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Henri Joseph HarpigniesBarbizon Landscape
$15,000
£11,392.87
€13,103.88
CA$20,957.94
A$23,370.47
CHF 12,193.72
MX$286,764.53
NOK 155,206.60
SEK 147,054.88
DKK 97,799.13
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About the Item
Henri-Joseph Harpignies
French, 1819-1916
Barbizon Landscape
Oil on canvas
16 by 24 in, w/ frame 20 ¾ by 28 ¾ in
Signed lower right
Henri Joseph Harpignies was a landscape artist both in oil and watercolor. Highly versatile in his approach to painting media, Harpignies played a major role in the revival of watercolor in France, and also worked extensively in pen and ink-wash.
Born in Valenciennes on July 28, 1819, he did not start to paint seriously until the age of 27 when he became a student of Jean Achard, also a landscapist. Under Achard's tutelage, he traveled to Holland, Brussels, and Flanders to study the northern landscapists of the 17th century. Shortly after returning to France, he left again, this time for Italy, where he met many of the artists of the Villa Medici in Rome. During this time, he became interested in the work of Camille Corot.
In 1852, Harpignies returned to France to establish his own studio in Paris and met the artists Jean-Léon Gérôme and Jean-Louis Hamon, both of whom were at the beginnings of their careers. A year later he moved outside of Paris to continue painting en plein-air, where he met Daubigny, Diaz, Dupré, Millet, and Rousseau - all first-generation members of the Barbizon school—to paint in the countryside near Fontainebleau Forest.
In the early years of his career from 1853 through 1856, Harpignies, under the influence of Corot and of the Barbizon painter Constant Troyon, experimented with figural compositions, but very quickly he shifted his focus to pure landscapes. Harpignies made his Salon debut in 1853 and continued to exhibit regularly thereafter, winning medals in 1866, 1868, 1869, the Legion d'honneur in 1875, and the Grand Prix at the Exposition Universelle of 1900.
Museums:
Aberdeen Art Gallery and Museums; Besançon; Boston, Museum of Fine Arts; Bucarest, Musée Simu; Clamecy; Cleveland Museum of Art; Dieppe; Douai; Grenoble; La-Roche-sur-Yon; Liége; Lille; London, National Gallery, Tate Gallery, Courtauld Institute of Art; Minneapolis Institute of Arts; New York, Metropolitan Museum of Art; Orléans; Paris, Louvre; Pasadena CA, Norton Simon Museum; Rochefort; Rouen; Saint-Petersburg, Hermitage; Fine Arts Museums of San Francisco; Soissons; Tourcoing; Valenciennes; Washington D.C., National Gallery of Art.
- Creator:Henri Joseph Harpignies (1819-1916, French)
- Dimensions:Height: 20.75 in (52.71 cm)Width: 28.75 in (73.03 cm)
- More Editions & Sizes:20 ¾ by 28 ¾ inPrice: $15,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sheffield, MA
- Reference Number:Seller: 016321stDibs: LU700316035952
Henri Joseph Harpignies
Henri Joseph Harpignies was born in Valenciennes on June 28, 1819 and died in Saint-Privé onAugust 28 1916 He was a French landscape painter , watercolourist and engraver of the Barbizon School . Henri Harpignies' parents, Henri and Adèle, intended him for a commercial career, but his determination to become a painter led them to authorize him to enter Jean Achard 's studio in Paris in 1846. After two years of training, he left to travel to Italy .
Returning to France in 1850, Henri Harpignies joined Corot and the Barbizon School, whose influence he came under. Bound by friendship, the two artists traveled to Italy together in 1860.
In 1859, he collaborated in the decoration of the staff room of the Charité hospital in Paris.
On his return from Italy in 1861, he achieved his first success at the Salon with his Lisière de bois sur les bords de l'Allier . He then exhibited regularly at the Salon. In 1866, he received his first medal for Le Soir in the Rome campaign, acquired by the State . He then lived at 185, rue du Faubourg-Saint-Honoré in the 8th arrondissement of Paris before moving to 9, rue Coëtlogon .
During his very long career, Henri Harpignies painted a large number of works in Hérisson in the Bourbonnais , as well as in the Nivernais and Auvergne . He made decorative works for the Paris Opera , including the Val d'Égrie panel , which he exhibited at the Salon in 1870. He was a friend of Léon Bonnat , who twice made his portrait in 1889 ( Musée des Beaux-Arts). He painted the stained glass windows of the Château de Trousse-Barrière in Briare in 1895. In 1898, he was named Rosati d'honneur .
Anatole France called him “the Michelangelo of trees and peaceful countryside” .
At the end of his life, he was nearly blind.
He is buried in the cemetery of Saint-Privé ( Yonne ) .
His works are held in numerous ublic collections :
Such as Landscape with a City in the Distance (c.1865), watercolor, New York , Metropolitan Museum of Art .
Montreal Museum of Fine Arts : Moonlight (1889)
National Museum of Fine Arts of Quebec : Mountain landscape
Tulsa , Philbrook Museum of Art : Briare Railroad Bridge .
Washington , National Gallery of Art : Landscape in Auvergne .
Buenos Aires , National Museum of Fine Arts : The Briare Canal Lille , Palace of Fine Arts : View taken at Moncel-sur-Seille (Meurthe-et-Moselle)
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