1880s Landscape Paintings

Wonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...

French impressionist artist, marina with ship. The painting is an oil on panel of 28x38 cm, by an important French impressionist artist. The ma...

Scottish Highland landscape scene with English Setter gun dogs, the day's bag, and Red Grouse, after a day shooting. M. Fawcett was a pseudo name for Robe...

Up for sale is a beautiful antique oil painting on canvas by Scandinavian Artist F. SJOSTEDT The painting depicts a Still life composition. Signed and dated in the lower-left corner...

This superb Victorian Scottish landscape oil painting is by noted landscape artist John MacWhirter. Painted circa 1880 the location is Glen Cloy, Arran, a very popular walking and holidaying destination along with the Fairy Glen. The composition is a stream in the foreground with a man and his dog approaching. Either side of them are rolling hills giving way to cloud enveloped mountains in the background. The palette of greens and brown of the flora and fauna is so rich and varied. An excellent example of Scottish Victorian art and of MacWhirter's work. Signed lower right. Provenance. Sotheby's 26.8.86 lot 694. Condition. Oil on canvas, 38 inches by 24 inches unframed, in good condition. Frame. Housed in a gilt swept frame, 50 inches by 37 inches in good condition. John MacWhirter RA (27 March 1839 in Slateford, Edinburgh - 28 January 1911 in London) was a Scottish landscape painter. John was the third of four children. One of his elder sisters, Agnes MacWhirter was also a noted artist of still lifes. He attended a school in Colinton, and after his father's death was apprenticed to Oliver & Boyd, booksellers in Edinburgh. He stayed there for only a few months and then in 1851 enrolled at the Trustees Academy under Robert Scott Lauder and John Ballantyne (1815–97). He spent long periods sketching and studying nature outdoors. His first painting to be exhibited at the Royal Scottish Academy at age 14, was 'Old Cottage at Braid'. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Exploring and painting abroad he visited Italy, Sicily, Switzerland, Austria, Turkey, Norway and the U.S.A. - the Alps being a great inspiration. Of a drawing of wildflowers, Ruskin wrote i have never seen anything like it. Some of these sketches were later purchased by Ruskin and bequeathed to the Ashmolean, Oxford. He moved to London in 1867 and on 4 May 1893 was elected a Royal Academician. MacWhirter specialised in romantic landscapes with a great fondness for trees, spending much time in the hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented with the detailed images of the Pre-Raphaelites, but later adopted a more sweeping style. His friendship with William McTaggart shows in his freedom of brush. With John Pettie...

LEVIGNE Théodore (1848-1912) Landscape With Washerwoman Oil on canvas signed low right Old Frame regilded with leaves Dimensions canvas : 55 X 73 cm Dimensions frame : 70 X 85 cm LE...

This late 19th-century oil painting by British artist David Bates (1840-1921) depicts a woodland landscape in North Wales. A young girl sits to rest under the sinuous bough of a lea...

Now in a period frame, carved italian and gold leaf ask for images please In frame Little is know about George Frank Higgins, but his work sugge...

This lovely Victorian landscape oil painting on canvas is by noted exhibited British artist John Horace Hooper. Hooper was particularly known for his landscapes and was fond of the s...

Original oil on academy board by the well known American marine artist, Franklin Dullen Briscoe. Signed lower right. (Under gold liner) Circa 1885. C...

This charming Victorian landscape oil painting is by noted prolific exhibited British artist George William Mote. Mote was very fond of painting landscapes in Surrey and this is a pa...

Karl HEFFNER A Woodland River Scene Oil on Board Board Size: 12 x 12" (30 x 30cm) Outside Frame Size: 18 x 18" (46 x 46cm) German School Born 1st January 1849 at Wurzburg and di...

We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated...

This lovely British Victorian landscape oil painting is by attributed to artist Keeley Halswelle. Painted in 1883 it is a large harvest scene with wheat sheaves in a field in the for...

