Oil Landscape Paintings

View from artist studio’s window at Rue de Vaneau, Paris is a very unique cityscape that depicts a silhouette (possibly artist himself) walking down a windy and snowy street. This pa...

A beautiful oil on canvas painting by Mykola Krychevsky depicting St. Mark's Square in Venice. The artist would spent every August painting different city scenes at famous architectu...

Frameless

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Northern Lombardy. 1938. Embury 38.20. Oil on board. 5 x 10. Signed "L. Lucioni" lower right. Good original condition. Housed in a stunning gold-and-black wood frame. hroughout hi...

THE TRAM Size: 38 x 33 cm (including frame) Oil on Canvas A small yet very striking modernist street scene composition, executed in oil onto canvas. The painting depicts a bustling...

Oil on canvas, signed bottom right Image size: 30 1/4 x 24 1/2 inches (77 x 62.25 cm) Hand made frame This is an atmospheric depiction of Victoria Train Station from the mid 20th ce...

Anthony Morris. English ( b.1938 ). Llangynidr Bridge over the River Usk in Winter. Oil on Board. Signed. Image size 6.7 inches x 8.7 inches ( 17cm x 22cm ). Frame size 10.4 inches ...

Oil on canvas. Framed.

SEA CATCH Size: 54.5 x 87 cm (including frame) Oil on Canvas A brilliantly executed and lively mid-century modernist composition in oil, painted onto canvas. In this scene, we see ...

ROW OF HOUSES Size: 31 x 35 cm (including frame) Oil on Canvas Board An expressive and lively mid-century modernist style composition, executed in oil onto canvas board. Small yet ...

Michael Lyne (1912-1989) The Devon and Somerset Staghounds at Hawcombe Head Signed lower left Oil on canvas Canvas Size - 24 x 36 in Framed Size - 30 x 42 in Michael Lyne (1912-1989) was a celebrated British artist renowned for his striking depictions of the equestrian world. Born in London, England, Lyne developed a passion for art and horses from an early age. He studied at the Slade School of Fine Art in London and was greatly influenced by the works of Sir Alfred Munnings, one of the most renowned equestrian painters of the time. Lyne's career flourished when he was commissioned to illustrate several books, including "In the Shire Country" by Susan Shaw...

Oil on canvas sold with frame Total size with frame 48x71 cm Edouard ARTHUR is an artist born in 1917 and died in 2002. His works have been sold at public auction 12 times, mainly ...

Christ Preaching to the Crowd French Modernist artist, circa 1960's period oil on board, framed framed: 27 x 31 inches board: 20 x 24 inches provenance: private collection, France co...

THE GREEN TREE Size: 44 x 77 cm (including frame) Oil on Canvas A captivating mid-century modernist style landscape composition, executed in oil onto canvas. At the forefront of th...

Charming and well painted rural New England modernist landcape by Vern Henry Smith (1927 - 2007. Oil on canvas. Framed. Signed.

Signed lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. The first woman to serve as president of the Carmel Art Assoc...

LAKESIDE JOY Size: 58 x 66 cm (including frame) Oil on Board An expressive mid-century landscape composition that captures a carefree atmosphere of a perfect day spent by the lakesi...

Signed lower right, 'Charles Killgore' (American, 1889-1979) and painted circa 1940. (N.B. the artist's last name variant is 'Kilgore). Born in Huntington, West Virginia, Charles Ki...

QUAY CRANES Oil on Board Size: 61 x 70 cm (including frame) A brilliantly executed mid-century modernist seascape composition in oil, painted into board and dated 1945. This nautic...

Stanley Horace Gardiner. English ( b.1887 - d.1952 ). Tide Pools, Porthcurno Beach, Cornwall Oil on Board. Signed lower left. Image size 12.4 inches x 15.6 inches ( 31.5cm x 39.5cm )...

Oil on board Framed.

Very well executed three dimensional oil on canvas painting of round orbs appearing to be in space. Signed lower right. Circa 1960. Condition is excellent. Newly framed in an ornat...

This large painting is a ca. 1960 copy of a famous Rockwell Kent painting that was executed in Vermont in 1921. The work is oil on canvas and well represents the original image, tho...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem...

