"Trees and Rocks, " Ernest Lawson, Ashcan American Impressionism Modern Landscape
Ernest Lawson"Trees and Rocks, " Ernest Lawson, Ashcan American Impressionism Modern Landscape
About the Item
- Creator:Ernest Lawson (1873-1939, American)
- Dimensions:Height: 13.5 in (34.29 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU115624245271
Ernest Lawson
Ernest Lawson was born in Halifax, Nova Scotia in Canada in 1873. In 1888, he enrolled in classes at the Kansas City Art Institute. There, he studied with Ella Holman, whom he would later marry. Lawson realized that there were not many opportunities for artists in Kansas City, and 1890, he moved with his father to Mexico City. He worked as a draughtsman for an English engineering company and studied in the evenings at the San Carlos Art School. By 1890, he had saved enough money to move to New York, and he began studies at the Art Students League under John Henry Twachtman. Lawson developed his Impressionist style while studying under Twachtman and J. Alden Weir at their school in Cos Cob, Connecticut. He became devoted to landscape painting, and this interest remained unchanged throughout his professional life. In 1893, he traveled to France, where he studied in Paris at the Académie Julian under Jean-Paul Laurens and Benjamin Constant. During his stay in France, Lawson painted at Moret-sur-Loing, near the Fontainebleau forest, where he met Alfred Sisley, who along with Twachtman was the main influence on his work. In 1898, Lawson and his family moved to Washington Heights in Manhattan, and by the turn of the century, his work centered almost exclusively on views of this neighborhood. He and his family moved to Greenwich Village in 1906, and once there Lawson met William Glackens. Through this important and outgoing artist, Lawson became associated with a group of American artists in New York City, including Arthur B. Davies, Maurice Prendergast, William Glackens, Everett Shinn, Robert Henri, John Sloan, and George Luks. This group, who called themselves The Eight, held a well-publicized exhibition at the Macbeth Gallery in New York in February 1908. They were men of widely different tendencies and five of the eight artists were known best for their gritty urban scenes. However, common opposition to academicism, as well as an interest in the daily lives of the middle and lower classes bound all eight artists and the environment in which they lived. A committed landscapist, Lawson always began a work out of doors in the en plein air method. He did not create preliminary drawings but instead painted directly on the canvas. Lawson's work includes pure landscapes, foreign scenes, urban views and rural village scenes. His extremely rich and varied palette has been described as having a crushed jewel effect. Like the Impressionists, Lawson used intensely contrasting colors and rough impasto textures in his work and he had a particular interest in the effect of light on the surface of the landscape. After Lawson became associated with the artists of The Eight, his work became progressively less picturesque. Lawson created many winter landscapes during the first two decades of the 20th century and in them, the impasto and brushstrokes take on their structural significance.
- WPA American Scene Modernism 20th Century NYC Industrial "Cellar with Horseshoe"By Joseph SolmanLocated in New York, NY"Cellar with Horseshoe" WPA American Scene Modernism 20th Century NYC Industrial Joseph Solman (1909-2008) "Cellar with Horseshoe," 16 x 20 inches, oil on canvas circa 1938, initial...Category
1930s American Modern Landscape Paintings
MaterialsCanvas, Oil
- MINDSCAPE Contemporary Surreal Landscape Oil on Paper 1989 Female ArtistBy Tula TelfairLocated in New York, NYMINDSCAPE Contemporary Surreal Landscape Oil on Paper 1989 Female Artist, 17 x 8 inches sight. This is an early work by Ms. Telfair. We purchased this work directly from the artist ...Category
1980s Contemporary Landscape Paintings
MaterialsPaper, Oil
- Bathers 1940s Mid 20th Century American Scene Social Realism WPA Modern AshcanLocated in New York, NYBathers 1940s Mid 20th Century American Scene Social Realism WPA Modern Ashcan Marion Gilmore (1909-1984) Bathers 15 1/2 x 19 1/2 inches oil on canvas boar...Category
1940s American Realist Figurative Paintings
MaterialsOil, Board
- Poker Players NYC Mid 20th Century Modern WPA American Scene Social RealismBy Philip ReismanLocated in New York, NYPoker Players NYC Mid 20th Century Modern WPA American Scene Social Realism Philip Reisman (1904-1992) Poker Players 12 x 16 oil on board Signed and dated 1949 lower right BIO Phi...Category
1940s American Realist Figurative Paintings
MaterialsOil, Board
$6,000 Sale Price29% Off - Street Scene WPA American Scene Mid-20th Century Modern Coin Tower California SFBy Victor Michail ArnautoffLocated in New York, NYStreet Scene WPA American Scene Mid-20th Century Modern Coin Tower California SF Victor Arnautofff (1896 – 1979) City Street 12 x 14 inches Oil on board, c. 1930s Signed lower left BIO Born in the Ukraine of Russia, Victor Arnautoff became one of the most influential muralists in San Francisco in the 1930s and worked for the Federal Arts Project, WPA, in the expressive, social protest...Category
