Linen Landscape Paintings

Al Freno's "I'll Be Home for Christmas" is a heartwarming original landscape painting that beautifully captures the essence of the holiday season. Executed in the artist's signature ...

Marla Korr Biography American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy E...

"The Fleet" by Alina Hubarenko is a captivating original seascape painting that unveils a nostalgic and whimsical scene of paper boats gracefully navigating turquoise waters. Crafted...

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

The White Horse - Abstracted Landscape, In The Style Of Charles Heaney Abstracted landscape oil painting depicting a white horse. Attributed to and painted in the style of Charles Edward Heaney (American, 1897-1981). A white horse grazes alone in a grass field, as mountains of brown are intertwined with abstracted white clouds. Deep greens, browns and reds make up this piece. Presented in a distressed wooden frame. Frame: 21.5"H x 39"W Image: 15.5"H x 32.5"W Unsigned. Charles Heaney lived in Oregon and was primarily known for his landscapes of Oregon and Nevada. From 1917 until well into the 1920s, Heaney studied intermittently at the Pacific Northwest College of Art. One of his primary instructors was legendary painter Harry Wentz, who befriended and inspired him. A fellow student was Kyuzo Furuya who, Heaney recalled, goaded him into taking himself seriously as an artist. But Heaney's deepest friendship was with Clayton Sumner (C.S.) Price, an artist twenty-three years Heaney's senior who settled in Portland in 1929 and who would become a pioneering figure in Oregon modern painting. Heaney admired and emulated Price's dedication to art-making and found in the older man an important companion. Heaney's prints of the 1920s and 1930s were mostly woodcuts, a technique he learned from Catherine DeWitt MacKenzie, a fellow student at the Pacific Northwest College of Art. In the 1930s, he experimented with etchings with his friend William McIlwraith and studied intaglio processes with William Givler...

"City Harbor" Mid Century Modern Oakland Nautical Seascape in Oil on Linen Vibrant seascape by California artist Carol Sideman (American, b. 1925). Seve...

Original Oil Painting by Alexandra Pacula

"Crow and Deer" by artist Miles Cleveland Goodwin is oil on linen, and measures 24 x 30 inches. Including the artist-made frame, the overall dimensions are 25 1/2 x 31 5/8 inches. Th...

Adrienne Stein's (US based) "Golden Hour I" is an original, handmade oil painting that depicts a lily pond with colorful blooms in tranquil waters. About the artist: Adrienne Ste...

1927 Carmel by the Sea - Beach, California Coastline - Oil on Linen Seascape oil painting of the Carmel coastline by Charles Henry Harmon (American, 1859-1936). Vibrant blue Pacific waves crash along Carmels white sands, with a walk way on the cliffs above. A lush green sycamore tree is seen to the left, beyond the cliffs. Vibrant greenery is seen on either side of the walkway, depicting colors of greens, yellows, and browns. Signed "Charles Harmon 1927" lower left. Charles Henry Harmon was born on December 23, 1859 in Mansfield, Ohio. He moved to San Jose, California with his family in 1874 and at an early age was apprenticed to local portrait painter Louis Lussier. He later spent one year working in a local photography studio re-touching negatives. His youth was spent visiting the art galleries of San Francisco and, with no formal training, he began sketching and painting in 1883 in the beautiful Santa Clara Valley. He painted many landscapes of that area and made trips to the remotest parts of the Sierra and the Monterey Peninsula where he painted many coastal scenes. He began exhibiting in San Jose in the 1880s. By the turn of the century, his works were handled exclusively by Gump's and he was recognized as one of California's foremost painters. In 1905 he established a studio in Denver and for seven years concentrated on the rugged landscape of the Rocky Mountains. While there, the Santa Fe, Western Pacific, and Colorado, Midland railroads commissioned him to paint scenes along their routes. After his time in Colorado, he returned to San Jose where he remained for the rest of his life. Harmon died there on October 14, 1936 and is buried in Oak Hill...

"Breaking Wave" by contemporary artist Nicholas Vivian is a commanding seascape that plunges viewers into the dynamic and invigorating energy of the ocean. Demonstrating mastery in h...

