Landscape Paintings

Autumn Provence by Andre Guillou (French 1925-2017) signed and dated 2002 oil on canvas, unframed canvas: 25.5 x 21 inches provenance: private collection...

MOONLIT SEA Size: 34 x 47 cm (including frame) Oil on board An atmospheric mid-century abstract coastal landscape, executed in oil onto board. The composition presents a seascape w...

Coastal Village Reflections by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 14 x 21.5 inches condition: very good and ready to be enjoyed Descripti...

George Gustav Adomeit (American, 1879-1967) Summer Landscape Oil on canvas board Signed lower right 13 x 14.25 inches 18.25 x 19.5 inches, framed A major painter of American scene s...

FAUVIST FIELD Size: 43 x 73 cm (including frame) Oil on board A bright and vividly coloured mid century landscape composition, executed in oil onto board and dated 1963. Characteri...

An original modernist oil painting by American female artist Esther Rollick.

Seaside is a modern artwork realized by Egeo Venturi. Oil painting. Hand signed on the lower margin. Includes frame.

A colorful harbor scene of Martha's Vineyard by noted Chicago Modern artist, Francis Chapin (Am. 1899-1965). The painting depicts a blustery dockside view, with fishing and sailboat...

The Stubborn Mule Italian School, 19th century oil on canvas, unframed canvas: 9.75 x 14 inches provenance: private collection condition: very good and sound condition, a little scru...

Dated, signed Signature unknown Work on wood Gray wooden frame with golden patina 82 x 997 x 6 cm

WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural James McCracken (1875 – 1967) WPA Landscape 28 x 36 inches Oil on canvas, c. 1930s Signed lower right ...

An Early Morning Light, Isle of Gigha by John Lowrie Morrison - "Jolomo" OBE Scottish born 1948 Oil on canvas Canvas size: 16 x 16 inches Framed size: 25.5 x 25.5 inches Signed low...

This evocative vintage oil painting from the 1930s–1940s captures a classic adobe church in New Mexico, likely inspired by the historic San Francisco de Asís Mission Church in Rancho de Taos. Painted by Denver modernist Paul K...

Sailing Boats French School, 20th century oil on board, framed inscribed verso framed: 20 x 24.5 inches board: 17 x 21 inches provenance: private collection, France condition: very g...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

French Cityscape by Jacques Pergel, French (1924) Date: 1968 Oil on Canvas, signed l.l. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 31 x 43 inches

Rites of Winter, by 1939, oil on canvas, 32 x 40 inches, exhibited: 134th Annual Exhibition of the Pennsylvania Academy of Fine Arts, Philadelphia, PA, January 29 – March 5, 1939, no...

Artist: Charles Burk– American (1947-) Title: Doorway, old Building Year: unknown Medium: Watercolor on watercolor paper Size: 10 x 15 inches. Framed size: 19 x 23.5 inches Signatu...

Provence Huguette Ginet-Lasnier (French 1927-2020) signed watercolor painting on paper, mounted on card framed: 7 x 5.5 inches canvas: 5 x 5 inches. All the paintings we have for sal...

A beautiful c.1970 French modernist oil on canvas depicting a large staircase with figures, by Roland Hamon. The work is signed lower right and presented in a beautiful painted fram...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Large and powerful French modern street scene. A paris view by Claude Aliotti (1925 - 1989). Oil on board. Signed. Framed. Image size, 18"L x 24"H.

Georgina Klitgaard Spring Ploughing Signed lower right Oil on canvas 34 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists ...

Nicely framed early American modernist cityscape painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