1930s American Realist Figurative Paintings
MaterialsOil, Board
- "Parade" Social Realism Mid 20th Century Modern American Scene WPA RegionalismBy Gerrit SinclairLocated in New York, NY"Parade" Social Realism Mid 20th Century Modern American Scene WPA Regionalism Gerrit Van Sinclair (1890 – 1955) Parade 20 x 15 inches Oil on board, c. 1940s Signed lower right Fram...Category
1940s American Realist Figurative Paintings
MaterialsOil, Board
- "Ole Swimmin Hole" Southern California Pond and Hills Oil on canvas board 1930sBy Clyde Eugene ScottLocated in Soquel, CA"Ole Swimmin Hole" Southern California Oil on canvas board 1930s Elegant mid century landscape depicting a lake and hillside in summer by well known and collected California artist ...Category
1940s American Impressionist Landscape Paintings
MaterialsOil, Canvas, Illustration Board
- New York Skyline the West Side with Hudson River - Vintage New YorkBy Frank S. HermannLocated in Miami, FLRooftop view of the upper West Side Manhattan as it looked in the 1930s. There is a rough indication of a billboard and a glimpse of the Hudson River. The cluster of buildings depic...Category
1930s American Impressionist Landscape Paintings
MaterialsGouache, Board, Oil
- "Cloudy Evening, Dering Harbor" impressionist night view of northeastern harborBy Kelly CarmodyLocated in Sag Harbor, NY"Cloudy Evening, Dering Harbor" is an impressionist night view of the northeastern harbor. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil, Panel, Wood Panel, Board
- Springtime, 1960s Semi Abstract Modernist Mountain Landscape Tempera PaintingBy Ethel MagafanLocated in Denver, CO"Springtime" is an original tempera on board painting of a Colorado mountain landscape painting by Ethel Magafan circa 1960. Abstracted mountain landscape with trees, painted in colors of green, purple, golden yellow, red, orange, blue, black and white. Presented in a custom hardwood frame, outer dimensions measure 23 ¼ x 50 x 2 inches. Image size is 30 x 48 inches. Provenance: Private collection, Maine Acquired in the early 1960s, by descent through the family to the present owner About the Artist: Jenne and Ethel Magafan were identical twins, born in Chicago to a Greek immigrant father and a Polish mother. Due to health concerns about their father, the family moved to Colorado, living first in Colorado Springs and then in Denver. He was a proud supporter of their artistic ambitions but died suddenly 1932, a heavy blow to both of them. They attended East High School in Denver, where they found a mentor in their art teacher Helen Perry. She had studied at the Art Institute of Chicago but had later abandoned a career as an artist, making her all the more determined to help the Magafan twins succeed artistically. While still in high school, the twins impressed artist Frank Mechau, and Helen Perry paid for their lessons with him. He subsequently invited them to apprentice with him at his Redstone studio. In 1936, Jenne won the Carter Memorial Art Scholarship and shared it with her sister so that they both could attend the Broadmoor Art Academy in Colorado Springs. Once they ran out of money, Mechau, now teaching there, hired them as assistants. Through their involvement at the Academy, the twins entered into careers as muralists, working at first with Mechau and then with Peppino Mangravite. From 1937 to 1943, Ethel was commissioned to paint her first of seven government sponsored murals. Located in the US Post Office in Auburn, Nebraska, this commission made Ethel (at age 26) the youngest artist in America to receive such an honor. Denver Art Museum director Donald J. Bear once commented that “[Ethel and Jenne's] study of local detail makes them appear as little Bruegels of ranch genre – natural and unforced.” As mural painting commissions diminished, Ethel began to do more easel painting for which she used a palette knife and tempera paints to great effect. After settling in California for five years, the twins permanently relocated to Woodstock, New York in 1945, where the sisters lived apart for the first time. Ethel developed an increasing focus within her work, particularly for horses and abstract landscapes. She met fellow artist Bruce Currie...Category
Mid-20th Century American Impressionist Abstract Paintings
MaterialsTempera, Board
- Long Beach, Sag Harbor, NYBy Nelson H. WhiteLocated in Sag Harbor, NYAn oil painting of a Hamptons beach, Foster's Memorial Beach in Sag Harbor. A small rosebush in the foreground. A few beach umbrellas are posted along the shoreline. Nelson H. White...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil
- SunsetBy Nelson H. WhiteLocated in Sag Harbor, NYA pastel sorbet-colored sky, represented in an almost abstract manner. Painted thickly, in the oil impasto technique. Nelson H. White was born in New London, Connecticut in 1932. Wh...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil