Items Similar to Fishing - Impressionist Oil, Landscape by Jean Baptiste Antoine Guillemet
Want more images or videos?
Request additional images or videos from the seller
1 of 16
Jean-Baptiste-Antoine GuillemetFishing - Impressionist Oil, Landscape by Jean Baptiste Antoine Guillemetc.1880
c.1880
About the Item
A beautiful oil on canvas by French impressionist painter Jean Baptiste Antoine Guillemet. The piece depicts a view of a man fishing in a stream by the coast and woman walking along the path behind him.
Signature:
Signed lower left
Dimensions:
Framed: 23"x30"
Unframed: 15"x22"
Provenance:
John Mitchell & Son - New Bond Street , London (labels verso)
Antoine Guillemet born in Chantilly, in the Oise. He studied under Jean-Baptiste-Camille Corot, Achille-François Oudinot (1820-1891), Charles-François Daubigny and Gustave Courbet.
Guillemet showed an early interest in sailing, a pursuit that was actively discouraged by his parents. He briefly studied law, but this too proved to be a false start. It was in 1859, when he received a commission from a local collector to copy Géricault's famous The Raft of the Medusa Musee d'Amiens. That's when Guillemet's career as an artist was launched.
Two years later, while still only twenty-one, Guillemet was introduced to Corot by Berthe Morisot. Like many of the young artists, Guillemet affectionately called Corot Papa and remained a lifelong admirer of the artist. This meeting led to Guillemet's studying with Corot's pupil Achille Oudinot. It was through Oudinot, who had property at Auvers-sur-Oise, that Guillemet met Daubigny, Ernest Meissonier, Honoré Daumier, and Antoine-Louis Barye, among others. By 1864 Guillemet had also encountered Édouard Manet, Alfred Stevens, Camille Pissarro, Claude Monet, Gustave Courbet, and Paul Cézanne and later, Henri Fantin-Latour, Edgar Degas and Jean-Frédéric Bazille. When Cézanne finally exhibited at the Salon in 1882, his entry described him as ‘pupil of Guillemet’. It was Guillemet, in fact, who introduced Manet to Cézanne and who first took Émile Zola to Manet's studio.
Like almost every ambitious young artist Guillemet realized that he needed to make his mark at the Paris Salon. In 1865 he exhibited L'Etang de Bat (Isère). Just as Paris was important as a venue for the artist to exhibit, it also provided subjects for his brush. Ready to produce large works, unlike many of his contemporaries who sought a more immediate effect, he painted several views of the capital. Often using the Seine with its bustling traffic as a central motif. At the Salon of 1874 Guillemet's ambitious entry was a nine-foot painting titled Bercy en décembre. It was praised by both critics and the public. And was promptly purchased by the state for the Musée du Luxembourg, then the national museum for contemporary art.
This early success may also explain why the artist continued to show at the Salon. Instead of accepting the invitation of his friends to join them in exhibiting at the Impressionists shows. Guillemet continued to paint coastal scenes in Normandy but buoyed by his initial success. He returned throughout his career to painting views of Paris. With several more works acquired by the state, encouraged by the consistent praise of his friend, Émile Zola.
In the Exposition Universelle (1889), celebrating the centennial of the French Revolution. Guillemet was represented by seven paintings, including Le Vieux Quai de Bercy and Paris, vue prise de Meudon. In 1891 Antoine Guillemet painted a view up the Seine from the sight of these pictures towards the eastern end of the Quai de Bercy titled Le Quai de Bercy à Charenton. Which was purchased by the Musée de la Ville de Paris, now the Musée Carnavalet. And in the same year, he produced the present picture, La Seine à Conflans-Charenton.
His large-scale works also earned him the description as the ‘grand bourgeois’ of painting, and Manet's criticism that his style was sometimes "excessive". Nonetheless, this series is an astonishing achievement, both a valuable record of the city as it was just before the turn of the century. And a brilliant demonstration of the ability of a painter to capture the hustle and bustle of a great city. While retaining a sense of light and atmosphere that is true to nature.
Between 1868 and 1869, he posed for Manet's painting The Balcony.