Work on wood

Framed 41.5 x 29.5 image 35.5 x 23.5 This large painting depicts a man and woman, Adam and Eve, interlocked and embracing one another. The woman holds an enticing apple as they are thrusted from the Garden of Eden. This is an original painting. Zamy Steynovitz was born in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children. Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world. His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes. In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist. Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times. As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Menachem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000. Exhibitions One Man Show 1970 - Museum - Ramat - Gan 1973 - Brussels - Gallery L'Angle Aigu 1974 - London - International Gallery 1974 - Paris - Grand Palais Gallery 1975 - Milan - Brera Gallery 1976 - N.Y. Valentino Gallery - N.Y. Hilton 1977 - N.Y. Valentino Gallery - N.Y. Hilton 1978 - Basel - Actual Gallery 1978 - Geneve - Bohren Gallery 1978 - Oslo - Nobel Peace Prize Exhibit 1979 - London - Hamilton Gallery 1979 - N.Y. - Art Israel Kalt - Waldinger Gallery 1979 - N.Y. - Canty Art Gallery 1979 - Amsterdam - Schipper Gallery 1979 - Washington - International Art Fair 1980 - Cleveland -Jewish Museum 1980 - Tel-Aviv - Habima National Art Fair 1981 - Abraham - Goodman House N.Y. 1981 - San Lucas Galley - Bogota 1982 - Pedro Gerson Gallery - Mexico City 1983 - Simon Bolivar...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Mid Century Northern California Mountain Lake Landscape Serene landscape by Margot Wilson Lowe (American, 20th Century). The viewer looks out over a large mountain lake, reflecting ...

Joan Gillchrest. English ( b.1918 - d.2008 ). Cornish Fishing Boats At First Light. Oil On Paper Mounted On Board. Signed Monogram Lower Right. Image size 26.2 inches x 22 inches ( 66.5cm x 56cm ). Frame size 35.8 inches x 31.3 inches ( 91cm x 79.5cm ). Available for sale; this original oil painting is by the Cornish artist Joan Gillchrest and dates from around the late 1980s. The oil painting is presented and supplied in a sympathetic new replacement frame (which is shown in these photographs) that suits the artwork’s color palette and behind non-reflective Tru Vue UltraVue® UV70 glass. This painting is in excellent condition and presents superbly. It wants for nothing and is ready to hang and display. The painting is signed with her monogram lower right. Joan Gillchrest is one of Mousehole’s and Cornwall’s most recognised and celebrated artists. Her vibrant art sits firmly alongside other great artists of the St. Ives School from the 1960s. She was born Joan Scott in London in 1918 into a wealthy and illustrious family. She was the third of four children. Her father was a pioneer of radiology – and a skilful caricaturist - and her Australian mother was an accomplished pianist. Sir George Gilbert Scott was her great grandfather, who designed the imposing Midland Grand Hotel at St. Pancras as well as countless parish churches. Grandfather, George Gilbert Scott Jnr, is remembered for three Cambridge colleges, Christ’s, Pembroke and Peterhouse. Her uncle Giles, (Giles Gilbert Scott) to whom Joan was close, is best known for his magnificent Anglican Liverpool Cathedral, Battersea Power Station and the iconic and ubiquitous red telephone box. Coming from such a long line of eminent architects it is not surprising that Joan always loved architecture and the churches and chapels of the Penwith peninsula feature prominently in her work. She said that buildings were “in her blood”. Her early childhood was spent at the family home in Buckinghamshire, but she was a difficult child – the family hired one nanny for her and one for the other three children- and at one point she was sent to Upper Chine School in the Isle of Wright to give her family some peace! She was however the apple of her father’s eye and he encouraged her obvious artistic talent. In 1934, aged only 15 but encouraged by her parents, she went to Paris to study art and learn the language. There she met Gwen John and studied in various studios, sometimes working as a model. In 1936 she enrolled at the Grosvenor School of Art and subsequently studied there under Iain McNab, whom she described as a marvelous teacher. Her early artistic career was very promising; she first exhibited at the Royal Academy when she was just 18 and showed works at the New England Art Club in 1937 and the London Group in 1938. When the Second World War broke out Joan was 21. She took a crash course in nursing and first aid and volunteered as an ambulance driver for Westminster Hospital. She later drove a mobile rescue unit. She was not able to paint much during the war but kept in touch with McNab; when the area around St Paul’s was blitzed, leaving the cathedral relatively unscathed, McNab got Joan and a few others to paint the scene. Her work, created with a thick paint and a palette knife, hung in the art school for many years. Joan’s painting career stalled in the 1940s. In 1942 she married a barrister and Coldstream Guards officer Samuel Gillchrest, and they soon had a son, then a daughter. With a young family, she had little time to paint, and had to hide the work she did produce as her husband thought that work as an artist was beneath them. Sadly, the marriage broke down and in 1953 they divorced. In leaving a difficult marriage at this time, she forfeited money, security and her previous place in society. Despite the huge changes in her life, her overwhelming desire to paint remained constant. She ignored the disapproval of her friends and family and started to explore new ways of expressing herself on canvas. She moved to a studio in Chelsea, an area much favored by the artistic community. To support herself, her children and her painting she also found regular work as an artist’s model. She was tall, strikingly good looking and combined elegance with bohemianism. She also carried an air of mystery from her rich and privileged past, and so she became sought after as a fashion model. In the flat below hers lived an artist who had enjoyed some professional acclaim, Adrian Ryan...

