Antonio Jacobsen"The Bransford" Antonio Jacobsen, Marine Ship Portrait, Great Lakes Seascape1903
1903
About the Item
- Creator:Antonio Jacobsen (1850 - 1921, American)
- Creation Year:1903
- Dimensions:Height: 29.5 in (74.93 cm)Width: 57.5 in (146.05 cm)
- Medium:
- Period:
- Condition:Craquelure throughout. Lined canvas.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841211635042
Antonio Jacobsen
Antonio Jacobsen was a Danish-born American maritime artist known as the Audubon of Steam Vessels. Jacobsen's Painted Ships on Painted Oceans, includes some 100 color pictures of the artist's ship paintings. The public rooms of The Griswold Inn in Essex, Connecticut, the oldest continuously run tavern in the United States, features the largest privately held collection of Jacobsen's paintings. John McMullen, a naval architect and marine engineer, had a collection that included 75 paintings by Jacobsen, the first two of which were found in the 1940s in the offices of the family ship repair business. On February 19, 2006, Fetching The Mark, an unsigned painting of the racing yacht Dreadnought attributed to Jacobsen, was sold at auction for $281,000, more than triple the highest price previously paid for one of Jacobsen's works. The piece had been brought to an Antiques RoadShow event in Tampa, Florida, and had originally been thought to be a work of Jacobsen's contemporary James E. Buttersworth, until further research led to a conclusion that it was by Jacobsen.
- ShippingRetrieving quote...Ships From: Larchmont, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- "Arab Scouts, " Adolph Schreyer, Middle Eastern Orientalist Scene with HorsesBy Adolf SchreyerLocated in New York, NYAdolph Schreyer (1828 - 1899) Arab Scouts, n.d. Oil on canvas 33 3/4 x 56 inches Signed lower right Housed in an exceptional period American handcarved frame Provenance: Sheridan Art Gallery, Chicago Private Collection, Chicago Traffic Club of Chicago Schreyer expert Dr. Christoph Andreas has kindly confirmed the authenticity of this work. With the increase in travel by steamship and the political involvement of European powers in North Africa and the Middle East in the nineteenth century, paintings depicting the scenery, daily life, and customs of North African and Middle Eastern people became an object of fascination among European and American audiences. The German artist Christian Adolf Schreyer...Category
Mid-19th Century Landscape Paintings
MaterialsOil, Canvas
- "Blackwell's Island (Roosevelt Island, New York City), " George Picken, WPA SceneBy George PickenLocated in New York, NYGeorge Picken (1898 - 1971) The Octagon at Blackwell's Island (Roosevelt Island, New York City), 1928 Oil on canvas 22 x 27 inches Signed lower right Pr...Category
1920s American Realist Landscape Paintings
MaterialsCanvas, Oil
- "View of Boats in Gloucester Harbor, " Emile Gruppe, American ImpressionismBy Emile Albert GruppeLocated in New York, NYEmile Albert Gruppe (1896 - 1978) View of Boats in Gloucester Harbor, Cape Ann, Massachusetts circa 1925 Oil on canvas 25 x 30 inches Signed lower right Emile Gruppe was an unusually prolific artist. He was at his easel almost every day and created thousands of paintings over a career that lasted 60 years. At his peak, he was completing almost 200 oil paintings a year. Yet he has never failed to find an audience for his depictions of New England in autumn and winter, or his harbor scenes of Rockport and Gloucester in Massachusetts. Gruppe was born in 1896 in Rochester, New York to an artistic family--his father, brother, sister and nephew were all artists. Emile spent his youth in Katwyk an Zee, a fishing village in Holland, where his father, Charles Gruppe, worked as both an artist and an art dealer. Emile lived in the Netherlands until he was 17, when the family returned permanently to the United States to avoid World War I. In New York City, Gruppe attended classes at the National Academy of Design and at the Art Students League, where he studied under Charles Chapman and George Bridgman. He also studied with John Carlson in Woodstock, New York, where he gained an appreciation for outdoor painting. Carlson “turned me into a painter,” he later said. Gruppe helped found the Rockport Art Association in 1921, but he is most closely linked to Gloucester where he lived from about 1940 until his death. He operated the Gloucester School of Painting from the 1940s into the 1970s and helped turn the Rocky Neck area of East Gloucester into a world-famous art colony. The school boasted an impressive faculty but Gruppe’s own exuberant plein-air demonstrations were often the highlight of the week. Gloucester, with its fleet of whimsically painted fishing vessels, crowded wharf buildings and shacks, and picturesque inhabitants, never ceased to fascinate Gruppe. He also helped popularize Rockport’s famous fishing shack known as Motif #1, sometimes called “the most often-painted building in America.” By the 1940s, Gruppe was one of the most prominent of the Cape Ann artists...Category
1920s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Motion, " Victor Arnautoff, San Francisco Lighthouse, World's Fair WPA PaintingBy Victor Michail ArnautoffLocated in New York, NYVictor Mikhail Arnautoff (1896 - 1979) Motion (Mile Rocks Lighthouse), San Francisco, 1939 Oil and tempera on board 60 x 40 inches Signed lower left Provenance: The artist California School of Fine Arts (CFSA) John & Lynne Bolen Fine Arts, Huntington Beach, California Exhibited: New York, World's Fair, Exhibition of Contemporary American Art, 1939. San Francisco Museum of Art, 1962. Literature: American Art from the New York World's Fair 1939, Poughkeepsie, 1987, no. 11, p. 41, illustrated. Robert W. Cherny, Victor Arnautoff and the Politics of Art, Urbana, Illinois, 2017. The lighthouse in the distance is the Mile Rocks Lighthouse in San Francisco Bay, built in 1906 after many shipwrecks made the lighthouse necessary. In 1962 the lighthouse was reduced in size to make room for a helipad. Arnautoff was the son of a Russian