Carefully ordered patterns, geometric shapes and delicate lines in bright teal, light green, robin's egg blue and pale peach on an atmospheric blue gray background with hints of ligh...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Adrienne Stein's (US based) "Veil of Night" is an original, handmade oil painting that depicts a female figure with a blue veil with a star lit background. About the artist: Adrie...

Since the late 1970’s, Younghee Choi Martin has lived and worked in Chelsea, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS...

Adrienne Stein's (US based) "Allegheny Cemetery" is an original, handmade oil painting that depicts an angel statue in a cemetery at dawn. About the artist: Adrienne Stein (b. 198...

Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang with two studs. Medium : Oil on mounted linen on wood. Artist : Gabriel Riesnert Subject : Ciel d'été (Tit...

Rachelle Krieger is a New York based abstract expressionist painter and printmaker known for her extensive exploration of the landscape and natural phenomena such as electricity, lig...

David Grossman's (US based) "October Cottonwood with Coming Storm " is an oil painting that depicts a cottonwood tree's brilliant changing autumn leaves with a storm brewing in the d...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale peach on a teal blue background with dark indigo at the bottom. Signed, date...

David Grossman's (US based) "Autumn Cottonwood in the Arroyo " is an oil painting that depicts a Cottonwood Tree's changing autumn leaves with a vast mountain background. David Gro...

Original Oil Painting by Alexandra Pacula

A late 19th Century impressionist oil painting of the creek near Glen Annie Meadows, Santa Barbara by a student of and in the style of Henry Chapman Ford...

"Drift no.4" by Alyson Kinkade Abstract Landscape, dreamy clouds over colorful plains Oil on Canvas 15x15" image 15.5x15.5" framed in black wood as pictured "There are parts of the ...

Wonderful small-scale early 20th Century plein air landscape of pine trees on mountain crest. Signed and dated lower right corner "DAH 08" or "DRH 08." Condition: Good; linen relaid ...

Work : Original Oil Painting, Handmade Artwork, Unique Work. Produced in 09/2010. Medium : Oil on Linen Canvas. Artist : Françoise de Beaucé Subject : Rose épanouie (Frensh Title), ...

This framed oil on linen painting, 'Riflessi A Tiburon,' by Marco Sassone, an American-Italian painter, is measured at 30 x 24 inches in a horizontal format. Sassone paints an Expres...

Arley - Staffordshire Heights England Landscape and Meadows by Melin Wonderful landscape of Arley in Staffordshire Heights by A. Melin (English, 19th-20th C.) English Country road in...

"First Flight, Two Weeks" is an original oil on linen painting by Texas Artist Robert Fobear and measures 40x60 inches. This extraordinary piece captures a mesmerizing autumn scene, ...

China Camp Fishing Village - San Rafael California - Abstract Impressionist Wonderfully vivid nocturnal of coastal town by Roger Holt (American 1905-1979). Signed faintly lower right (see enhanced image of signature). Condition: good; professionally cleaned; edge wear consistent with age professionally restored; craquelure throughout, New UV-resistant, non yellowing varnish applied. Unframed. Image size: 14.25"H x 17.25"W. Signed indistinctly lower right. China Camp State Park is a 1,514-acre park in San Rafael, California. The park is known for its scenic views, hiking and mountain biking trails, and open spaces. It also features a historic Chinese American shrimp-fishing village and a salt marsh. By the mid-1880s, Chinese Americans had established a settlement of about 500 people in a village they called China Camp. Many of these villagers were originally from Canton, China, and supported themselves and their families here by shrimp fishing in San Francisco Bay. The village had three general stores, a barbershop, and a marine supply shop at its peak. China Camp was one of about twenty-six other shrimp-fishing villages along the coast that supported Chinese American immigrants fleeing San Francisco due to racial prejudice and persecution. Following the 1906 San Francisco earthquake, the population of China Camp ballooned as nearly 10,000 residents of San Francisco’s Chinatown fled the destruction and mayhem. Roger Holt was born in New Haven, Connecticut. After attending Rollins College and St. Paul's School of Art in Minnesota, he traveled extensively through the United States and Europe, forming his educational background. Hold was the recipient of five major awards, Mr. Holt exhibited in thirteen museums, including the Metropolitan Museum of Art, the Corcoran Gallery, Carnegie Institute and the United Nations Building. Settling in Jerome, Arizona in 1954, Roger assisted his wife, Shan Holt, in the operation of the Verde Valley Artist's Gallery and concentrated on his work, experimenting with different painting surfaces such as masonite, canvas board and stiff cardboard. His early work identified with the Expressionist school, while his later work tends toward increasing abstraction. Roger Holt's paintings are included in the collections of Abraham Ribicoff, Vincent Price, John McCloy, Artie Shaw, Burl Ives and numerous universities across the country including the Ogden Museum of Southern Art at the University of New Orleans. Arizona painter...

