Paper Landscape Paintings

This painting was inspired by a trip to Bhutan. There I was thinking about life near the lake. And suddenly the water turned into a bright bubbling water, they were bright koi. I...

Splash Of White - This original artwork on watercolour paper captures a loose, expressive arrangement of delicate white flowers in a glass vase. Layering of acrylic and oil pastel wi...

"Sky and Cloud Study" by C.C.inton is a fresh, contemporary take on landscape painting that explores subtle variations of color and transparency reflected as abstract forms. This 15 ...

Paper Landscape Original Art Ready to Hang Collage on Linen Canvas 80x100 cm unique art Accompanied by certificate of authenticity

Gouache of a Shipwreck in a Storm with Gothic Ruins, Early 19th Century Technique: Gouache on paper Period: Early 19th century Description: This romantic painting depicts a dramatic ...

The painting was painted in the Favism style, using traditional contrasts: red and green.At the same time, the work is also genre-specific. ...

Green Nocturne (Charcoal Landscape Drawing with sky tinged in acrylics. 8 x 10 inches Charcoal and Acrylic on Two Rives Paper mounted on wood panel by Sue Bryan This mixed-media wor...

This framed 40"x 32" oil and prismacolor on paper landscape painting, ' I Might Have Been Mistaken,' by Mark Gilmore, depicts dark storm clouds hovering ...

Two delightful watercolours, with wonderful details by the highly collectable Charles Robertson. They depict two different aspects of Victorian life, the first captures two boys fis...

An exciting watercolor of a New York City street scene done in 1974. The fast brushwork is noted with much attention directed to abstracting the depiction. Freiman's execution of thi...

Artist 17th Century French School Circa 1660 'Diana, Goddess of the Chase' Signature: not signed Medium: tempera on paper applied to oak panel Dimensions: image size 23.5 x 18.5 cm...

Beautiful late 19th century Hudson River School pastel landscape by unknown artist in the style of Fredrick Edwin Church (American, 1826 to...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

This limited edition is an exciting new collaborative project between Sir Elton John, world-renowned photographer Terry O’Neill, and innovative artist David Studwell. In the lead-up ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Blue Landscape Original artwork on Paper 50x70 cm certificate of authenticity by Marilina Marchica,. 2024 This unique abstract painting explores the relationship between humanity a...

This artwork named " Exploring the sea cliff" is a vibrant and expressive landscape painting that captures the raw essence of nature through dynamic brushstrokes and bold colors. D...

Beautiful mixed media abstracted landscape evoking the elegant beauty of the first snow in winter by Grace Eichholz (American, b. 1927). Warm neutrals with highly abstracted landscap...

French Impressionist watercolour on paper view of a colourful village, spanning a river and mountain landscape by Henri Clamen. The painting is unsigned but was acquired from the art...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

In this piece, I've explored the dance between light and shadow, crafting an intimate journey through an architectural passage that beckons with history and mystery. Employing oil on...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Batumi. 1987, paper, watercolor, 18x30.5 cm The watercolor painting portrays a landscape scene of Batumi, a city in Georgia. The artist skillfully uses watercolor techniques to depi...

No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied. 1. Jan van Goyen...

The coast 1969, watercolor on paper, 20.5x28.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...

Road to Beatty, walnut ink on handmade paper, desert landscape painting, small Road to Beatty, walnut ink on handmade paper, desert landscape painting, small

In this impressionistic oil painting, I've embraced the quiet solitude of winter. Through textured brushstrokes, I capture the stillness of snow-l...

A futuristic botanical hybrid is the focus of this fantastical landscape in acrylic ink on Arches watercolor paper by Peter Hamlin. The meticulously detailed flower is whimsical and ...

Standing is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 81 × 116 cm (3...

This surreal acrylic painting by Gozo depicts a red bear standing beneath a red moon in a serene blue landscape. A flock of birds sweeps across the tranquil sky, creating a sense of ...

This original surrealist painting by Gozo presents a solitary figure with a sculptural head and slender legs walking along a stark pier, accompanied by a black dog. A yellow monument...