Frants Henningsen (1850-1908) Denmark A Summer's Day on Hornbæk Beach, 1886 pastel on canvas unframed 41 x 33 cm (16.14 x 12.99 inches) framed 56 x 49 cm (22.05 x 19.29 inches) hand made oak frame by Stockholms Bildhuggeri Provenance: A Swedish private collection Comparable sales: Christie's London British and European Art, 15 jul 2021 Lot 130, Frants Henningsen - A Summer's Day on Hornbæk Beach 1884 Price realised 43,750 GBP (605,000 SEK) Essay: We are pleased to present a striking pastel by the Danish artist, Frants Henningsen (1850-1908), titled "A Summer's Day on Hornbæk Beach" dated 1886. The scene is from Hornbæk Beach in Denmark, featuring a beach with some pooled water, a few green grass plants, followed by the sea with sailboats, and land visible on the horizon. The water reflection in the puddle on the beach and in the sea is exceptionally beautiful, reflecting the sky, which has a few clouds. This is a motif that the artist revisited several times during the 1880s, including a larger oil painting executed in 1884, sold at Christie's in 2021, and another one from 1883 in the museum collection: The Hirschsprung Collection, Copenhagen. Our pastel is undoubtedly the brightest of those we could find; it is strikingly beautiful and in exceptionally good condition. The artwork comes in a beautiful handmade oak gold frame by Stockholms Bildhuggeri. About Frants Henningsen: Frants Peter Diderik Henningsen was a Danish painter, illustrator, and professor. His paintings often depict unfortunate occurrences in the lives of middle-class people living in Copenhagen during challenging times. Although connected with Denmark's more traditional realist school, he faced criticism from some of his more reactionary contemporaries, especially Karl Madsen, who objected to his appointment as a professor at the Academy in 1887. Erik Henningsen, also an artist, was his younger brother. Henningsen graduated from Borgerdyd School in Christianshavn, attended C.V. Nielsen's drawing school, and then completed his studies at the Danish Academy in 1875. He studied at Léon Bonnat's school in Paris from 1877 to 1878 and traveled to Spain with Peder Severin Krøyer, Frans Schwartz...

The Shepherd on a Rock is an emblematic youth’s work of the very versatile talented Irish artist WilliamShaw Sparrow 1862-1940. Son of a major ironworks W. S. Sparrow got to know in his boyhood many of his father's colliers, furnacemen, blacksmiths, carpenters and farmworkers, and gained respect and admiration for the men, whom he described as "so big, strong, simple-hearted, and kind". During long school holidays at home in his early teens (1875–1879), he spent time with the professional artist William Joseph J. C. Bond, who was staying with the family. Bond painted in oils; Sparrow learnt techniques from him and insight into pigments and varnishes and problems with their stability.[9] It was after discussions with Bond and with Walter's uncle, the architect George T...

Pieter Cornelis Dommersen, also known as Pieter Cornelis Dommershuijzen (1833 - after 1913) was renowned for his 'capriccio' paintings, where imagination melds with reality, Dommerse...

Period yacht racing is a rare and desirable subject for marine paintings, and a 19th century work from Australia of this prime subject is among the rarest finds we may offer. The artist, Charles F. Gerrard, shows up in 1882 on the Sydney professional trade list as a painter, then as a marine artist and finally as simply 'artist'. He exhibits his first works with the Royal Art Society in Sydney in 1884, consisting of coastal scenes. He is extremely well received by his contemporaries according to newspaper reports. The recognizable features of "The Rocks", along the western shore of Sydney cove near the harbor bridge, stands forth as a superb background for the racing yachts. This historic location is the foundation of the British Australian empire, and today is the oldest preserved colonial district in the country, described as "Sydney's outdoor museum". Fine-lined cutter yachts compete over a sailing course, with two shown in great close detail while five more hold their positions in the regatta, as the rhythmic small swells are evidence the wind favors the leaders running on close reaches with the crossing tide. The crew and yachts are very much in the British formal yachting manner, with full uniforms and the plum-bow hulls. Note that there is one crew attired in red, possibly a naval marine team, and the sail steam ship anchored in the center flies the Australian Colonial...

