Katey Berry

Moment in Flight 1

2024

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

Sherry Giryotas' abstract paintings in this series are reminiscent of Paul Klee’s paintings with orange hues and geometrical shapes which almost take o...

Don Pollack Section 35 oil on canvas 48h x 48w in 121.92h x 121.92w cm DJP007 Don Pollack BIOGRAPHY Don Pollack is a Painter and Adjunct Associate Professor of Visual Communication at theSchool of t he Art Institute of Chicago. His work investigates among other things, the relationship between personal mythologies and representation in painting and how it may simultaneously give reference to a narrative.Working in cross disciplines has influenced his perspectives as projects begin with an epic adventure. Conceptually proceeding from the premise that all vision is historic and constructed, Pollack’s research starts with the planning of a long distance trek,– such as a 3000 mile journey via bicycle following Lewis and Clark. His work has utilized maps, documents, photography, painting, and installation.This work was routed in a previous investigation into the role of museums in the process of forming collective memory. Don studied design at the University of Illinois and painting at the Ohio State University where he received his MFA.The state of Illinois has recognized his history based work with a special bicentennial edition of the ‘Order of Abraham Lincoln’ award. He has exhibited nationally and internationally and has shown many solo shows in, Chicago, NewYork, Atlanta, and Canada. Don Pollack EDUCATION m.f.a. Ohio State University Columbus,Ohio b.f.a. University of Illinois Urbana, Illinois SOLO EXHIBITIONS 2016 Bridgeport Art Center, this land is not empty, Chicago, Illinois Carnegie Museum for Art and History, bernheim arboretum, New Albany, Indiana 2013 Perimeter Gallery, 34 days to washington, Chicago, Illinois 2011 Newzones Gallery, far from home, Calgary,Alberta, canada MarciaWood Gallery, far from home, Atlanta,Georgia 2010 Perimeter Gallery, mysterious island, Chicago, Illinois Marquette University Law Library, laying the foundation [a Lincoln Portrait], Milwaukee, Wisconsin 2009 Abraham Lincoln Presidential Library and Museum, the lincoln project, Springfield, Illinois The Union League Club, the lincoln project, Chicago, Illinois 2007 Newzones Gallery, the sheltering sky, Calgary,Alberta, canada Merwin andWakeley Galleries, IllinoisWesleyan University, american inheritance, Bloomington, Illinois MarciaWood Gallery, night, Atlanta,Georgia 2006 MargaretThatcher Projects, american gothic, past imperfect, NewYork,NewYork Perimeter Gallery, improvisation, Chicago, Illinois 2005 Newzones Gallery, missives, Calgary,Alberta, canada MarciaWood Gallery, south of the tennessee, remains of the campaign, Atlanta, Georgia 2004 Perimeter Gallery, voyages of discovery, from the earth to the moon, NewYork, NewYork 2003 Newzones Gallery, garden of forking paths, Calgary,Alberta, canada Perimeter Gallery, a search for heroes, lincoln & the illinois landscape...

Pigment & acrylic on rice paper

Signed and dated Oil and watercolour on paper, mounted on board 18 x 22 inches