Paper Landscape Paintings

This artwork " Golden sunset at the beach" presents an evocative abstract landscape, characterized by sweeping bands of vibrant color that convey a sense of motion and emotion. The t...

Surrealist acrylic painting on cut paper and wood panel featuring classical statue fragments and a resting cat in a saturated pink and crimson landscape. This original work by Gozo C...

A Governor’s Mansion - Countryside Couple - Original Watercolor on Paper 1860s Governor’s Mansion during the Civil Water. A watercolor painting depicting horse carriages and disting...

"Quiet Winter Walk" by Lorenzo Chavez (US based) is a handmade, landscape, pastel painting that depicts an adobe church in a winter landscape. “Quiet Winter Walk” I always stop to explore around this iconic church near Taos New Mexico. It has inspired countless artists, writers, photographers and continues to inspire creatives today. I enjoyed a wintertime painting...

Borneo's pieces are deeply influenced by various creative sources, with a particular focus on the culture of the late '80s and '90s: from high-brow Memphis-inspired design to urban c...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

This rare Original 1920s authentic print is a Taisho Period Woodblock print published from the Japan 1920's The Nippon Mokuhan Gasui, Masterpieces Series.; it is authentically hand ...

Still day by the loch by Natalie Bird is an impressionist style painting of a Scottish landscape. Hills and mountains appear in the background of the loch in different tones of blue....

Watercolour view of boats in a port, looking out to sea, by French Painter Jean-Paul Claveau. The painting is signed and dated bottom left and presented in painted wood frame, with c...

Judd Mercer's (US based) "093 - Plein Air-Boulder Falls, CO" is a gouache painting depicting a rocky landscape covered in snow during sunrise. Artist bio/statement Judd Mercer is a...

Fun and colorful acrylic painting on rag paper of a man poolside in a polka dot speedo with flippers, goggles, and towel by Marc Foster Grant (American, b. 1947), 2011. The swimmer h...

Signed and dated seascape oil on paper laid on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the sea at Honfleur, a commune in the Calvados depa...

Mu I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink on rice paper mounted on paper, dimensions are 38 × 70 cm (15 × 27.6 in). The artw...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm unframed, 38.5 x 48 cm with frame. Oil on paper mounted on canvas, in a contemporary 19th-century frame. - Signed and...

PaperLandscape mixed media and collage on Canvas 2019 Original Artwork Ready to Hang Original Created:2019 Subjects: #Landscape Materials:Canvas Styles:#Abstract #Minimalism #Moder...

Frank Myers Boggs Nogent-le-Roi Signed and titled lower left Graphite and watercolor on paper 13 1/2 x 10 1/4 inches The Impressionist Frank Myers Boggs spent his formative and mat...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

Judd Mercer's (US based) "065 - Plein Air- Lair o the Bear, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

In this artwork, I explored the delicate interplay of light and shadow amidst flourishing blossoms. Using acrylic and ink on paper, I aimed to capture the ephemeral beauty of flowers...

Contemporary Impressionist pastel of a landscape by French/Belgian artist Francis Besson. Signed to the very bottom right. A whirl of colours and designs shape this gorgeously sump...

Ghost 3 is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 65 × 92 cm (25....

Vibrant fauvist landscape of redwood trees titled "Forest Wonder" by John Stenvall (American, 1907- 1998), 1993. Signed lower left corner. Presented in g...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this ...

Fauvist Landscape with Lake and Mountains in Oil on Paper Bright and textured landscape by unknown artist Bry Schmidt (20th Century). This piece sh...

Landscape BW Charcoal on papers ( Canson Paper 300gr) Origial drawing ,one of a kind 50x70 cm 2024 The drawing is shipped flat inside a cardboard clip, it is possible to buy the dra...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Beautiful mid century double-sided watercolor landscape painting of boats docked in the Gloucester harbor by C. Campbell (American, 20th Century). Unframed. Acquired with a collectio...

This piece, titled "Washington Square" is an original artwork by Tom Haugomat, made in part of his traveling artist residency with The Jaunt. Through the program, Haugomat was able t...

