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Brad DavisAcrylic painting or Monotype "Oak II" Pattern and Decoration Movement1985
1985
About the Item
Brad Davis, pencil signed, titled and dated, Provenance Shearson Lehman Brothers collection, overall: 32.375''h x 39.375''w
Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the University of Pennsylvania, and at other museums and galleries in the United States and in Europe.
Solo shows
1992
Brad Davis, recent paintings - Holly Solomon Gallery, Nueva York, NY
Group shows 18
2015
Illusion and Shock - Иллюзия и потряс - Victoria Art Gallery, Samara
2007
Pattern and Decoration - An Ideal Vision in Contemporary Art, 1975-1985 - Hudson River Museum, Yonkers, NY
2003
The LAPD Project: The Legacy of Pattern and Decoration - Shoshana Wayne Gallery, Santa Monica, CA
Expanding Expressions: Contemporary Prints from the Dorothy Mitchell Collection - Tarpon Springs Campus, Tarpon Springs, FL
1985
Made in India - Museum of Modern Art (MoMA), Nueva York, NY
1981
Alternatives in Retrospect: An Overview 1969-1975 - New Museum of Contemporary Art, Nueva York, NY
Street Sights 2 - University of Pennsylvania, Philadelphia, PA
1980
Selections from the Art Lending Service - Museum of Modern Art (MoMA), Nueva York, NY
Drawings: The Pluralist Decade - University of Pennsylvania, Philadelphia, PA
39th Venice Biennale - La Biennale di Venezia, Venecia
Dekor - Modern Art Oxford, Oxford
Dekor - Amerika-Haus Berlin, Berlin
Dekor - Mannheimer Kunstverein, Mannheim
Dekor - Städtische Kunsthalle Mannheim, Mannheim
1978
New Art for the New Year - Museum of Modern Art (MoMA), Nueva York, NY
1977
A Painting Show - MoMA PS1, Nueva York, NY
Painting 75/76/77 - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH
1975
Artists Make Toys - MoMA PS1, Nueva York, NY
Pattern and Decoration Movement
- Miriam Schapiro
- Robert Kushner
- Joyce Kozloff
- Kim Maconnel
- Brad Davis
- Valerie Jaudon
- Robert Zakanitch
- mid 1970s/early 1980s
- has been called nameable, locatable, art movement in the modernist era
- the movement was one aspect of the reaction against the stark impersonality of Minimal art and also represented a defense of the idea that decorative art is humanizing influence that should not be regarded as inferior to "fine" art
- many of the artists involved were women interested in exploring how the decorative crafts that traditionally carried feminine associations could bear new progressive meanings
USA
Crown Point Press, San Francisco, CA
Portugal
Berardo Museum, Lisbon
Polk Museum of Art, Lakeland, FL
The Fabric Workshop and Museum, Philadelphia, PA
- Creator:Brad Davis (1942, American)
- Creation Year:1985
- Dimensions:Height: 32.5 in (82.55 cm)Width: 39.5 in (100.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:this is not framed.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211394662
Brad Davis
Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the University of Pennsylvania, and at other museums and galleries in the United States and in Europe.
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Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”.
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Franz Anton Coufal (Austrian, 1927 - 1999) Painter and sculptor known for figure painting, bronze sculpture, genre paintings and as a graphic artist.
After completing an apprenticeship as a locksmith, Franz Anton Coufal attended the Graphic Education and Research Institute in Vienna from 1947 to 1949 as a student of André Roder and from 1949 to 1953 took lessons from Ignaz Schönbrunner. From 1953 to 1959 he finally studied with Fritz Wotruba at the Academy of Fine Arts (diploma and master school award 1959).
Coufal then went on study trips to Germany and Italy and then settled in Vienna as a sculptor and graphic artist. His work bears the influence of Austrian Magic Realism and the artists Friedensreich Hundertwasser, Arik Erich Brauer and Ernst Fuchs. THis work also has Expressionist elements to it. He organized exhibitions in Vienna (from 1955), Paris (1962, 1970) and Brussels (1964) as well as in other Austrian cities. His most important works include the honorary grave for Leopold Figl in the central cemetery (1966). In 1979 he provided the design for the face of the silver 100 schilling coin "Festival and Congress House Bregenz", in 1980 he created the Lehár monument for the city park, and in 1987 he received the special prize in the "Danube Region Vienna" competition.
