Gaston Sebire

Blick aufs Meer, Impressionist Oil Painting by Gaston Sebire

Artist: M. Colombo Visena Title: At Sea Medium: Oil on Canvas, signed lower right Date: circa 1955 Canvas Size: 22 x 28 inches Frame Size: 29.25 x 35 inches

Artist: Abraham Rosenthal, American (1886 - 1963) Title: Rocky Shoreline Year: 1957 Medium: Oil on Canvas Board, signed Size: 20 x 24 in. (50.8 x 60....

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Matin d'ete sur les Rochers du Lividie Medium: Oil on Canvas, signed l.l. Size: 21.25 in. x 31.88 in. (53.98 cm x 80.96 cm)

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Les Dunes A Theven-Kerbrat Year: 1985 Medium: Oil on Canvas, signed l.l. Size: 14 x 16.75 inches

Signed seascape oil on panel circa 1910 by French painter post impressionist painter Adolphe Louis Gaussen. The work depicts a view of the bright blue sea from a rocky shoreline on t...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

A beautiful 20th century oil on panel by the very popular English impressionist artist Walter John Beauvais. This work depicts fashionable ladies walking on a promenade by the French coast. This superbly executed impressionist study is signed with monogram lower left and presented in a painted wood frame. Artist: Walter John Beauvais (British, 1942-1988) Title: On the French Coast Medium: Oil on panel Size: 23 x 19 inches (58 x 48 cm) including the frame Walter John Beauvais was born in 1942 near Windsor, Berkshire, England. He was a grandson of French artist and lithographer Charles Henri Beauvais (1862-1909) and son of Arnold Beauvais (1886-1984), artist and one time President of the London Sketch...

Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts women dressed in summer dresses and sunhat...