Early 20th Century European School

The Caravan Encampment, Oil on Board 20th Century Landscape

Keith Holmes Contemporary Walmer Oil on board, signed Image size: 15 ¼ x 9 ¾ inches Framed Born in Richmond, North Yorkshire, Keith studied fine art at West Surrey College of Art and Design before qualifying as a paper conservator at Camberwell School of Art and Crafts. In 1977 he was visiting professor on the conservation programme run by New York State University, where he taught conservation studies at postgraduate level. He is a fellow of the International Institute of Conservation and Fellow of the Royal Society of Arts. He divides his time between work as a practising artist, a freelance conservator and the renovation of a disused chapel/boathouse where he lives with two Bengal cats...

Howard Jenkins Flourished 1920 - 1950 Art Gallery, Portico, Dark Evening Oil on board, signed verso and inscribed Image size: 12 x 10 inches Contemporary frame

ERIC BROWN 1894 - 1955 Salisbury Lanes Oil on board, signed lower left Image size: 7 x 10 inches Contemporary frame Eric Pitt Brown was born in 1894 in Sal...

Etienne Duval Swiss 1824 - 1914 The Valley of the River Gardon, near Nimes, with the Pont du Gard in the distance Oil on board, signed with initial Imag...

Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...

Andor Basch (1885-1944) Signed lower right, dated 1922 and inscribed "Norderney" 16 1/2" x 19 1/2" in 23kt gold leaf frame Possibly one of the first appearances of the 2-piece bathin...

Alfred de Breanski, Sr. (British) is one of the most renowned 19th century landscape artists, known for his plein art style, both realistic and idyllic. Breanski set up his easel across the Scottish Highlands, Wales and rural England as in this gem, titled 'A Suffolk Landscape...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...