Austria Landscape and wood Carved Frame Oil on Linen 1905 Historically significant wood work and wonderful landscape celebrating the Austrian landscape and forests in a hand carved ...

Beautiful example of the Hudson River School romantic bucolic New York autumn landscape with cows foraging. Illegible artist signature on stretcher bar (See enhanced images). Conditi...

A bright harbor scene with fluffy clouds filling the air in Mcguire's signature impressionist style. Artist Bio: Tim McGuire Born in 1971, Tim McGuire grew up in Buffalo, NY. After...

"Subdue" by Alyson Kinkade Abstract Landscape Oil on Linen 10x10" image 12x12" framed in black wood as pictured *Shipping price includes the custom packing necessary for safe transp...

"Sand Harbor" - Rocky Lake Tahoe Landscape in Oil on Linen Vibrant lakeside seascape by Coraly Hanson (American, b. 1950). An group of large rocks creates a sheltered beach where shallow water gently rolls in to the shore. Two large evergreen trees are growing in among the rocks, with a few other bushes nearby. Across the bright blue lake, the Sierra Nevada Mountains are capped with snow. Signed "C Hanson" in the lower right corner. Titled, dated, and signed "Sand Harbor 2014 Coraly Hanson" on verso. Presented in a gilded wood frame. Frame size: 14.5"H x 17.5"W Linen mounted on board. Board size: 9"H x 12"W Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...

Ryan Reynolds’ newest series of paintings features coastal Northern and Central California wooden piers that extend from the land into the sea, and it depicts the people of Trinidad ...

Golden Field Plein Aire Landscape in Oil on Linen Plein aire landscape by unknown artist C. Lucas (20th Century). The viewer stands in front of a gold field of grass. At the far edg...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 12" FRAMED: 16.625" x 16.625" x 1.625" Artist Statement "Serpentine waves of poppies as far as the eye can see blanketing Antelope Valley during a superbloom of wildflowers." —Charles Muench...

Winter's Snowy Tatra Mountains with Pines and Stream Beautiful post-war winter snowy scene with mountains and pine by Laszlo Neogrady (Hungarian, 1896-1962), circa 1940. Lovely textu...

Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas o...

Achieved through plein air, this wonderful painting of an Adirondack landscape shows dynamic blue waters in movement around a small island. The vibrant blue of the sky is mirrored be...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

This vibrant landscape shows some of the bright colors that can be seen in the Adirondacks. Bright oranges and yellows stand out from the green landscape, and deep purples add a rich...

"West Cliff, Santa Cruz" Coastal Landscape in Oil on Linen Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A large eucalyptus tree is at the edge of a c...

MORENO PINCAS Bulgaria, b. 1936 Moreno Pincas emigrated to Israel in 1949. He studied at the Avni Art Institute in Tel Aviv from 1958 to 1960 and in 1960 obtained the First Prize of the Biennial of Young Painters at the Museum of Modern Art in Haifa. Fellow of the America Israel Cultural Foundation, he moved to Paris and formed at the Ecole Nationale Superieure des Beaux-Arts in Paris . Moreno Pincas is a member of the Committee Salon de Mai . Art at the Histadrut Beit HaVa'ad Hapoel, Tel Aviv 1989 Artists: Abramovich, Pinchas Uri, Aviva Eisenscher, Jakob Rita, Alima Aroch, Arie Bogen, Alexander Baser, Robert Bergner, Yosl Gutman, Nachum Gliksberg, Haim Giladi, Aharon Garbuz, Yair Gershuni, Moshe Gat, Eliyahu Halevi, Joseph Sisselman, Mina Janco, Marcel Cohen Gan, Pinchas Litvinovsky, Pinchas Lifshitz, Ephraim Mokady, Moshe Naton, Abraham Stematsky, Avigdor Sima, Miron Simon, Yohanan Ovadyahu, Shmuel Ozeri, Yigal Okashi, Avshalom Paldi, Israel Pincas, Moreno Frenkel, Itzhak Zabar, Simon Kossonogi, Joseph Kupferman, Moshe Krize, Yehiel Rubin, Reuven Reeb, David Reisman...