Rosa Bonheur was the most famous female artist of the 19th Century. We are grateful to Annie-Paule Quinsac for confirming the authenticity of this painting. The work is best viewed with top gallery light to bring out colors ____________________________________________ Rosa Bonheur: Three Bucks in the Fontainebleau Forest, erroneously Stags or Monarchs in the forest Oil on canvas, 29 x 24 inches [74 x 61cm], signed and dated lower left, Rosa Bonheur 1886 The discovery of this painting, a reinterpretation of Bonheur’s most iconic work Le roi de la Foret, [Monarch in the forest]is a significant event in the artist’s scholarship. In forty years of study, I was not aware of its existence and did not find any reproduction of it throughout my extensive reading. Bought by the present owner at the Stamford Winter Auction in 2008, it had been the property of a certain Captain [ name illegible] until January 29, 1920, or from that date {?}. The label on the back of the canvas reads: “Collection of Captain J.H.Gaucis Jan.29,1920”. [the handwriting on the label is extremely unusual; my deciphering of it induces me to propose this last name, Latvian in origin] […] This work could not have been offered among the 95 paintings that compose the catalog section titled “Stags, Hinds, Roebucks,” [ NN.320-415] in the catalog of the Rosa Bonheur Posthumous Sale organized by the Galerie Georges Petit in Paris, which included over two thousand pieces kept in the studio and not sold during her life time : it does not correspond to any of the description or measurements given in these catalog entries. The number 5527inscribed in red on the back of the canvas could refer to the painting having be handled by the Knoedler Galerie, Paris and New York, which after Bonheur’s death, that of Ernest Gambart (1814-1902and George Petit, (1856-1920) was instrumental in the continued diffusion of her work in the US, maintaining her prices that had crashed elsewhere in Europe. Despite difficulties in tracing the provenance history, the attribution to Rosa Bonheur, cannot be denied. Stylistic and iconographic characters are typical of her expressive means in the late 80’s. Also, it cannot be questioned that the calligraphy of signature and date is hers. The work depicts three male deers- or bucks- of different age, in a trail, deep in the forest at twilight, just after sunset toward the end of Fall. The two big ones, have stopped in their track, facing the beholder frontally; the small one, in profile, seems ready to move in another direction. The umbrella term deer, or the more specific one buck {male deer} could both be used as title to this painting, rather than stag, which implies an old majestic senior male deer, considered the King of the forest also called Monarch. In the Cervidae family, the number of points of a deer’s antler is one of the indicators of age, along with body mass and overall size. In our painting, the most prominent stag is massive and has a twelve points antler – qualifying as Monarch. The one immediately behind him exhibits an eight points antler and appears strong and imposing as well does not possess but not his companion’s poise. It is a mature stag. The last one, slender, shoulders not quite muscular yet, with barely six points to his antler, could not be more than two years old. The intensity of expression of the two older stags and their presence in the landscape which is rendered as their stage, are characteristic of Bonheur’s rapport to animals and nature. The painting’s varnish has deteriorated and forms a film that will need to be removed through a cautious cleaning. It is particularly important that the transparent haze that evokes the humidity of the forest at that crucial moment of the light be preserved. It contributes to the painting vibrance. Since 1860, when Rosa Bonheur moved to the Chateau of By, which she had bought with her companion Nathalie Micas, the Fontainebleau Forest which was at a stone through of her property, became ground of studies and the Cervidae a common subject. By then, she would already sketch en plein air, and months or years later, create paintings from start to finish in the studio using the visual material collected while walking through nature or observing animal in their milieu. Her first image of the Great Monarch in the forest, represented frontally and in a similar forest background is the 1868 painting Le cerf de Saint Hubert [Hubertus’ Stag], an illustration of the legend of Saint Hubertus in which she included a cross between the stag’s antlers. As the story as it, Hubertus was a passionate hunter and would often forget his religious duties to go hunting. On a certain Sunday in the depth of a forest, where he had ventured alone, he began to pursue a stag The animal faced him and while a cross appeared between his antlers, the voice of God was heard, directing him to repent ad respect all animals. Rosa Bonheur was herself a hunter but also a spiritualist, influenced by the Saint Simonian creeds and by spiritism. She believed that certain animals had a soul. I personally think that magnificent monarchs and the St Hubertus...

Work on paper mounted on cardboard

Signed and dated "Henry Bacon 1881" lower right. Provenance: private collection About this artist: A figure painter in the conservative tradition of the late 19th century French, H...