This original acrylic painting on sculpted panel presents a surreal landscape where fragmented Roman statues rest in a dreamlike terrain of deep pinks and reds. Among these sculptura...

36. FROM PIER ROAD, WHITBY The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Br...

Gorgeous watercolor landscape of a Berkshire sunrise by Susan Field Bissell (American, 1860-1920). Presented in a giltwood frame. Signed "S. Bissell" lower right. Presented in rustic giltwood toned wood frame with new over-mat and under plexiglass. Image size, 11"H x 9"W. Susan F. Bissell died in 1920 at Port Jefferson...

Original hand-painted Neapolitan gouache entitled "Eruz de Gennajo 1839." An excellent example of the classic Neapolitan School view. Unsigned. Displayed in an archival mat with an o...

This is an exclusive handprinted limited edition cyanotype. "Glowing Fireworks Lights" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Glowing Fire...

Pt. Pinos California, Coastal Figural Landscape Watercolor Striking depiction of a lighthouse by Donald J. Phillips (American, 20th Century). Signed and dated "DONALD J. PHILLIPS WW/7-89" in the lower right corner. Tag on verso with artist and exhibition information. Presented in a double mat of white and cream, in a green metal frame with glass. Image size: 21"H x 15"W Donald J. Phillips (American, 20th Century) is an artist from San Leandro, CA. He attended California College of Arts and Crafts in Oakland, where he met his wife. Phillips served in Marine Corps Reserve and was called to duty from 1950-1951 during the Korean War. Exhibitions and Memberships: 21st Annual Santa Cruz Art Exhibit, 1950 New England Watercolor...

Signed and dated post impressionist figure in landscape watercolour on paper by French painter Jean Dufy. The work depicts a view of a grand house behind a wall with a large gated en...

A beautiful large c.1960 French oil on paper laid on board cubist influenced landscape by Oleg Zinger. The work depicts a summer landscape with white build...

This is my best work that I have done in 30 years of my work. I am a dreamer, a futurologist. This work tells us what awaits us in the future. How the human body mutates and will ada...

PaperLandscape Oil Paint and collage on Cotton Canvas 50x50 cm 2020 Ready to hang certificate of authenticity included One of a kind, non-reproducible Marilina Marchica was born i...

Landscape of Mallorca- original expressionist watercolor painting virtual frame Work of the Spanish artist BENAVENTE SOLIS. Watercolor on paper. Perfect state . Transport costs inclu...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

This series of paintings by Natalia Roman gathers its inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco...

This artwork invites you into the secret garden of the soul, bathed in the soft, mystical glow of an emerald moon. Two figures gently intertwine in a quiet, tender embrace, their for...

Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...

Vibrant marina abstract with bold colors and geometric forms by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "...

Landscape Oil Paint on Paper Fabriano Paper one of a kind 60x70cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at t...

"Inglewood 6-8-2020" is a plein air painting of the artist's farm house in Louisiana, featuring hues of yellow, grey, blue and green. This work is framed in a natural wood frame wit...

Sea 1989. Paper, watercolor, 15x20 cm Landscape with sea and clouds The watercolor painting depicts a serene seascape, showcasing the artist's interpretation of the sea and clouds. The artist skillfully uses watercolor...

"Vivid Gestures on Vanilla II" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and uniqu...

