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Paul Denarié (Jean Sorlain)
View of the Cathedral of a Normandy City Oil on Board Signed Sorlain

1900

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    By Pieter Cornelis Dommersen
    Located in Paris, FR
    Oil on canvas depicting a scene of Fishermen by a lake, Dutch landscape. Signed on the lower left corner of Pieter Cornelis Dommersen. Painter of Dutch seas and landscapes, in Lond...
    Category

    Late 19th Century Academic Landscape Paintings

    Materials

    Oil

  • Waterfall landscape signed Eugène Deterre, Bruges circa 1830
    Located in Paris, FR
    Painting, oil on panel depicting an animated landscape with river and waterfall. Signed Deterre Eugene (1810-1842) and located Brugges. Flemish School, circa 1830 Belgian. WithIn ...
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    1830s Academic Landscape Paintings

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    Wood Panel

  • Mediterranean Capriccio, Oil on canvas by Abraham Storck, circa 1680
    By Abraham Jansz Storck
    Located in Paris, FR
    « A Mediterranean capriccio » Oil on canvas by Abraham STORCK With an appraisal by René Millet ( Well Known French Expert in Paris) Within a tortoise-shell Turtle This oil on canvas...
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    17th Century Old Masters Landscape Paintings

    Materials

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  • View Of A City, Animated Landscape by Jean Victor Bertin
    Located in Paris, FR
    "View of a city, animated landscape" attributed to Jean Victor Bertin. Oil on panel VB monogrammed, Circa 1830 Within its original giltwood frame from the same period. Dimensions without frame Height: 56 cm / 22 inches Width: 90 cm / 35.4 inches Dimensions with frame Height: 76cm / 30.7 inches Width: 108 cm / 42.5 inches Depth: 8 cm / 3.14 inches Certificate of authenticity Jean-Victor Bertin (1767-1842) was a French landscape painter of the neoclassical school. Considered as one of the masters of the historical landscape's school, he painted an abundant production influenced by Italy. Therefore, he is one of the most talented representatives of the landscape "adjusted" Italianate character and elegiac. He played the role of intermediate between the historical landscape and the romantic movement. His paintings are found in many museums : Beziers, Fontainebleau, Dijon, Honfleur, Rennes, Versailles, Angers, Autun, Carpentras, Cherbourg, Coutances, Evreux, La Fere, Lille, Quimper, Nantes, Reims, Rouen, Toulouse. Bibliography: Dictionary French landscape painters of the nineteenth century, Lydia Harambourg. Dictionary of the Little Masters...
    Category

    1830s Landscape Paintings

    Materials

    Oil, Wood Panel

  • View of Royat, Puy-de-Dôme, circa 1830
    Located in Paris, FR
    Painting, oil on paper pasted on panel, representing a view of the city of Royat, located in the department of Puy-de-Dôme. Located in the western suburbs of Clermont-Ferrand, the c...
    Category

    1830s Italian School Landscape Paintings

    Materials

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  • The Barn, Oil On Bord, Signed Jean-Charles Cazin, Barbizon School, 1865
    By Jean-Charles Cazin
    Located in Paris, FR
    Oil on panel representing a barn, signed JC Cazin on the lower left corner. Jean Charles Cazin (1840-1901) Born in Samer (his father, from Bologna,...
    Category

    Late 19th Century Barbizon School Landscape Paintings

    Materials

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  • “Sailboats off the Coast”
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  • “View of Switzerland”
    By John William Casilear
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    Beautiful oil on fiberboard painting of a view of Switzerland done by the American artist, John William Casilear. Signed with monogram lower left. Condition is excellent. Circa 1857/1858. The painting is housed in a contemporary frame. Overall framed measurements are 6 5/8 by 8 5/8 inches. lProvenance: Long Island, New York collector. Biography John William Casilear was born in New York City on June 25, 1811. Like his fellow Hudson River School landscapists Asher B. Durand and John F. Kensett, he worked as an engraver before turning to painting. In 1826 Casilear was apprenticed to the engraver Peter Maverick (1780-1831), and at first he primarily executed bank notes. Durand encouraged him to attempt other subjects, however, and during the 1830s he madeengravings after some of the most prominent paintings of the day, including Daniel Huntington's The Sybil (New-York Historical Society). In 1832 he began submitting engravings to the National Academy of Design exhibition and he first showed paintings there in 1836. In 1833 Casilear was elected an Associate of the Academy; he was elevated to full Academician status in 1851. In 1840 Casilear accompanied Durand, Kensett, and another painter, Thomas P. Rossiter (1818-1871), on a trip to Europe. There the artists studied and copied paintings...
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