Henri LANGEROCK Ghent, 1830 – Marseille, 1915 Oil on canvas 46 x 37 cm (57 x 50 cm with the frame) Signed lower right “Langerock” Old stamp at the verso with an inscription Beautiful...

Among the treasured classic arts we offer for sale is this stunning painting by the artist Anton Genberg. Born in 1862 to Pehr Jonsson and Anna Genberg, he left an indelible mark on the art world through his magnificent creations. Genberg's life was colored with a passion for exploration, study, and artistic expression. His artistic journey began with studies at the Tekniska skolan in Stockholm from 1882 to 1884, during which he also honed his skills at Oscar Törnås' private painting school. He furthered his education under the tutelage of Per Daniel Holm at the prestigious Konstakademien from 1884 to 1889. During these years, Genberg's exceptional talent was recognized with numerous scholarships and medals. Our painting, dated 1889, transports us to a captivating scene just some minutes after sunset. The canvas is imbued with a beautiful golden glow as the sun's last rays kiss the sky. Amidst a serene lake, the heavenly light reflects, painting the water's surface with mesmerizing shades of purple. In the distance, the landscape is dominated by a mountainous forest, while in the foreground, a stretch of land adorned with bushes creates a sense of depth. The impressionist style comes alive through Genberg's swift brushstrokes, reminiscent of the masterful techniques employed by Rembrandt, with branches delicately etched using the opposite end of the brush. Genberg's fame as a landscape artist was solidified through his enchanting depictions of snow-laden landscapes from Norrland, particularly the majestic "fjällen" (mountains). His art also captured the allure of Stockholm, Dalarna, and his birthplace in Jämtland. Notably, his masterpiece "Vinterafton" earned him a place of honor at the esteemed Nationalmuseum. Beyond his creative pursuits, Anton Genberg was actively involved in the art community. He served as the vice-chairman of the Svenska konstnärernas förening from 1913 to 1918 and held a position on the board of Sveriges allmänna konstförening from 1906 to 1939. His exceptional contributions were recognized when he was elected as a member of the Konstakademien in 1922. Throughout his life, Genberg resided in various places, leaving behind a trail of artistic inspiration. From 1916 to 1924, he lived in the enchanting Villa Wallbeck-Hansen, a masterpiece of national romanticism...

A fresh and atmospheric painting depicting the vast River Seine seen from the cliffs near its estuary in coastal Normandy. It is incredibly modern for its time: if the definition of ...

Alfred Godchaux (1835-1895) An accomplished painter, he was interested in depicting multiple Venetian scenes. He was influenced by the Impressionists a...

This mid-19th-century oil painting by British artist William Henry Pigott (1835-1901) depicts a Scottish loch with highland cattle. A lake, enlivened with ripples of reflected light...

The Highland Cottage Irish School, 19th century signed and dated 1888 oil painting on canvas, unframed canvas: 30 x 50.5inches provenance: private collec...

A beautiful 19th century French impressionist oil on canvas depicting a tranquil river landscape with lone traveller by Alexandre Charles Joseph Gittard. Excellent quality and atmosp...

A large oil on Canvas painting by the California artist William Weaver Armstrong (1862-1906), Mount Hood Oregon landscape, circa 1885. This large lan...

Charles Henry Miller (American, 1842-1922) Untitled (Farm at Dusk), 1886 Oil on canvas 16 x 27 in. Signed and dated lower right: Chas. H. Miller, N.A., 1886 Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

'Alone at the Ferry' is signed by British artist A.F. Patten (Alfred Fowler Patten 1826- 1889 or after). This is a fine oil on canvas painting of a young Victorian woman waiting for ...

A Continental Town Scene Felice Auguste Rezia (1857-1906) signed oil on canvas, framed dated 85' framed: 17 x 23 inches canvas: 12 x 18 inches provenance: private collection, England...

David Bates 19th century English River landscape, with fisherman by the river side. David Bates was born in Cambridgeshire. He spent most of his early life in Worcestershire, where he became apprenticed at the Royal Worcester Porcelain Works. A painter in both oils and watercolours, Bates visited North Africa, before returning to paint landscapes mostly of Wales and Scotland. He shows the influence of Benjamin Williams Leader (1831-1923), Joseph Thors and S.H. Baker. David Bates also made small oil sketches of hedges and plants, which were usually inscribed on the reverse. The artist’s works display considerable technical virtuosity, ranging from the serene landscape, to the uneven swagger of his later works, which were noticeably less colourful. Although Bates was more than capable of producing refined landscapes, he was equably as capable of painting detailed...

