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Abel Warshawsky
"Figures by the Harbor, Brittany, France, " Abel Warshawsky, Impressionist Scene

$15,000List Price

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The Sea, boats. Oil on canvas, Figurative, Landscape, Marine, Polish artist
By Magdalena Spasowicz
Located in Warsaw, PL
20th century figurative landscape oil on canvas painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Marine landscapes, seascapes, boats, harbors are motifs in Spasowicz's art to which she often comes back. Composition is painted with wide brush strokes. Colors are muted with stronger accent of red in bottom right corner. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of...
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21st Century and Contemporary Post-Impressionist Landscape Paintings

Materials

Oil, Canvas

Printemps
By Charles Levier
Located in Costa Mesa, CA
A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Printemps
$15,500
H 41.5 in W 35.5 in
Pluie a Venice (Venice in the Rain)
By André Hambourg
Located in Costa Mesa, CA
Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...
Category

1960s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Femme lisant dans un jardin
By Georges d'Espagnat
Located in Mc Lean, VA
Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...
Category

1910s Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Haystack with Resting Figures
By John Maclauchlan Milne
Located in Hillsborough, NC
Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...
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1920s Post-Impressionist Landscape Paintings

Materials

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Neige à Saint Martin de Boscherville
Located in LE HAVRE, FR
Louis Jacques VIGON (1897-1985) Neige à Saint Martin de Boscherville Oil on canvas Size: 60 x 81cm Signed lower left. Titled on the back Provenance : - Tuffier Gallery, Les Andelys...
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Mid-20th Century Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Vue de Rouen
By Gaston Sebire
Located in LE HAVRE, FR
Gaston Sebire (1920-2001) Vue de Rouen Oil on canvas Size : 65 x 81 cm Signed lower right Provenance : Private Collection, France Very good condition. Original canvas. Frame included...
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1960s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Vue de Rouen
$2,166
H 25.6 in W 31.89 in
Sur la plage, Trouville
By André Hambourg
Located in LE HAVRE, FR
André HAMBOURG (1909-1999) Sur la plage, Trouville, 1952 Oil on canvas Painting dimensions: 27 x 35.5 cm Signed lower right Title on the back Painting in perfect condition Frame c...
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Late 20th Century Post-Impressionist Figurative Paintings

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Canvas, Oil

La Seine à Vétheuil
By André Georges Barbier
Located in LE HAVRE, FR
André BARBIER (1883-1970) La Seine à Vétheuil Oil on canvas Dimensions of the painting: 60 x 81 cm Signed lower left Painting in perfect condition. Very beautiful carved and gild...
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Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Venise
By André Georges Barbier
Located in LE HAVRE, FR
André BARBIER (1883-1970) Venise Oil on cardboard mounted on canvas Dimensions of the painting: 38 x 46 cm Signed lower right Painting in perfect condition. Very beautiful carved a...
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Mid-20th Century Post-Impressionist Figurative Paintings

Materials

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Venise
$9,626
H 14.97 in W 18.12 in

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NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century
Located in New York, NY
NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...
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Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism
By Henry Ernst Schnakenberg
Located in New York, NY
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Coney Island Fire Eaters American Scene Modernism WPA Social Realism Mid-Century
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Coney Island Fire Eaters American Scene Modernism WPA Social Realism Mid-Century Frederick "Fritz" Frey Rockwell (1917-1977) Coney Island Fire Eaters 25 x 30 inches Oil on Canvas Si...
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Industrial Railroad WPA Mid 20th Century American Scene Rural Modern Realism
By Louis Bosa
Located in New York, NY
Industrial Railroad WPA Mid 20th Century American Scene Rural Modern Realism Large oil on canvas genre painting depicting laborers working on a railroad, with rural landscape in the...
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"Summer Pier Fishing" American Scene Social Realism WPA Mid-20th Century Modern
Located in New York, NY
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