Landscape Paintings

Rafael de Soto - Village street - Oil on canvas Oil measurements 41x33 cm. Without frame.

**Artwork sold WITHOUT frame** Guy Pittet (1929–2010) was a Swiss painter and watercolorist celebrated for his evocative depictions of urban and natural scenes, particularly those c...

Immerse yourself in the breathtaking beauty of the Rocky Mountains with Lush Grazing, North Park, an original oil painting by renowned landscape artist James Emery Greer, created in ...

"Getting lost in the infinite" is a meditation on a motif dear to painters of all times and all continents: the mass of water lilies. For Linda Clerget, ...

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and dated lower right. Original frame with export label stamp. Alberto Ulloa Burgos was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson...

abstract flowers acrylic, oil on canvas one-of-a-kind Full size 108x192cm the painting will be shipped rolled without stretcher bars.

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

Beach Scene (Coney Island) is a fine example of Martha Walter’s light-hearted, colorful harbor and beach scenes, for which she became best known. Her ability to capture the animation...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

GEOMETRIC PATHWAY Size: 64 x 81 cm (including frame) Oil on canvas A bold and striking mid-century abstract landscape composition, painted in oil onto canvas and dated 1958. The pa...

Georgina Klitgaard Arroyo Seco, New Mexico Signed lower right Oil on canvas 28 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign a...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

A oil painting on linen that was inspired by the changing seasons. In this piece the paint has been thinned so it creates soft pools of colours and shapes. Professionally framed in ash wood ready to hang. The painting comes signed and titled on the reverse. Painting by Laura Menzies...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "That Golden Hour" by Nick Vivian is a breathtaking depiction o...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

"Sycamores" Abstract Expressionist Composition in Acrylic on Paper Bold and expressive composition by Ellen Marie Jones (American, b. 1961). Several botanical shapes resembling tree...

Body in the Field #1, 2023 oil on canvas 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

The Bullfight Huguette Ginet-Lasnier (French 1927-2020) inscribed verso wooden frame signed oil painting on canvas framed: 15 x 18.5 inches canvas: 14.75 x 18 inches. All the paintin...

Summer Bloom series began in 2022, which Shizico Yi celebrates the season by painting en plein air in her garden and locations. 2024, she embarks on a fresh chapter with her new cott...

Bold multi-color abstract expressionist oil painting illustrating vivid colors of gold, magenta, teal and yellows by Michael Pauker (American, b. 1957). This high octane colorful hor...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. R Hacking St. John’s College, Cambridge from the River Cam...

Very impressive modernist landscape by Larry Horowitz (Born 1956). Oil on canvas. Signed. Framed. Artist Bio: Larry Horowitz is an American landscape painter, focused especi...

'Sicilian Farmhouse', oil on canvas, by Yves Brayer (circa 1950s). A dedicated lover of Mediterranean countries and their varied landscapes, this charming and diminutive work by the ...

Antique American abstract expressionist oil painting. Oil on canvas. Signed. Measuring 16 by 36 inches.

"Heritage Roses" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the rich colors of the rose in the vase. This pa...

Oil on table realize by Michele Ricciuti in 1980s. Hand signed. In good condition, includes a contemporary wooden frame.

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed verso. Image size, 32H by 38L.

Original oil painting by P. Valetti (French, second half 20th century) oil on canvas, unframed size: 18 x 25.5 inches condition: very good provenance: from the artists estate, France...

Sophie Dumont is a contemporary painter whose work explores the boundaries between abstraction and landscape. Through an intuitive approach to color and texture, she creates composit...

This contemporary expressive abstract landscape, "River Among Mountains", was created by the French artist Natalya Mougenot as part of her series dedicated to Nature. One of Natalya'...

Vintage American school abstract expressionist oil painting by Ray Prohaska (1901 - 1981). Oil on board. Very nice period frame. Signed. Exhibited at Mortimer Levitt Gallery. Im...

Walter Anderson ( American, 1903 - 1965) Hydrangeas, circa 1950 Mixed media on paper 11 x 8 1/2 inches Provenance: Luise Ross Gallery, New York Private Collection, New Jersey Acquired from the estate of the above, 2021 Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art. The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot. But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience. But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed. In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...

RURAL TERRAIN Size: 32 x 52 cm (including frame) Oil on board A very textured mid century modernist landscape composition, painted in oil onto board. This painting is a landscape t...

In this series, I've poured my passion into the dynamic interplay of colors and forms to evoke a sense of both chaos and calm. The deep blues and vivid splashes represent the turbule...

Large scale abstract landscape of a city inspired by graffiti painted in the style of Abstract Expressionism. Signed by artist in lower right corner. Currently unframed, but framing ...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Choose the frame: black or wood Sophie Dumont is a professional painter whose work is collected worldwide and is known for her deep exploration of texture, color, and form. Her pain...

Landscape Memories-Sunlit Series captures the summer Dahlias under the morning warm glow in her herbaceous border. This painting is Shizico’s artistic exploration with and around th...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...

Annieo Klaas Highway Sunset 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang Annieo Klaas’...

Title: Neptune Stormy Ocean Abstract Blue Sea Nature Invigorating Painting Art Energy In this painting, I've channeled the tempestuous power of the ocean's depths. While I creat...

A Pair of Modernist Landscapes by listed female artist Margaret Munro Stratton McLennan. Margaret was a painter working in the early 20th Century in the Syracuse area. These charmi...

Riverside Landscape by Bernard Labbe (French mid 20th century) original oil on artist paper size: 18.5 x 15 inches condition: very good and ready to be enjoyed Description: This pai...

EVENING REFLECTIONS Oil on board Size: 46 x 56 cm (including frame) A mid-century modernist composition that captures a serene moment of contemplation set in a tranquil landscape se...

Impressive early American modernist forest landscape oil painting. Framed. Oil on board. Signed. Image size, 24H by 16L.

Amy Dixon’s loose, spontaneous canvases are full of life, energy and a glorious palette that warm the soul. Mostly her paintings convey this artist’s infectious joie de vivre and the...

Trees in Bloom Along the River Landscape in Oil on Heavy Cardstock Bold oil landscape by Honora Berg (American, 1897-1985). Trees with pink and white blooms line the bank of a river. The river is shown in streaks of pink, green, and yellow, reflecting the surrounding landscape. At the far edge of the river, bright green mountains sharply rise from the bank. Acquired with a collection of the artist's work. Stamp from the Larry Miller Fine Art on verso. Unframed. Board size: 14.75"H x 22"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...

Bela de Tirefort View from the Docks on the East River, New York, 1958 Signed and dated lower right Oil on canvas 16 x 20 inches Bela de Tirefort was born in Eastern Europe, painted...

Fiery Sunset by Akos Biro (Hungarian 1911-2002) pastel painting on artist gallery paper, unframed painting: 5.25 x 9 inches provenance: the artists estate, France conditio...

Quiet cove sailing' Is an original painting by Gordon Hunt. It shows a group of friends out sailing who anchor up in a quiet cove to have a swim and a break from sailing. Enjoying th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Dina Nath Walli (1908–2006) Almond Blossom, Kashmir Watercolour on Board c 1960 Framed size: 42.8cm x 52.8cm Image size: 27.5cm x 38cm Signed and dated 1970 on the verso, gifted fro...

Northern Gowshawk by Ben George Powell, British contemporary artist signed acrylic on board, unframed board: 12 x 16 inches provenance: private collection of this artists work, UK Th...

Julian Trevelyan Cretan Windmills (1964) Oil on Canvas 61 x 77 cm The windmills Trevelyan saw in Crete proved a great inspiration for him. Here, they dominate the shoreline, with pe...