Oil painting signed "Tregear"

Winter Landscape

c. 1970s

Well listed Hungarian artist Berkes Antal (1874 - 1938). Active in Paris, Munich and Budapest. "Spring in Paris" circa 1910s. Dimensions: 26"h x 38"w, oil...

Soviet/Russian painter. “Landscape with haystacks” 1984. Oil on artist’s board. Signed and dated on lower right. 13” H x 19’ W, overall size is 20” H x 26” W. Condition is exc...

Listed Hungarian artist. Active in Paris, Vienna, Budapest, Munich, and Prague. Measures: 24 x 20 inches, oil on panel. 34 x 30 inches with period frame. Signed lower right. 'The Bea...

Hungarian Artist. Studied at the Academy of Fine Arts in Vienna. 1896 and 1906 Eszterhazy Prize, 1921-1929 - founding member of the watercolor and pastel artist...

ROBERT WILLIAM WOOD(1889-1979) Robert William Wood was an American landscape painter. He was born in England, emigrated to the United States and ros...

Soviet/Russian painter. “Landscape with a Remote Village” 1984. Oil on artist’s board. Signed and dated on lower right. 13” H x 19’ W, overall size is 20” H x 26” W. Condition is ...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...