Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 24

James Fry
Falling Tide, Poole Harbor Landscape, Purbeck Hills Beyond. Dorset. 1950s

About the Item

James Fry. English ( b.1911 - d.1985 ). Falling Tide, Poole Harbor, Purbeck Hills Beyond, Dorset. Oil on Board. Image size 9.8 inches x 14 inches ( 25cm x 35.5cm ). Frame size 12.6 inches x 16.3 inches ( 32cm x 41.5cm ). Available for sale; this original oil painting is by the Dorset artist James Fry and dates from around the 1950s. The painting is presented and supplied float mounted in a contemporary replacement frame (which is shown in these photographs). This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed with a monogram lower right. James Fry was an English artist, proficient in watercolor, pastels and oils, though he is best known for his oil on board works. He can be described as a modern British Impressionist in style. Fry was born in London and studied at Watford School of Art under Arthur Scott. However, he spent most of his adult life in Dorset, where he lived and worked from a studio in the village of Corfe Castle. He became known in the area for travelling around on his bicycle, painting the beautiful coastline, heathland and the sea. In recent years his works have been much sought after and prices for them have increased significantly, representing a sound investment. © Big Sky Fine Art This original oil on board is a very good example of the work of James Fry. It is a riot of sunlight and color, painted in thick bold strokes. It depicts, in impressionist style, a late afternoon view looking from the sea back into Poole harbor, with the Purbeck Hills of Dorset in the background. The sun is low in the sky, filling the air with golden beams of light, which are reflected into the calm sea beneath. The hills appear as black silhouettes against the bright light, with those in the distance glowing gold and pale mauve. The sea is a mix of twinkling blues and aquamarine, with golden yellow reflections. It is a stunning scene which captures a mood, both calm and magnificent.
  • Creator:
    James Fry (1911 - 1985, English)
  • Dimensions:
    Height: 12.6 in (32 cm)Width: 16.34 in (41.5 cm)Depth: 1.38 in (3.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display.
  • Gallery Location:
    Sutton Poyntz, GB
  • Reference Number:
    1stDibs: LU489314041672
More From This SellerView All
  • Sunshine & Shadows. Lake District.Helen Layfield Bradley.Original Oil Impasto.
    Located in Sutton Poyntz, Dorset
    Helen Layfield Bradley. English ( b.1900 - d.1979 ). Sunshine & Shadows Across the Leven Estuary, Lake District, 1965. Oil on Board. Signed. Image size 15.9 inches x 16.9 inches ( 4...
    Category

    Mid-20th Century Impressionist Landscape Paintings

    Materials

    Oil, Board

  • Before the Hot Day Brightens to Blue (Mevagissey Harbor, Cornwall). Original Oil
    By Gyrth Russell
    Located in Sutton Poyntz, Dorset
    Gyrth Russell. Canadian ( b.1892 - d.1970 ). Before the Hot Day Brightens to Blue (Mevagissey Harbor, Cornwall). Oil on Canvas. Signed. Image size 22.4 inches x 34.8 inches ( 57cm x 88.5cm ). Frame size 28.5 inches x 40.6 inches ( 72.5cm x 103cm ). Available for sale; this original oil painting is by Gyrth Russell and dates from post WWII. The painting is presented and supplied in a 1960s frame (which is shown in these photographs). The painted surfaces have benefitted from cleaning and conservation, which took place on our instruction, supervision and approval. This vintage painting is now in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with the Howard Roberts Gallery, Cardiff. Considered one of the best coastal painters of the 20th century, Gyrth Russell was born in Halifax, Nova Scotia in April 1892. He was the youngest of 8 children. His father was a Canadian MP and a Supreme High Court Judge for Nova Scotia. At the age of fourteen, Russell began his artistic career at Halifax School of Art, and quickly graduated to the School of Art at Boston, Massachusetts. His first job was as a draughtsman in the Public Works Department of Canada, in Halifax. It was during this period he saw and sketched the cable ship Mackay Bennett returning to her Halifax Station, her decks piled high with coffins containing bodies found after the Titanic Disaster. In 1911 Russell left Canada to study at the Academie Julian and Academie Calorossi in Paris. In 1914 at the outbreak of War, he left France for London where he was commissioned, under the command of Lord Beaverbrook, as an official War Artist for the Canadian Sector, and spent most of 1918 in Northern France painting the landscapes and coasts travelled by the Canadian military during the conflict. During the course of the First World War he worked with amongst others, Augustus John, William Orpen & Frank Brangwyn, who greatly influenced him. Many of his earliest works are of landscapes and coasts travelled by the Canadian military in the conflict. During the War Russell also made etchings and poster prints for sale to help popularize and support the war effort abroad. He took part in the Canadian War Memorial Exhibition in London in 1919. Between the Wars, Russell earned his living as an artist in film studios, designing Railway Posters, Lecturing and Writing. He also illustrated books on the geography of Nova Scotia and Western Britain. Russell enjoyed considerable success between the Wars, exhibiting extensively at the major galleries, and was elected to membership of the Royal Society of British Artists, the Royal Institute of Painters and Watercolorists, the Royal Institute of Oil Painters and the Royal Society of Marine Artists as well as being an active member of the Langham...
    Category

