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Adolf Arthur DehnJersey Shore III1967
1967
$4,750List Price
About the Item
- Creator:Adolf Arthur Dehn (1895-1968, American)
- Creation Year:1967
- Dimensions:Height: 6 in (15.24 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: AD124551stDibs: LU14012944092
Adolf Arthur Dehn
Adolf Dehn, printmaker, watercolorist, and illustrator, was born in Waterville, Minnesota, in 1895. In 1914 he began studying at the Minneapolis School of Art, and in 1917, the year his first published drawing appeared in the progressive magazine, The Masses, he received a scholarship to study at the Art Students League in New York. There he worked with Kenneth Hayes Miller and was introduced to lithography by Boardman Robinson. While in New York, Dehn threw himself into liberal politics. Declaring himself a conscientious objector in 1918, he was forced to spend four months in a Spartanburg, South Carolina, boot camp for refusing to serve in the armed forces and eight months as a volunteer instructor teaching painting and drawing at a hospital for war victims in Asheville, North Carolina. Dehn spent the years 1920 to 1929 in art-related travel in Europe, primarily in Vienna and in Paris, where he made lithographs at the Atelier Desjobert. Throughout this time, Dehn exhibited his work at the Weyhe Gallery in New York and contributed drawings both to magazines abroad and to the radical journal The Masses. Upon his return to New York in 1929, he became a leading figure in printmaking circles, exhibiting his prints to considerable critical acclaim. In 1937, Dehn had worked exclusively in black and white until 1937—halfway through his career—when he began to work in watercolor. During his summer visits to Minnesota, he created a large body of regional watercolors depicting the lakes and farms of his home state. Lithography and watercolor remained his two primary media, and his subjects ranged from social satire to naturalistic landscapes. He authored the treatise, Water Color Painting, in 1945 and two other instructional books on lithography and watercolor in 1950 and 1955. From 1938 to 1939 he taught at Stephens College in Columbia, Missouri, and during the summers of 1940-1942 he taught at the Colorado Springs Fine Arts Center. In 1939 and 1951 Dehn received Guggenheim Fellowships, and 1961 he was elected Full Academician to the National Academy of Design. Dehn exhibited throughout his career, and his works are in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Art Institute of Chicago, the Museum of Fine Arts in Boston, and the British Museum, among others. Adolf Dehn died in New York in 1968.
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View AllJersey Shore III
By Adolf Arthur Dehn
Located in Fairlawn, OH
Jersey Shore III
Casein on Masonite, 1967
Signed lower right (see photo)
Initialed, dated and titled verso
Provenance:
Estate of the artist
Virginia Dehn (the artist's widow)
Dehn Qu...
Category
1960s American Modern Landscape Paintings
Materials
Oil
Park Scene (Chelsea, Manhattan)
By Virginia Dehn
Located in Fairlawn, OH
Park Scene (Chelsea, Manhattan)
Oil on artist's board, c. 1947-49
Signed lower right (see photo)
Provenance: Estate of the artist
Dehn Heirs
Condition: Good, needs a light cleaning
Original wormy chestnut frame
Painting size: 9 1/4 x 12 inches
Frame size: 14 1/4 x 17 inches
One of the earliest know Virginia Dehn paintings after her marriage to Adolf in 1947. The lived in Chelsea at 433 West 21st St.
Inscription by artist verso:
Virginia Dehn
443 W. 21 St.
New York City
V.70
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
1940s American Modern Landscape Paintings
Materials
Oil
Jersey Shore III
By Adolf Arthur Dehn
Located in Fairlawn, OH
Jersey Shore III
Casein on Masonite, 1967
Signed lower right (see photo)
Initialed, dated and titled verso
Provenance:
Estate of the artist
Virginia Dehn (the artist's widow)
Dehn Quests
Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack.
Casein on Masonite
Condition: Excellent
Image: 6 x 11"
Frame: 9 3/8 x 14 1/2"
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...
Category
1960s American Modern Landscape Paintings
Materials
Oil
Landscape with Trees
By Leon Kelly
Located in Fairlawn, OH
Landscape with Trees
Watercolor on paper, 1929
Signed in pencil lower right corner
Obviously influenced by the Cezanne works in the collection of ...
Category
1920s American Modern Landscape Paintings
Materials
Watercolor
Arctic Light - Orange Sun
By Karl Zerbe
Located in Fairlawn, OH
Arctic Light-Orange Sun
Unsigned
Gouache on Japanese fibrous paper
Series: Tundra Paintings
Exhibited: Karl Zerbe, Gouaches of the Artic
Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958
Cat. No. 12 (label with work, see photo...
Category
1950s American Modern Abstract Paintings
Materials
Gouache
Gaspe Homes
By William C. Grauer
Located in Fairlawn, OH
Title Unknown (Gaspe Bay Houses)
Acrylic on board, 46 1/4 x 34 inches
Signed lower right
Condition: Good
Minor surface wear to the frame
Provenance: Estate of the artist
by decent to his daughter Gretchen
William C. Grauer (1895-1985)
William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia.
Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...
Category
1970s American Modern Landscape Paintings
Materials
Acrylic
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About the Artist
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