Joan Gillchrest. English ( b.1918 - d.2008 ). Cornish Fishing Boats at First Light. Oil on Paper Mounted on Board. Signed with Monogram. Image size 26.2 inches x 22 inches ( 66.5cm x 56cm ). Frame size 35.8 inches x 31.3 inches ( 91cm x 79.5cm ). Available for sale; this original oil painting is by the Cornish artist Joan Gillchrest and dates from around the late 1980s. The oil painting is presented and supplied in a sympathetic new replacement frame (which is shown in these photographs) that suits the artwork’s color palette and behind non-reflective Tru Vue UltraVue® UV70 glass. This painting is in excellent condition and presents superbly. It wants for nothing and is ready to hang and display. The painting is signed with a monogram lower right. Joan Gillchrest is one of Mousehole’s and Cornwall’s most recognised and celebrated artists. Her vibrant art sits firmly alongside other great artists of the St. Ives School from the 1960s. She was born Joan Scott in London in 1918 into a wealthy and illustrious family. She was the third of four children. Her father was a pioneer of radiology – and a skilful caricaturist - and her Australian mother was an accomplished pianist. Sir George Gilbert Scott was her great grandfather, who designed the imposing Midland Grand Hotel at St. Pancras as well as countless parish churches. Grandfather, George Gilbert Scott Jnr, is remembered for three Cambridge colleges, Christ’s, Pembroke and Peterhouse. Her uncle Giles, (Giles Gilbert Scott) to whom Joan was close, is best known for his magnificent Anglican Liverpool Cathedral, Battersea Power Station and the iconic and ubiquitous red telephone box. Coming from such a long line of eminent architects it is not surprising that Joan always loved architecture and the churches and chapels of the Penwith peninsula feature prominently in her work. She said that buildings were “in her blood”. Her early childhood was spent at the family home in Buckinghamshire, but she was a difficult child – the family hired one nanny for her and one for the other three children- and at one point she was sent to Upper Chine School in the Isle of Wright to give her family some peace! She was however the apple of her father’s eye and he encouraged her obvious artistic talent. In 1934, aged only 15 but encouraged by her parents, she went to Paris to study art and learn the language. There she met Gwen John and studied in various studios, sometimes working as a model. In 1936 she enrolled at the Grosvenor School of Art and subsequently studied there under Iain McNab, whom she described as a marvelous teacher. Her early artistic career was very promising; she first exhibited at the Royal Academy when she was just 18 and showed works at the New England Art Club in 1937 and the London Group in 1938. When the Second World War broke out Joan was 21. She took a crash course in nursing and first aid and volunteered as an ambulance driver for Westminster Hospital. She later drove a mobile rescue unit. She was not able to paint much during the war but kept in touch with McNab; when the area around St Paul’s was blitzed, leaving the cathedral relatively unscathed, McNab got Joan and a few others to paint the scene. Her work, created with a thick paint and a palette knife, hung in the art school for many years. Joan’s painting career stalled in the 1940s. In 1942 she married a barrister and Coldstream Guards officer Samuel Gillchrest, and they soon had a son, then a daughter. With a young family, she had little time to paint, and had to hide the work she did produce as her husband thought that work as an artist was beneath them. Sadly, the marriage broke down and in 1953 they divorced. In leaving a difficult marriage at this time, she forfeited money, security and her previous place in society. Despite the huge changes in her life, her overwhelming desire to paint remained constant. She ignored the disapproval of her friends and family and started to explore new ways of expressing herself on canvas. She moved to a studio in Chelsea, an area much favored by the artistic community. To support herself, her children and her painting she also found regular work as an artist’s model. She was tall, strikingly good looking and combined elegance with bohemianism. She also carried an air of mystery from her rich and privileged past, and so she became sought after as a fashion model. In the flat below hers lived an artist who had enjoyed some professional acclaim, Adrian Ryan...

Work on wood Frame measures 103x71 cm

COWS IN FIELD Oil on Board Size: 38.5 x 52 cm (including frame) A charming mid-century landscape composition that captures the idyllic beauty of the countryside, executed in oil on...

BALCONY VIEWS Size: 65 x 50.5 cm (including frame) Oil on Board A charming and inviting mid-century composition, executed in oil onto board. The paintin...