Museum and Gallery Holdings:
Amiens (Mus. de Picardie): St Subiac, Ille-et-Vilaine; Ste-Cardonne, Dordogne; The Raft of the Medusa (after Géricault)
Bordeaux: The Hamlet of Landemer
Dijon: View of Moret
Grenoble: Low Tide at Villerville
Mulhouse: The Chaos at Villars
Paris (Mus. du Petit Palais): The Seine at Conflans-Charenton; View of Equihem; Descent from the Cross (sketch for St Thomas of Aquinas); The Medici Fountain; Paris Seen from the Heights of Belleville; View of Villers-sur-Mer; Bercy in December
Périgueux: The Loing at Moret
Rochefort: Countryside around St-Vaast-la-Hougue
Rouen: Beach at Villers; Breton Landscape; The Rocks at Equihem (1910)
Sète: Seascape
Toulon: View of Carrières-Charenton
Tourcoing: November Evening
Troyes: Seascape
- Creator:Jean-Baptiste-Antoine Guillemet (1841 - 1918, French)
- Creation Year:c.1880
- Dimensions:Height: 23 in (58.42 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good original condition.
- Gallery Location:Marlow, GB
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2001
1stDibs seller since 2016
668 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Marlow, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Le Quai d’Orsay - Impressionist City Landscape Oil Painting by Luigi LoirBy Luigi LoirLocated in Marlow, BuckinghamshireSigned figures in cityscape oil on canvas circa 1890 by French impressionist painter Luigi Loir. The piece depicts people at the Quai d'Orsay, situated on the left bank of the River Seine in Paris, France on what looks to be a cold winter day in the city. Signature: Signed lower right Dimensions: Framed: 20"x16.5" Unframed: 13"x9.5" Provenance: Private French collection Blanchet & Associes - Paris He first exhibited at the Paris Salon in 1865 with a Landscape at Villiers-sur-Seine which brought him a certain amount of recognition. He was a regular exhibitor at the Salon des Artistes Français. Obtaining a third-place medal in 1879, and a second-place medal and a gold medal in 1889 at the Exposition Universelle in Paris. He was decorated with the Légion d'Honneur in 1898. Born in Austria to French parents who served the exiled French Bourbon royal family, Luigi Aloys-François-Joseph Loir moved with his family and the Bourbons to the Duchy of Parma in 1847. In 1860 his family returned to Paris following the expulsion of the Bourbons from Parma. But Luigi remained in the city, having enrolled, at the young age of eight, at the Accademia de Belle Arti. He eventually rejoined his family in Paris in 1863. There he studied with the decorative painter and set designer Jean Pastelot, making his Salon debut in 1865. Loir painted mainly views of Paris, in all seasons and at different times of the day or night. Loir was the Paris painter par excellence, capturing and expressing all aspects of the life of the city at all hours of the day and night. He may be criticised for excessive attention to the process, but his invaluable powers of observation are undeniable. Apart from those of his canvases which are in museum collections, his best-known works include: Preparations for the Fun Fair (acquired for the Salle d...Category
Late 19th Century Impressionist Landscape Paintings
MaterialsOil, Canvas
- Jardin eclaire par la lune - Impressionist Oil, Night Landscape by Marie DuhemBy Marie DuhemLocated in Marlow, BuckinghamshireSigned and titled oil on canvas landscape circa 1910 by French Impressionist painter Marie Duhem. The work depicts a gated garden surrounded by bushes and trees and a tall tree in the centre. There are stars in the dark blue night's sky and the glow of the moon can be seen low behind the bare trees. Signature: Signed lower right/further signed and titled on original label Dimensions: Framed: 34"x29" Unframed: 26"x21" Provenance: The collection of the painter's family Marie Duhem, was born in Guemps on March 18, 1871 and died in Douai on July 9, 1918. Marie Duhem's parents ran a lace factory. From her childhood, she became familiar with the work of model designers. She becomes the student of the painter Adrien Demont...Category
Early 1900s Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Study for "Notre Dame" - 19th Century Oil, Boats & Figures on River by M LuceBy Maximilien LuceLocated in Marlow, BuckinghamshireOil on paper laid on canvas. Signed & dated 1899 lower right. This work is included in Tome II of the Catalogue Raisonne by Denise Bazetoux- Ref: 159 This work is a plein air stud...Category
1890s Impressionist Landscape Paintings
MaterialsCanvas, Paper, Oil
