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FPA Francis Pavy ArtistMan Dog and Crow , blue stormy waters series
About the Item
This is a one-of-a-kind small painting, it was a study for a larger series of patterns and color studies. Measuring 8x10, entitled “ Field of marsh grass “. The medium is oil on canvas. It represents a file of marsh grass.
It is framed in a whitewashed Frame.
About Francis X Pavy
In the vast tapestry of the art world, Art collectors are attracted to the enigmatic and mesmerizing works of Francis X Pavy. His artistic journey, art collectors are captivated by his ability to weave together the essence of the human experience with the rich tapestry of his Louisiana roots. Pavy's art transcends mere representation, and instead, it becomes a heartfelt exploration of emotions, culture, and the ever-evolving human spirit.
Drawing from the vibrant cultural heritage of his native Louisiana, Pavy infuses his art with a profound sense of place and history. He masterfully captures the distinct flavors of Cajun and Creole culture, imbuing his works with the rhythms of zydeco music, the spicy aromas of gumbo, and the lively spirit of Mardi Gras. His artistic expression becomes a celebration of community and a homage to the deeply rooted traditions that shape the people of Louisiana.
At the heart of Pavy's art lies an exploration of the human condition. He delves into the complexities of human emotions, revealing the joys, sorrows, and triumphs that unite us all. Through a vivid interplay of colors, forms, and textures, Pavy creates a visual symphony that speaks to the soul, evoking a range of emotions that resonate with each viewer on a personal level.
A true visionary, Pavy fearlessly experiments with various artistic techniques, blending traditional methods with contemporary approaches. His mixed-media creations, often combining oil paint, collage elements, and sometimes even found objects, breathe life into his narratives, blurring the lines between reality and imagination.
Pavy's art is a testament to his unwavering commitment to preserving and celebrating the essence of his heritage while embracing the ever-changing world around him. His work serves as a poignant reminder of the power of art to bridge cultural gaps, to ignite a sense of belonging, and to spark conversations that lead to a deeper understanding of our shared humanity.
Collectors contemplate the remarkable body of work by Francis X Pavy, and are inspired to look inward and outward simultaneously. His art becomes a mirror that reflects the essence of the collective identity, culture, and emotions, while also providing a window into the vast and diverse world that surrounds us. Through his work, he invites us to explore the intricacies of our past, engage with the present, and envision the boundless possibilities of the future.
In conclusion, Francis X Pavy's art is a profound expression of his Louisiana roots and a testament to the universality of the human experience. With a deft artistic hand and a compassionate heart, he invites us on a transformative journey, encouraging us to embrace our heritage, celebrate our shared humanity, and embrace the ever-evolving canvas of life.
- Creator:FPA Francis Pavy Artist (1954, American)
- Dimensions:Height: 8 in (20.32 cm)Width: 10 in (25.4 cm)Depth: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lafayette, LA
- Reference Number:1stDibs: LU1906212410622
About the Seller
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Established in 1982
1stDibs seller since 2022
8 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Lafayette, LA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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- Six O'ClockLocated in Los Angeles, CASix O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...Category
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