Judd Mercer's (US based) "025 - Plein Air-Eldorado Canyon, CO" is a gouache painting depicting mountainside with lush wilderness. Artist bio/statement Judd Mercer is a contemporary ...

Poppies Over Gray is a vibrant triptych by Juanjo Sáez that merges abstraction with lyrical gesture. Layers of spray paint and brushwork create a dreamlike landscape, where bold red ...

Mid Century Abstract Original Painting - Blue Calligraphy on Crimson Water in Oil and Tempera on Paper Wonderful Bay Area abstract composition by San Francisco's artist Honora Berg ...

Landscape with Blooming Trees Paul-Emile Pissarro 1884-1972 French Paper size 9.5x12.5 under glass framed 12x16x1 signed, very good condition. The backi...

Judd Mercer's ( US based) "003 - Plein Air-O'Fallon Park, CO" is a gouache painting depicting a peaceful snowy naturescape. Artist bio/statement Judd Mercer is a contemporary landsc...

Paper Landscape Original Art Ready to Hang Collage on Linen Canvas 80x100 cm unique art Accompanied by certificate of authenticity

Judd Mercer's (US based) "064 - Plein Air- Lair o the Bear, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Judd Mercer's (US based) "081 - Plein Air-Clear Creek Canyon, CO" is a gouache painting depicting calm stream and a car parked on a hill above. Artist bio/statement Judd Mercer is ...

Surrealist acrylic painting on heavyweight Fabriano paper, depicting stylized bear figures dancing under a vivid, gradient sky. This original work by Gozo Collective presents a minim...

Countryside Barn at Dusk - Oil Pastel On Paper Oil pastel drawing depicting a small wooden barn atop a country hillside by Oakland, California artist Grace Anna Pfister (American, 1...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this ...

Landscape BW Mineral Oxide on Paper ( Canson Paper 300gr) 30x40 cm 2024 one of a kind the painting can be shipped with the frame ready to hang, or on a rigid support with passparto...

Venetian painter (early 19th century) - Venice, view of the gardens with the Coffee House towards the Basilica of Santa Maria della Salute. 15 x 23 cm unframed, 22 x 30 cm with fram...

In this vibrant fusion of emotion and color, I've layered acrylics, oil pastels, and colored pencils to craft a garden alive with movement. My brushstrokes echo expressionist fervor,...

Judd Mercer's (US based) "059 - Plein Air-Red Rocks, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

Landscape BW Mineral Oxide on Paper 109 x74 Original Art Ready to Hang A unique and original work of art This painting, made with mineral oxide powder pigments on Canson paper, i...

Wonderful flowers and stone steps, Nantucket, a rare watercolor painting by New York and Nantucket artist Jane Brewster Reid (American, 1862-1966). Presented in a giltwood frame. Sig...

A star motif in white, sapphire, charcoal and emerald are layered with geometric passages in this contemplative paper and acrylic composition by Otto Rogers. Framed dimensions are 39...

Judd Mercer's (US based) "079 - Plein Air-Englewood, CO" is a gouache painting depicting a peaceful neighborhood. Artist bio/statement Judd Mercer is a contemporary landscape paint...

Immerse yourself in the serene magic of a moonlit winter night, where dreams and reality blend seamlessly. Bathed in the soft glow of a luminous full moon, the delicate pink hues of ...

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

Beautiful watercolor of windswept Carmel Cypress by Margaret C. Eifler (American, 1910-1996), circa 1967. Signed lower right corner; gallery label on ve...

A rare mid 19th Century watercolor depicting Native Americans approaching a fort by Peter Peterson Tofft. This painting depicts a Fort built by Major John Owen in what is now Steve...

Yellow Landscape Original Art on Fabriano Rosaspina Paper 50x70 cm 2023 The use of natural materials such as mineral oxide powder connects the work to a dimension of respect for the...

Epreuve de l'Irréel n°2/19 is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions ...

Bugs is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 65 × 92 cm (25.6 ×...

Mid Century Modern Boats and Bridge, Abstracted Maritime Landscape Painting Wonderful mid-century modern abstracted maritime seascape by listed San...

This piece, titled "The Three Brothers" is an original artwork by Tom Haugomat, made in part of his traveling artist residency with The Jaunt. Through the program, Haugomat was able ...