- Demonstrators - Impressionist Oil, Figures in City Landscape by Andre DevambezBy André DevambezLocated in Marlow, BuckinghamshireWonderful figures in night landscape oil on canvas circa 1904 by French impressionist painter and illustrator Andre Devambez. The piece depicts demonstr...Category
Early 1900s Impressionist Figurative Paintings
MaterialsCanvas, Oil
- L'arbre de noel - Impressionist Oil, Figures in Landscape by Jules Rene HerveBy Jules René HervéLocated in Marlow, BuckinghamshireSigned impressionist figurative landscape oil on canvas circa 1950 by French painter Jules Rene Herve. The winter landscape shows a Christmas tree market with customers and stallholders gathered around their wooden huts. The bright green of the trees contrasts agains the white of the snowy ground. I wonderful piece by this sought after artist. Signature: Signed lower left Dimensions: Framed: 19"x22" Unframed: 13"x16" Provenance: Gallerie de France - Carmel, California, USA Jules Rene Hervé began his formal art studies in an evening school in Langres, France. Hervé was trained at the Ecole nationale supérieure d’arts decoratifs of Paris, and studied with Fernand Cormon and Jules Adler. As early as 1910, his work was shown in Paris Salons where his paintings were described as “jewels” of French scenery...Category
1950s Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Belandre au Soleil - Matin de Givre - Impressionist Oil, Landscape by H DuhemBy Henri DuhemLocated in Marlow, BuckinghamshireA large oil on canvas by French Impressionist painter Henri Duhem depicting men on a blander - a small flat bottomed craft - on a canal on a frosty morning. Signed lower left. This p...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Bassin, Original Oil Painting on Canvas, Water lily, Plant, Water, GoldfishBy Raphaël RenaudLocated in AIX-EN-PROVENCE, FROil on linen canvas - Water lily, Plant, Water, Goldfish Work Title : Bassin (EN : Water Basin) Artist : Raphaël Renaud (French artist, Born in 1974, li...Category
21st Century and Contemporary Impressionist Landscape Paintings
MaterialsOil, Canvas, Linen
- Edwardian Beach Scene, British 20th century oil on canvasLocated in Hillsborough, NCRichly-colored and vibrant Edwardian Beach Scene, British oil painting on canvas in impressionist style, presented in contemporary gold frame. The oil paint is raised and textured, lifting the beach sands, sea, sky and dresses from the canvas. Gathering in Edwardian period costuming looks out over the sands to the sea and clouds, with distant sailboats and children playing in the waves. This is a delightful contemporary painting, unsigned, but original oil dating to the 20th century. Framers tags verso from Oxford and Glasgow. In very good condition, with a few minor chips on the gold frame, but otherwise the painting is bright and beautiful. Provenance to gallery in the United Kingdom, imported by Saltire Gallerie...Category
20th Century Impressionist Figurative Paintings
MaterialsOil, Canvas
- Picking BlackberriesBy Charles Martin HardieLocated in Hillsborough, NC'Picking Blackberries' is a 19th/early 20th century oil on canvas painting of a Scottish coastal path view with yellow gorse and berry bushes. Children are picking berries or sitting enjoying the view overlooking the sea, depicting halcyon days of summer. Scottish artist Charles Martin Hardie...Category
Late 19th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Maritime Maternal" Oil painting 68" x 86" inch by Omar Abdel ZaherLocated in Culver City, CA"Maritime Maternal" Oil painting 68" x 86" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has n...Category
21st Century and Contemporary Impressionist Figurative Paintings
MaterialsOil, Canvas
- Spanish landscape oil on canvas painting european art xx centuryBy Rafael DurancampsLocated in Barcelona, BarcelonaRafael Durancamps (1891-1979) - Landscape - Oil on canvas Oil measures 38x46 cm. Frame measures 58x66 cm. Rafael Durancamps i Folguera (Sabadell, March 29, 1891 [1] - Barcelona, Jan...Category
1950s Impressionist Landscape Paintings
MaterialsOil, Canvas
- Spanish school (XX) women on the beach oil on canvas painting seascapeLocated in Barcelona, BarcelonaOil measures 27x22 cm. Frame measures 38x33 cm. Signed Domenech.Category
1980s Impressionist Figurative Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
St Jean
Jean Prove
Oil Painting 1820
Jean Petit
Barye Antoine
Painting After Manet
Antoine Louis Barye
Brief Encounter
Courbet Paintings
Pissarro Paul Emile
St Honore
New Acquired French Impressionist Paintings
Medusa Light
Paris Street Scene Painting Large Canvas Painting
Paul Bourgeois
John Paul Thomas
Corot Jean
Antique Medusa