with dominant earth tones and a contrasting red section at the top. The composition is divided into geometric shapes and lines, suggesting a stylized representation of a landscape. The colors and textures evoke a sense of the Northern California coastal prairie, a recurring theme in Morehouse's work. The painting is signed, titled, and dated 1960 on the reverse., and WM '60 center bottom of painting. Image, 34"H x 20"W x .5"D Signed center at bottom, Signed and dated on verso, with exhibition label and title. Post War California artist, William Paul Morehouse studied at the California School of Fine Arts (1947-1950) receiving his BFA. Not long after graduation from the CSFA he joined the Army during the Korean War. He became a Master Sergeant and was released with a Purple Heart in 1953, at which point he enrolled in courses at the California College of Arts and Crafts (now the California College of the Arts). A transfer to the San Francisco Art Institute the following year led to his Bachelors in Fine Arts, and in 1954 he enrolled at San Francisco State University where in under two years he earned his MFA. He traveled to New York that same year to participate in the Young American Painters exhibition at the Guggenheim, along with Diebenkorn, deKooning, Motherwell, and Jackson Pollock. He soon began dividing his time between the two coasts. Morehouse eventually settled in Bodega Bay permanently, where he continued to paint as part of the group the "Sonoma Four" Selected Group Exhibitions: Pennsylvania Academy of Fine Arts; University of Illinois; Fort Worth Museum; Los Angeles County Museum; National Academy; Oakland Art Museum; Rotunda Gallery, San Francisco; Denver Art Museum; Fourth Annual Exhibition of Contemporary Painting, California Palace of The Legion of Honor 1951; First Pacific Coast Biennial Exhibition, Santa Barbara Museum of Art & California Palace of the Legion of Honor, San Francisco 1955; PACIFIC COAST ART...

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 23 by 38 inches overall and 15 by 30 painting alone. In excellent original condition. Hands...

A serene, ca. 1940s, Western landscape painting with horses by artist Francis Chapin. In a brown, wooden frame. Image size: 22" x 28". Framed size: 25" x 31". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

''Sea Turtles" oil on canvas, unframed painting: 27 x 35.5 inches the painting is in overall very good and sound condition

Frank Nelson Wilcox (American, 1887-1964) Cliffs at Paramé, France, c. 1926 Watercolor on paper Signed lower right 14 x 17.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

The Bullfight Huguette Ginet-Lasnier (French 1927-2020) inscribed verso wooden frame signed oil painting on canvas framed: 15 x 18.5 inches canvas: 14.75 x 18 inches. All the paintin...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Georgina Klitgaard Bearsville, New York Signed lower right Oil on canvas 26 1/4 x 32 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

Provence Landscape by Huguette Ginet-Lasnier (French, 1927–2020) This stunning oil on canvas diptych presents an expansive and vibrant Provence landscape by renowned French artist H...

René Genis (French, 1922-2004) Neige dans l'Oberland, c. mid 20th century Oil on canvas 19 1/2 x 19 1/2 in. Framed: 26 1/4 x 26 1/4 x 1 3/4 in. Signed lower right: René Genis David F...

Artist/ School: Jean-Pierre Rousseau (French, b. 1939), signed and dated 1963. Title: The Vintage Car Driver Medium: signed oil painting on canvas, framed and inscribed verso. f...

"Getting lost in the infinite" is a meditation on a motif dear to painters of all times and all continents: the mass of water lilies. For Linda Clerget, ...

"Showers Today" San Francisco's Chinatown on an Overcast Day Original Watercolor A two sided watercolor on Arches paper by San Francisco and Maryland artist Harolod Gretzner (America...

Antique American modernist signed landscape oil painting. Oil on canvas. Signed. Framed.

Lively Paris street. 1973. Oil on canvas. 54 x 73cm Hiro Yamagata was born near Kyoto, Japan, went to Paris to study art, and considers himself an American artist. In his Los Angeles studio, Yamagata paints minutely detailed scenes of Paris streets, cafes and parks. He captures the essence of the naif style by presenting life in simple terms, and the world in the happiest light. His creative synthesis of photorealist and neo-folk techniques has won countless admirers and collectors. Yamagata's vision is unequivocally cheerful and his imagery is endlessly inventive. He works from a palette of over 100 shades of acrylic paints, and renders in exacting detail with brushes with as small as two hairs. Serigraphs of some of Yamagata's most popular paintings...

This is a hand painted copy of the New Yorker Magazine cover image from September 25, 1978. It is not signed. I was told it is not by the artist. I am selling it as in the style of Gretchen Dow Simpson...

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

Meet the genuinely exciting modernist William Einstein, who is probably better known in Europe, where numerous publications on his work have been written, than in his native US! Eins...

George Gustav Adomeit (American, 1879-1964) Barn Scene Oil on canvas mounted to masonite Signed lower right 16 x 20 inches 21.5 x 25.5 inches, framed A major painter of American sce...

The painterly work of Helga Scholler includes works from a period of more than 40 years and shows a range of uncompromising expressive works of all genres, which represents a further...

Antique American modernist abstract signed oil painting by Anne Sharp. Oil on canvas. Signed.

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

LAYERED HORIZON Size: 50 x 70 cm (including frame) Oil on canvas An engaging and striking mid-century abstract landscape painting that captures a dynamic and expressive interpretat...

Impressive early American impressionist theatre interior painting. Oil on canvas. Framed. Signed. Image size, 30 by 36 inches.

HILLSIDE HOUSES Size: 66.5 x 82 cm (including frame) Oil on canvas A mid-century modernist painting presents a vibrant yet soothing interpretation of houses by a hillside, depicted ...

Signed Adolfo Perez Frameless

Summer Scene on a Tree Lined River with Cattle in the English Countryside in beautiful Sunshine, by 20th Century British Artist, Christopher Osborne. Art measures 12 x 8 inches Fram...

Vintage modernist expressionist sunset oil painting. Oil on canvas. Image size, 27.5L x 20H. Signed.

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 11.75 x 8.25 inches condition: very good and ready to be enjoyed. p...

A Charming 1940s Watercolor of Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 after rec...

Artist: Ian Hornak (1944-2002) Title: Lion’s Head Rock (East Hampton, NY) Year: January 1971 Medium: Acrylic on Canvas Size: 42 x 66 inches Condition: Excellent Inscription: Signed, ...

Faringdon House, Oxfordshire English School, mid 20th century inscribed to label verso oil on board, framed framed: 19 x 23 inches provenance: private collection, England condition:...

Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...

The Grand Canal, Venice Alvarez ( Mid 20th Century) signed oil on canvas, framed framed: 25 x 33 inches canvas: 20 x 28 inches provenance: private collection, France condition: very ...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Northern Gowshawk by Ben George Powell, British contemporary artist signed acrylic on board, unframed board: 12 x 16 inches provenance: private collection of this artists work, UK Th...

Via di San Leonardo, Florence (Italy) is an oil painting on pressed cardboard realized at the beginning of the 20th Century. Good condition (light color degradation). Frame included.

André Cottavoz (1922-2012) Paris : Seine River and Notre Dame Church Original oil painting Signed in the right corner On panel 18 x 33 cm (c. 9 x 13 inch) Very good condition, lig...

Impressive early American modernist central park, new york city oil painting. Framed. Oil on canvasboard . Image size, 18H by 24L.