Orthodox priest. He showed a talent for art from an early age and hoped to study art after graduating from the gymnasium in Mariupol. With the outbreak of World War I, he enrolled in the Yelizavetgrad Cavalry School. He went on to hold military leadership positions in the army of Nicholas II and the White Siberian army. With the defeat of the Whites in Siberia, he crossed into northeastern China and surrendered his weapons. Arnautoff remained in China for five years. He again tried to pursue art, but was impoverished and took a position training the cavalry of the warlord Zhang Zuolin. He met and married Lydia Blonsky and they had two sons, Michael and Vasily. In November 1925 Arnautoff went to San Francisco on a student visa to study at the California School of Fine Arts. There he studied sculpture with Edgar Walter and painting with several instructors. His wife and children joined him, and they all continued to Mexico in 1929, where, on Ralph Stackpole...Category
1930s American Realist Landscape Paintings
MaterialsTempera, Oil, Canvas
- "Elegant Lady in Winter, Trinity Church, New York" Herman Hyneman, Gilded AgeBy Herman HynemanLocated in New York, NYHerman N. Hyneman (1849 - 1907) Elegant Lady in Winter, Trinity Church, New York City Oil on canvas 22 x 15 inches Signed lower right Provenance: Freemans, 2005, Lot 76 Herman N. Hyneman was a noted American portrait and figure painter with ties to both Philadelphia and New York. He was born July 27,1849 to Leon and Adeline Hyneman in Philadelphia. ("Who Was Who in American Art" lists his birth date as either 1849 or 1859, but we have confirmed that the birth date is 1849). Virtually nothing is known about his early years, but given the fact that the family resided in a wealthy section of Philadelphia and the fact that he traveled to Paris to study in the studio of Leon Bonnat when he was but 20 years old, it is presumed that the family was financially comfortable if not well to do. Hyneman exhibited at the Paris Salon in 1879 and 1881, which was quite an accomplishment given his tender age. He returned to the United States in 1882 and after a year in Philadelphia, he established a studio at 58 West 57th Street, New York, NY, where he painted portraits to support himself and scenes of beautiful fair-skinned women walking in the snow to exhibit at major exhibitions throughout the United States. Hyneman exhibited at the the Brooklyn Art Association in 1882, 1883 and 1884 and at the Pennsylvania Academy of Fine Arts in 1883 and 1888. Beginning in 1882 and continuing up until 1905, he exhibited regularly at the National Academy of Design. Despite the fact that he exhibited fourteen paintings at the National Academy over a span of three different decades, he was never elected as a member. In the 1880's his paintings sold for between $100 and $1500, which were substantial sums for that period. Hyneman also exhibited at the Salmagundi Club and the Philadelphia Art Club and was a member of each organization. He won a medal at the American Art Society in 1904 and also exhibited at the Chicago Art Institute. A handwritten label on one of his paintings indicates that he also exhibited in Budapest, Hungary. In 1892, Hyneman married the noted artist Juliet Jolley (aka Jolly), who had previously modeled for him. Thereafter, they shared a studio and on at least one occasion exhibited together. The February 5, 1896 edition of the "New York Times" reported on a "pleasant studio reception" at 58 West 57th Street where the paintings of both Herman and Juliet were shown to members of New York Society including Mr. And Mrs. Edwin Blashfield. At least one of Hyneman's Painting " A Sensation on Wall Street" which depicted a lovely young woman in fur coat with Muff in front of the Stock Exchange, was made into a post card and reproductions of his paintings are known to exist, although not plentiful. At least one etching is known, "Desdemona," which was reproduced in a book by Frederic Stokes. Herman Hyneman...Category
Late 20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "The Green Parasol, " Henry Hannig, American Impressionist, Woman in Beach SceneBy Henry HannigLocated in New York, NYHenry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...Category
1910s American Impressionist Figurative Paintings
MaterialsCanvas, Oil, Board
- Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle EpoqueLocated in Firenze, ITThis delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Houses And River-Large Impressionist Landscape Oil on Canvas Signed A.HuntingtonLocated in Coimbra, PT"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. FramedCategory
Early 20th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Village of Iseh, Bali (1948)By Theo MeierLocated in Amsterdam, NLTheo Meier (1908-1982) View of the Village of Iseh, painted from the house of Theo Signed and dated 48 Theo Meier lower left Oil on canvas, 68.5 x 50 cm In original frame carved by the artist. Note: Theo Meier arrived in Bali in 1936 with the intention of going on to Tahiti where he had been before. However Bali turned out to be the paradise he had been searching for in his dreams and he had no desire any more to move elsewhere. Bali at that time was still a very traditional place where society lived according to an acient religious system and in a luscious tropical setting the modern world was ignored. Here he met Walter Spies...Category
Mid-20th Century Expressionist Landscape Paintings
MaterialsCanvas, Rosewood, Oil
- Two Pink Trees in a Yellow FieldBy Zygmund JankowskiLocated in Gloucester, MAZygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...Category
1980s Contemporary Landscape Paintings
MaterialsCanvas, Oil
- White FarmBy Zygmund JankowskiLocated in Gloucester, MAZygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...Category
1980s Contemporary Landscape Paintings
MaterialsCanvas, Oil
- The PathBy Zygmund JankowskiLocated in Gloucester, MAZygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...Category
1980s Contemporary Landscape Paintings
MaterialsCanvas, Oil