A select list of his sculptures in public spaces
"Standing youth" (19, Hameaustraße - Celtesgasse, urban residential complex; 1960)
"Reclining youth" (22, Kagran [Meißnergasse - Maißauer Gasse - Anton-Sattler-Gasse]; artificial stone, 1962)
"Flammender Turm" (16, Thaliastraße 159; marble)
Cubist marble sculpture (11, Molitorgasse at 15)
Drinking fountain (20, Adalbert-Stifter-Straße primary school; 1968)
Figldenkmal (1, Minoritenplatz, 1973)
Coufal created some of his later works for the "Harmonie" rest home for the blind in Unterdambach near Neulengbach (memorial for the 144 blind people who perished in concentration camps, unveiled in 2000; stone sculpture "Monument to Humanity" on the terrace; rose-thorn cross and tabernacle for the in-house Odilien- Chapel; bronze portrait sculpture by Robert Vogel in the entrance hall, unveiled July 3, 1994).
Bibliography
Rudolf Schmidt: Austrian artist lexicon. From the beginning to the present. Vienna: Tusch 1974-1980
Who's Who in the world. Volume 2: 1974-1975. New Providence, NJ: Marquis Who's Who 1974
Who's who in the world. Volume 3: 1976-1977. New Providence, NJ: Marquis Who's Who 1976
Who is Who in Austria with South Tyrol part (Hübner's "Blue Who is Who"). Zug: Who is who, Verlag für Personalenzyklopädien 12 1995
Otto Breicha: Franz Anton Coufal In: Franz Anton Coufal. Österreichische Staatsdruckerei, December 9-22, 1964. Vienna: Staatsdruckerei 1964
The press, July 30, 1963
Of the generation of Viennese artists Alois Mosbacher, Josef Mikl, Oswald Oberhuber, Christian Ludwig Attersee, Peter Sengl, Max Weiler, Franz Ringel, Gunter Brus, Hubert Schmalix, Wilhelm Kaufmann, Paul Flora, Oscar Larsen, Hans Staudacher, Siegfried Anzinger, Ernst Huber...
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This is an original painting. Zamy Steynovitz was born in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children.
Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world.
His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes.
In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist.
Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times.
As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Menachem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000.
Exhibitions One Man Show
1970 - Museum - Ramat - Gan
1973 - Brussels - Gallery L'Angle Aigu
1974 - London - International Gallery
1974 - Paris - Grand Palais Gallery
1975 - Milan - Brera Gallery
1976 - N.Y. Valentino Gallery - N.Y. Hilton
1977 - N.Y. Valentino Gallery - N.Y. Hilton
1978 - Basel - Actual Gallery
1978 - Geneve - Bohren Gallery
1978 - Oslo - Nobel Peace Prize Exhibit
1979 - London - Hamilton Gallery
1979 - N.Y. - Art Israel Kalt - Waldinger Gallery
1979 - N.Y. - Canty Art Gallery
1979 - Amsterdam - Schipper Gallery
1979 - Washington - International Art Fair
1980 - Cleveland -Jewish Museum
1980 - Tel-Aviv - Habima National Art Fair
1981 - Abraham - Goodman House N.Y.
1981 - San Lucas Galley - Bogota
1982 - Pedro Gerson Gallery - Mexico City
1983 - Simon Bolivar...
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Provenance: Braunstein Quay Gallery (bears label verso)
Framed: 24.5 X 20.5 sight 21 X 17 inches.
Nell (Eleanor) Sinton (1910-1997) was a painter, art collector and educator in San Francisco, California
Nell Sinton began painting in the 1920s. She studied at the San Francisco Art Institute (then called the California School of Fine Arts). Nell Sinton, one of the early California woman abstract expressionist painters.
A member of a family that moved to San Francisco in 1851, Nell Sinton began painting in the 1920s. She studied at the San Francisco Art Institute (then called the California School of Fine Arts) a decade before abstract expressionism emerged there, and, later, with Lucien Labaudt and Maurice Sterne, (1937-1938). She also worked as an apprentice to Sterne on the Federal Art Project (WPA) murals in San Francisco (1938-40) and was a member of the San Francisco Art Commission (1959-63). In 1959, Sinton was acknowledged as one of the Ten Most Distinguished Bay Area Women. A notable Bay Area Expressionist...
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