Paul Chelko 1

Paul Chelko "December Sun" Mid Century Abstract Painting

Brian Blood (American, born 1962) County Farmhouse Provence, 2002 Oil on canvas Initial signed lower right Titled, dated, and signed inscribed on stretcher bar verso Canvas: 20in H...

Edward Glafke (American 1925 - 1997) Pebble Beach Coast Late 20th C. Oil on cavas Signed 'Glafke' lower right Canvas: 14in H x 18 in L In a white washed, l...

Edward Glafke (American 1925 - 1997) Before Big Sur Late 20th C. Oil on canvas Signed 'Edward Glafke' lower left Signed and titled on the verso Canvas: 20in H x 24in L In a giltwood ...

Edward Glafke (American 1925- 1997) Bird Rock, 1990 Oil on canvas Signed lower left 'Ed Glafke' Signed, titled and dated on the verso 15in H x 21in L In a giltwood vintage frame: 17...

Abstract Urban landscape. 1970 circa Abstract Geometric Composition with Figures and Architecture Artist: Unattributed Date: Circa 1970 Medium: Oil on cardboard Dimensions: H 65 c...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

This is the beautiful island Santa Rosa, one of the Channel Islands Sanctuary islands just off the California mainland. This vast stretch is adorned with a variety of fiery wildflowers stretching far and wide, like a musical composition of various themes and in different voices. Santa Rosa is home to an incredible array of birds and marine life. It is a narrow but spreading landscape ribboned with trails, each one seemingly in the manner of a flight or chase, repeating the same melody in a slight variation. The cliffs drop hundreds of feet to the crashing swells of ocean below, home to historic shipwrecks peacefully intact. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

Viktor Schreckengost paints an ocean scene and moon with precise attention. The painting is part document and part flat abstraction. The uniqueness in this work is how Schreckengos...