Small Landscape Paintings

Rocks & Trees Oil/Board 12 x 16 image unframed, 18.75 x 22.75 framed Signed lower left although hard to read. No restoration housed in a reproduction frame. The painting is in beauti...

French Landscape by Bernard Labbe (French mid 20th century), stamped verso original watercolour/gouache painting on paper overall size: 13 x 19.75 inches condition: very good and re...

Title: Flower Knows II Medium: Oil on canvas Size: 23.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

"Misty Sunrise" with soft pastels and glowing water reflections in a peaceful harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil exhibits all of t...

Title: Boulders Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Tangerine space 2 by Maggie LaPorte Banks [2022] original and hand signed by the artist Acrylic on art board. Image size: H:51 cm x W:51 cm Complete Size of Unframed Work: H:51 cm x...

Jim Beckner's (US based) "Beaches 7" is an original, handmade oil painting depicting a beach scene with colorful striped umbrellas shading lounging beach goers. About the Artist: ...

Antique American modernist abstract street scene oil painting. Oil on board. Framed. Image size, 12L x 7H.

Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...

Artist/ School: French School, mid 20th century, signed Title: Houses in sloping Provencal landscape Medium: signed oil painting on canvas, framed. framed: 23.5 x 20 inches canv...

Jersey Shore Manasquan Inlet is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful beach day at the Jersey Shore. This painting ...

Antique American modernist signed landscape oil painting. Oil on canvas. Signed. Framed.

Title: Yichun Series I Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Title: Millstone Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Very nicely painted European impressionist landscape painting. Framed. Oil on board. Image size, 20H by 20L. Nicely framed and in excellent condition. Ready to hang.

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

This captivating scene in the beach in the Netherlands is a remarkable display of Van der Plas's true passion for outdoor genre paintings. A wonderfully rich boats scene executed in ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1949 Size: painting: 12...

ARTIST: Kenneth Roberts (1932-1995) Scottish TITLE: "A Hint Of Spring, Berryhill" SIGNED: lower left MEDIUM: oil on board SIZE: 51cm x 42cm incl frame CONDITION: excellent DETAIL: Ke...

A Day on The Green St. Andrews Golf Course, Scotland by R. Todd, Scottish late 20th century signed oil on board, framed framed: 20 x 24 inches board: 17 x 21 inches inscribed verso p...

Stones and water, are two elements that have existed for a long time, and although water may seem soft, it grinds off the hardest stones. Provenance: 2007-2016 Private collection Pub...

Nicely painted mid century impressionist oil painting by Kamil Kubik (1930 - 2011). Oil on board. Housed in a nice period impressionist frame. Signed.

A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Brock (American, 1869-1943). Presented in ...

#5-3061 Impressionistic Seascape,a figurative Impressionistic style , oil on board displayed in a gilt wood frame, signed by Millian lower left.Image size 13.5 H x 13.25 W

Title: Volcano Medium: Oil on canvas Size: 18 x 22 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Ar...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

Louis PASTOUR (1876-1948) Cannes 1928 A delightful painting of a coastal landscape depicting fishing boats and figures on a beach near Cannes by the French post impressionist artis...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Beautiful American Impressionist painting by Ohio artis Adam Lehr 1853-1924. Oil on canvas 20 " x 24" painting capturing sunlight and shadows in a forested meadow housed in a period...

Title: Little Garden Medium: Oil on canvas Size: 24 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Turquoise Chaos #3 60 x 60 cm I created this artwork, using a harmonious blend of colors to manifest a dreamscape. Embodying both abstract and impressionistic styles, I sought to evo...

Experience the breathtaking beauty of Mt. Evans, Colorado, through this stunning original oil painting by renowned artist Ferdinand Kaufmann (1864–1942). Created circa 1920–1940, thi...

Title: "Colorful Countryside Scene with Cypress Trees and Cottage" - Vibrant Expressionist Pastel Drawing Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist pape...

American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 15H by 18L.

Artist/ School: Irish artist, 19th century, indistinctly signed & dated 1880s Title: The Irish Landscape & Homestead Medium: oil painting on board, framed. framed: 14.25 x 18.75 i...

Vue sur la Ville au Toit Rouge (View Over the City of Red Roofs), oil on canvas, by Guy Le Péqueux (circa late 1960s). The artist channels his expressionist sensibility into a vivid,...

4041 Antique landscape oil painting in a period frame 1920's

Antique American impressionist southern oil painting. Oil on canvas. Framed. Label from a Florida frame shop verso.

Gilbert Munger Near Bourron, France, circa 1886 Signed lower left Oil on panel 13 x 18 inches Gilbert Munger was born on April 14, 1837 in Madison, Connecticut. He showed interest ...

Title: French Coastal Oil Painting of Lighthouse Cottages Rocky Shore and Stormy Sky By Fanch Lel Signed: Yes Size: 15 x 18.25 inches (height x ...

The Pass of Glencoe by Edwin Longstaffe (British, late 19th century) signed with monogram to the lower corner titled to label verso Oil painting on canvas, framed Framed: 24 x 18 inc...

Ivan Bergdahl, born in 1929 in Säbrå, is a celebrated Swedish artist renowned for his evocative landscape paintings that capture the stunning natural beauty of Sweden. His work, ofte...

Antique elegant Polish beach scene oil painting by Paul Merwart (1855 - 1902). Finely detailed with great color. Oil on canvas. Signed. Framed. Image size, 13L by 16.25H

Roman painter (18th century) - Landscape with Wayfarers. 43.5 x 34.5 cm unframed, 58.5 x 49.5 cm with frame. Ancient oil painting on canvas, in a carved and gilded wooden frame (no...

A beautiful oil painting on canvas by the French artist Georges Gerbier, depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view of "Maxims C...

Antique American impressionist seascape beach scene oil painting. Oil on board. No signature found. Framed. Image size, 18L x 14H.

A fine and pertinent example of Nathan Hoffman's charming New York City scenes. Here we find a Central Park pathway looking South East and the General Motors Bulging along with some ...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Seascape Size: 17.5" x 23.5" x 0.8''...

OIL PAINTING Antique 19th Century Fine Quality Piece Gold Gilt frame OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century in a Gold Frame Description. 19th century Piece “Good C...

Study For Cole Porter Paintings (Oil Painting of City Skyline w/ Sailboat) by Bill Sullivan 12 x 20 inches oil on canvas, framed with thin blonde ...

Vivid desert foothill landscape impasto painting by Michael Wright (American, 20th century). Inscribed "M. Wright" and dated "17" on the bottom center r...

J.A.Terry, A scene of the London to Exeter Mail Coach and a road in a landscape. This charming oil painting of the iconic London to Exeter mail coach, by English painter J.A. Terry ...

Twilight on the River French Impressionist artist, circa 1900's indistinctly signed and inscribed lower corner oil on canvas, framed framed: 18 x 21 inches canvas: 13 x 16 inches pro...

Signed oil on panel landscape by Italian impressionist painter Emma Ciardi. The work depicts a view of the Rio de San Barnaba which runs through Venice, It...

Artist/ School: French School, circa 1930's, indistinctly signed to the lower corner. Title: River Landscape with Fishermen from wooden punt. Medium: oil painting, on canvas. S...

Emerging young artist with a very personal and recognizable style. Without a doubt he will have a long journey and a great progression in her artistic career. Acrylic on canvas Ship...

Summer Fields III oil/canvas 9 x 12 image "Summer Fields III" is an oil painting on canvas that showcases the beautiful light of a summer day shinning on a beautiful field of flower...

An original early 20th Century impressionist view of Buffalo Harbor, by American artist A.J. Firlik.