Very well done and interesting vintage Italian impressionist painting. Oil on canvas. Framed. Signed.

Donald McIntyre. English ( b.1923 - d.2009 ). Stormy Day, Craster, Northumberland Oil on paper mounted on board. Signed lower left. Image size 16.3 inches x 32.5 inches ( 41.5cm x 8...

Signed, dated and titled figures in a landscape oil on canvas by French modernist painter Andre Hambourg. This beautiful piece depicts a view of the gondolas on the canal in Venice a...

Landscape with River is an oil painting on cardboard realized at the beginning of the 20th century. Good condition. Frame included.

Waiting for the Bus in a Blizzard- WPA American Scene 1938 NYC Modernism Realism. 16 x 16 inches, Oil on board, Signed and dated 1938 lower left. ...

Via di San Leonardo, Florence (Italy) is an oil painting on pressed cardboard realized at the beginning of the 20th Century. Good condition (light color degradation). Frame included.

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Oil on canvasboard. Framed.

COASTAL BREEZE Size: 37 x 45.5 cm (including frame) Oil on Board A very pleasant and atmospheric mid-century expressive coastal landscape composition, executed in oil onto board. T...

LITTLE BOXES Size: 35 x 44 cm (including frame) Oil on Canvas A brilliantly executed modernist landscape scene in oil, painted onto canvas and dated 1961. This mid century composit...

Impressive American modernist winter landscape. Detailed and well painted skating scene. Oil on canvas. Nicely framed.

Cnoc-Cuil-Phail Croft, Isle of Iona by John Lowrie Morrison - "Jolomo" OBE Scottish born 1948 Oil on canvas Canvas size: 16 x 16 inches Framed size: 25.5 x 39 inches Signed lower r...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Carl Linstrum's "Other Side," "Fade," and "Emerge" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of ...

Piazza San Marco, Venice by Maurice Delavier (French 1902-1986) signed oil on canvas, unframed dated 58' canvas: 21.5 x 25.5 inches provenance: private collection, France, with exhib...

Fabulous original mid century modern oil on canvas painting by the well known New York artist, William Katz. The painting is done in a colorful abstraction of sailboats and is signed by the artist lower left. The artist has mixed sand into the oil paint to give the painting a highly textured look. Condition is excellent. Circa 1955. The frame is original with a studded gold edge detailing and with natural wood sides. Frame is in fine original condition. Overall framed measurements are 17 by 29.25 inches. Provenance: A Saint Petersburg, Florida collector. William P. Katz (1926-2003) American William Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. His works are in many private collections in the United States, Norway, England, Canada and Greece. Best known for sculptures, he also created paintings and designed textiles and jewelry. Alexander Kirkland called him an abstract "figurist-fantasist." He has had one-man exhibits at many galleries including: 1964, Miami Museum of Modern Art, Miami, FL; 1965, Fordham University...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Choosing to acquire a Swedish mid-20th-century modern Impressionist landscape by Helge Cardell is an opportunity to bring a harmonious blend of artistic innovation and natural beauty...

Work on canvas Golden wooden frame 61 x 76.5 x 3.5 cm

Carl Linstrum's "Other Side," "Fade," and "Emerge" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of ...

Oil on board. Framed. Signed. Exhibited at the Butler Art Institute.

This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City. Emmanuil Snitkovsky is an internationally known artist, sculpture and poet. ...

This colorful painting of two duck hunters on a trip to the eastern side of the Hudson Bay in Canada is done in a modernist style. Unsigned, the work includes an abstracted rocky co...

Modern geometric abstract night scene by Houston, TX artist David Adickes. The work features two wooden boats resting along a green shore. Signed by the artist at the bottom right an...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: Roof Top Year: circa 1920 Medium: Oil on Canvas, signed l.r. Size: 24 x 18 in. (60.96 x 45.72 cm) Frame Size: 33.5 x 27.5 inche...

This striking view is of the elegant town of Bandol on the Cote D'Azure which was a favourite haunt of Thomas Mann and Aldous Huxley. René Genis (1922-2004) Le Jardin de Bandol Sign...

Vintage mid century abstract painting. Feels like an abstract cityscape of New York City. Oil on canvas. Framed. Signe...

Signed figures in landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside in the height...