    Mid-20th Century Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Dartmoor Ponies. Early Morning Mist and Haze. Devon Moor Pony.1930s.Wild Horses
    By Charles Walter Simpson
    Located in Sutton Poyntz, Dorset
    Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil on Board. Signed lower right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29...
    Category

    1930s Impressionist Animal Paintings

    Materials

    Oil

  • WWII Wartime Painting Rouen after Bombing & Bombardment.Cathedral & River Seine
    Located in Sutton Poyntz, Dorset
    Paul-Jean Anderbouhr. French ( b.1909 - d.2006 ). The Ravages of War on Rouen, 1944. Oil on Canvas. Signed lower left. Image size 23.2 inches x 28.5 inches ( 59cm x 72.5cm ). Frame s...
    Category

    Mid-20th Century Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Gaeaf, Cymru (Winter, Wales). Early 21st Century Welsh Landscape Oil Painting.
    By Gareth Parry
    Located in Sutton Poyntz, Dorset
    Gareth Parry. Welsh ( b.1951 ). After the Storm, Rocky Coast Oil on Canvas. Signed. Image size 19.7 inches x 23.8 inches ( 50cm x 60.5cm ). Frame size 24.6 inches x 28.5 inches ( 62...
    Category

    21st Century and Contemporary Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Bomschuiten on the Beach at Katwijk Strand Flat Bottom Boats Dutch Drifters
    Located in Sutton Poyntz, Dorset
    Frederick Stuart Richardson. English ( b.1855 - d.1934 ). Bomschuits onshore at Katwijk Aan Zee. Oil on Canvas. Signed lower right. Image size 24.4 inches x 29.5 inches ( 62cm x 75cm...
    Category

    Late 19th Century Impressionist Landscape Paintings

    Materials

    Canvas, Oil

You May Also Like
  • Italian Impressionist Oil on Board Marine Landscape Painting Naples Bay View
    By Francesco Coppola Castaldo
    Located in Firenze, IT
    Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...
    Category

    Late 19th Century Impressionist Landscape Paintings

    Materials

    Board, Oil

  • Home Safe
    By James Gale Tyler
    Located in Greenville, DE
    Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...
    Category

    Late 19th Century Impressionist Landscape Paintings

    Materials

    Oil, Board

  • Tonalist Landscape painting by Robert Cairns Dobson, American
    Located in Rochester, NY
    Tonalist landscape oil painting by Robert Cairns Dobson, American oil painting on academy board. In a well matched original frame. Signed and monogrammed lower left, early 20th centu...
    Category

    Early 20th Century Impressionist Landscape Paintings

    Materials

    Oil, Board

  • Ralph R. Stubbs - Low tide at Sunset - English 19th Century Marine Oil Painting
    By Ralph Reuben / Ruben Stubbs
    Located in Meinisberg, CH
    Ralph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...
    Category

    1860s Impressionist Landscape Paintings

    Materials

    Oil, Cardboard

  • Vermillion at Lee's Ferry ( Plein Air Landscape painting sky blue terracotta)
    By Jane Chapin
    Located in Cody, WY
    This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...
    Category

    2010s American Impressionist Landscape Paintings

    Materials

    Linen, Oil, Board

  • Pecos Temple (Plein Air landscape Painting - beige neutral colors)
    By Jane Chapin
    Located in Cody, WY
    This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...
    Category

    2010s American Impressionist Landscape Paintings

    Materials

    Linen, Oil, Board

Recently Viewed

View All