Kenji Lim Unusual For This Time of Year 2023 30 x 65 cm Acrylics on linen/canvas Unique The tourist takes snapshots of life. Experiences are simultaneously “strange” and “typical”. ...

"The Snake Path, Masada" is a 25" x 32" oil on linen masterpiece by Israeli artist Uri Blayer, encapsulating the rugged and historical essence of the Judean Desert. Blayer's style is...

Oil on linen

Kenji Lim Could You Take a Moment to Fill In Our Visitor Survey? 2023 65 x 65 cm Acrylics on linen/canvas Unique The tourist takes snapshots of life. Experiences are simultaneously ...

"Sanctuary," a 16" x 28" oil on linen creation by Israeli artist Uri Blayer, is a serene portrayal of rustic tranquility set against a lush mountainous backdrop. In this piece, Blayer employs a palette dominated by earthy greens, rich browns, and soft greys, evoking the natural harmony of the rural landscape. The painting’s composition leads the viewer’s gaze across a verdant field to the quaint cottage, a splash of blue on its roof adding a gentle contrast to the surrounding neutral tones. The artwork radiates a calming, almost nostalgic emotion, reminiscent of a quiet life, undisturbed by the bustle of modernity. Blayer’s brushwork combines precision with a gentle looseness that gives "The Little Cottage" a dreamlike quality, inviting one to step into its peaceful world. About the Artist: Uri Blayer is an alumnus of the Telma-Yalin Art School in Israel and furthered his artistic education at Brooklyn College and the Art Students League in New York City. His creative expressions have been displayed in numerous distinguished group shows across the United States and Israel. His pieces are a staple in various private collections, as well as corporate and public entities. In Hawaii, his work graces the walls of the Bank of Hawaii, is featured at the Hawaii State Museum, and is part of the collection of the Hawaii State Foundation on Culture and the Arts. His artistic prowess has been acknowledged with multiple accolades, including a recent grant from the prestigious Elizabeth Greenshields Foundation. For three consecutive years, he has been a selected exhibitor at the Honolulu Academy of Arts Showcase, a testament to his standing among Hawaii's top 100 artists. Notably, Uri's art has garnered critical acclaim in esteemed publications such as The New York Times, The New York Sun, and The Jerusalem Post. Original, 1-of-1. Represented by the American Art Gallery, Carmel-by-the-Sea, California. Keywords: impressionist, realism...

Acquired by the gallery directly from the artist UNFRAMED: 26" x 32" FRAMED: 34.5" x 40.5" x 2.375" Artist Statement “Every year I am fascinated by the bloom that California spring...

Three Sisters in the Cascade Range, Oregon Landscape scene depicting three snowcapped mountains, also known as "The Three Sisters," surrounded by evergreen trees by John Englehart...

Acquired by the gallery directly from the artist UNFRAMED: 24" x 26" FRAMED: 28" x 30" x 2.125" Artist Statement "Fireworks, an aerial celebration of shimmering explosions that bu...

Carefully ordered patterns, geometric shapes and delicate lines in luminous light pale peach, teal, olive green, ochre and blue on a light blue background with a dark indigo leaf pat...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 16.375" x 20.5" x 1.625" Artist Statement "A brief moment of sunlight on autumn cottonwoods as an eastern Sierra storm slowly envelopes the landscape. Maybe get in a few more casts before the wind and rain arrive." —Charles...

Acquired by the gallery directly from the artist UNFRAMED:20" x 16" UNFRAMED: 25.75" x 22.25" x 1.375" Artist Statement “The painting was started at the Viansa Winery in the early ...