Artist/ School: Jill Jackson (British, contemporary) Title: Golden Fields Medium: oil on artist paper, unframed Painting : 16 x 20 inches Provenance: all the paintings we have b...

Circa 1930 American school winter impressionist landscape painting. Oil on board. Framed. Signed verso. Image size, 16 by 20 inches.

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

Make it yours! A fabulous painting titled "47th & Woodlawn Ave in Chicago, ILL" by EC Nieman and dated 1950. It depicts a Walgreen's Drug Store, a horse pulling a milk truck, a new...

Mid Century Bay Area Mountains Autumnal Landscape Oil Painting Beautiful plein air oil painting of Bay Area mountains in autumn by Charles Eades (A...

Oil on cardboard without frame. Signed A. Ramseier Swiss artist from 19th century

Work on canvas Wooden frame 74 x 61.5 x 4 cm

Mid Century Figurative Landscape - The Search A dreamlike landscape by Winifred Lucy Shaffer (American, 20th Century). Several figures are clustered together in a forest setting. Th...

Yolande Ardissone French, b. 1927 The Lighthouse Oil on canvas 19 ¼ by 25 ⅛ in, w/ frame 28 ⅛ by 34 in Signed lower right Yolande Ardissone was born in Normandy in 1927, of an Ital...

"The Red Garden" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Milano...

Artist/ School: French School, indistinctly signed and dated Title: Nice (Cote d' Azur, France) Medium: oil painting on board, framed. frame: 28.75 x 32.75 inches board: 21.25 x 2...

George Petrie (1790–1866) - Romantic Irish Landscape, Oil on Canvas This captivating oil on canvas by the renowned Irish artist George Petrie, often referred to as the "Father of Ir...

Oil on canvas sold with frame Total size with frame 58x67 cm Signed A. Zosso (artist unknown from the gallery) Dated 1951

THE PATH LESS TAKEN Size: 24.5 x 25.5 cm (including frame) Oil on board A brilliantly executed abstract figurative oil composition painted by the established Swedish artist Ivar Mor...

Charming and well painted rural New England modernist landcape by Vern Henry Smith (1927 - 2007. Oil on canvas. Framed. Signed.

Antique original nocturnal cityscape oil painting. Oil on board, circa 1920. Signed illegibly. Image size, 12L x 16H. Housed in a period frame.

Genevieve Hamel Love Bubbles Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design and...

A late 20th century oil on canvas of a marine landscape depicting boats at a dock featuring a blue tone. The painting, an exemplary work of the American landscape art work of the 20t...

Landscape is a modern artwork realized by Kurt Schwitters in 1936. Mixed colored oil on canvas. Signed with monogram and dated on the lower right rec...

BLACK BOAT Oil on board Size: 63 x 83 cm (including frame) An expressive mid-century modernist style coastal landscape painting, executed in oil onto board and dated 1957. The comp...

Fernand Blondin (1887-1967) was a Swiss painter and teacher, celebrated for his depictions of idyllic rural life, interiors, female nudes, portraits, still-lifes, religious subjects ...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Impressive contemporary abstract expressionist painting by Stephen Heigh. Oil on canvas. Signed. Image size, 8H x 10L.

Georgina Klitgaard Desert Signed lower right Oil on canvas 18 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to members...

Pausing for Thought Paris School, mid 20th century signed oil on canvas, unframed painting: 25 x 20 inches provenance: private collection, Paris condition: very good and sound condition

Untitled is a modern artwork realized by Vincenzo di Giorgio. Mixed colored oil painting on canvas Hand signed on the lower margin Includes frame

American modernist abstract cityscape oil painting. Framed. Oil on canvas. Signed. Image size, 30H by 24L.

Oil on artist board original painting by the well known American artist, Nicolai Cikovsky. Thick vibrant colors with a vase of flowers, a banjo and a notebook with photographs with a rough sea as the background. Circa 1940. Condition is very good. Overall framed in a circa 1960 frame, 23 by 27.25 inches. Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...