Sandor Bernath (1892-1984). Highland Lighthouse at Dusk, Truro MA. Watercolor on heavy wove paper, 17 x 17 inches; 18 x 18 inches framed. Excellent condition with no fading. Signed lower right. Silver leaf custom frame. Sandor Bernath was known for his stylized watercolors of sailing ships. He was a student of Edward Hopper. Born in Hungary on December 30, 1892, Bernath immigrated in his youth to the United States, and by the early 1920s had begun to establish himself within New York art circles. In January of 1922, he was given a one-man show at Mrs. Malcolm's Gallery on East 64th Street. Although little is known about Bernath's education and early training, this exhibition of nineteen watercolors included works, which suggest that by 1922, the artist had traveled and studied abroad. "Coast of Normandy" and "Shrine, Czechoslovakia" are two works the subjects of which certainly resulted from time spent in Europe. Other paintings exhibited in the 1922 show, such as "Brooklyn Bridge", "Weehawken Freight Yards" and "East River" reveal that on the whole, Bernath's earliest subjects remained those found in New York. After his show at Mrs. Malcolm's Gallery, Bernath became a member of the American Watercolor Society and later that year, showed six works at their annual exhibition. Unlike the works exhibited on East 63rd Street, the watercolors featured at the AWS show, such as "Grand Manan Coast" and "Fishing Boats", reflected a growing attraction to the subjects offered within the Maine landscape, an attraction which truly took hold in the summer of 1922. Like many of his peers, Bernath worked as a teacher and illustrator to support himself. In order to escape the tedium of these dreaded day-jobs, many retreated to the villages of Maine and Massachusetts where artists' communities such as those at Monhegan Island, Gloucester and Ogunquit had sprung from the modern artist's desire to study natural forms. By 1923, Bernath's fascination with these forms becomes apparent with the complete shift in focus of his subject matter from the sights and scenes of his urban surroundings to the land and seascapes of New...

This series of paintings by Natalia Roman gathers its inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco...

This is an exclusive handprinted limited edition cyanotype. "Nighttime Firework Flaring" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Nighttime ...

This large contemporary assemblage by Swedish artist Bo Sällström has a strong visual character. It is a assemblage with volume that has an intriguing thr...

Fishing Village - Massachusetts Watercolor on Paper Cloudy day on the Massachusetts Coast by Richard Clark Hare (American, 1906-1959). Richard Clarke Hare was a painter best known f...

"Sunday Service, a lovely mid-century figurative village street scene by Frank Serratoni (American, 1908-1970), c. 1940s. A family is shown strolling through the tree-lined street of a quaint village towards a red church...

This captivating landscape painting immerses the viewer in a serene natural setting, capturing the essence of a quiet forest bathed in the gentle light of late afternoon. The artwork...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Watercolor on paper laid on board: An exceptional watercolor in terms of quality and presentation. During this earlier period of Day's career he exhibited extensively and was inspir...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Landscape BW Mineral Oxide on Paper 109 cm Original Art Ready to Hang A unique and original work of art This painting, made with mineral oxide powder pigments on Canson paper, is...

A Walk In The Grass - This original artwork on watercolour paper captures a vibrant, expressive field of grass, where a few delicate flowers emerge. An array of lush greens, layered ...

Landscape B/W Mineral Oxide on Paper ( Fabriano Elle Paper's 220 gr) 100x70 cm 2023 original art one-of-a-kind you get the framed drawing ready to hang frame as in the photo Marili...

Textured abstract landscape achieved through layered materials by Annis Allen (American, 1922-2018). Signed by the artist, lower left: "Annis Allen." Presented in a dark mauve paint...

Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by Zella Mae (Wunderlich) Dickinson (1895 - 1982). Initialed and dated "ZD '64" lower right c...

"Vivid Looping Lines on Turquoise" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and u...

This enthralling artwork "Lavendar fields of Provence" is a testament to the expressive potential of impressionistic techniques. Rendered with bold, dynamic brushstrokes, the paint...

Edition of 100 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper

Mu I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink on rice paper mounted on paper, dimensions are 38 × 70 cm (15 × 27.6 in). The artw...

Judd Mercer's (US based) "020 - Plein Air-Elk Meadow, CO" is a gouache painting depicting a peaceful landscape with a snowy mountain in the background. Artist bio/statement Judd Mer...

Judd Mercer's (US based) "084 - Plein Air-Glenwood Springs, CO" is a gouache painting depicting a snowy mountain landscape with a small frozen lake at the bottom. Artist bio/statem...

Gouache on paper Paper size: 14.25 x 8.75 inches Framed size: 20 x 14.25 inches Signed lower left