Charles Henry Miller (American, 1842-1922) Untitled (Watermill), c, 1885 Oil on canvas 10 x 14 in. Framed: 16 x 20 x 2 in. Signed lower left: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Gustave BOURGAIN Paris, 1856 - Paris, 1921 Oil on paper 33 x 24 cm (44 x 35cm with frame) Signed above right "G. Bourgain" Excellent condition Gustave studied with Jean-Léon Gérôme ...

Large and historically significant post-impressionist painting by Albert André. Exhibition: Exposition Post et Néo-Impressionniste, Durand-Ruel Gallery, Paris, 10–31 March 1899, n...

Alfred de Breanski, Sr. (British) is one of the most renowned 19th century landscape artists, known for his plein art style, both realistic and idyllic. Breanski set up his easel across the Scottish Highlands, Wales and rural England as in this gem, titled 'A Suffolk Landscape...

Wonderful late 19th Century Brittany scene of fishermen and fishwives on the dock collecting fish and folding nets by French artist S. Louis de Breze (French, 19th Century), circa 18...

Oil on mahogany panel with perfectly good signature that I cannot quite decipher. It is Belgian and has a flag that references the country of origin. I just bought this work and ...

Charles Henry Miller (American, 1842-1922) Untitled (Cows and Trees), c, 1885 Oil on canvas 18 x 24 in. Signed lower left: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

19 century Spanish artist consider the best painting marines in the south of Spain.

Alfred Wahlberg (1834-1906) Oil on canvas, in a modern gilt stepped frame Signed Alfr.Wahlberg 33cm x 44cm unframed Minor cracking and losses to pa...

Charles Henry Miller (American, 1842-1922) Untitled (After Troyon), c, 1885 Oil on canvas 9 x 12 in. Framed: 14 x 17 x 3 1/2 in. Signed lower left, inscribed verso Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Rare, beautifully detailed oil painting on board of “Harrow o the Hill”, on a bright summer’s day. Though not signed on the front, it is signed twice verso “E.E. Bradley” and titled ...

Paul Désiré Trouillebert (1829-1900) Landscape from Barbizon with characters Oil on canvas signed low right Old original sculpted wood frame gilded with leaves Size canvas : 33 X 41 cm Size frame : 43 X 51 cm Paul Désiré Trouillebert (1829-1900) Paul Désiré Trouillebert (1829 in Paris, France – 28 June 1900 in Paris, France) was a famous French Barbizon School painter in the mid-nineteenth and the early twentieth centuries. Trouillebert is considered a portraitist, a genre and landscape painter from the French Barbizon School. He was a student of Ernest Hébert...

Carl Schirm was a German painter of landscapes. Between 1880-1881 he made, together with Eugen Bracht, a long journey to Egypt, Palestine and Syria, at the end of which emerged lands...

Wonderful and very unique English Victorian Village scene, with figures, and lots more . John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham...

Work on wood Golden wooden frame 25 x 31 x 3,5 cm

Luminous Hudson River School landscape of sunset over water with red buoy in foreground and sailing ships in background in the style of Alfred Thompson Briche...

The strength of a great ship portrait lies with its overall striking composition blended with an attention to detail. Charles Sidney Raleigh was extremely skilled with both elements, and this is one of his finest works. An American full-rigged ship of large proportions, LUCY G. DOW is one of many ships owned by Maine interests, where the ship would be locally built and consortium owned. More Maine captains owned part of their ships than any other East Coast region, it appears through an informal survey of lists. Note the fine details of the captain and crew hard at work onboard off the coast. The numerous buildings are clustered on the peninsular stretch with a pier coming out near the lighthouse’s walkway. At the distance, ship masts...

COUSIN Charles (1807-1887) Venice With Characters Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 65 X 54 cm Dim frame : 91 X 80 cm COUSIN Charles (1807-1887) French painter 19th century Portraits, Landscapes, Waterscapes He was a frequent of the Leon Bonnat...

Edouard Jacques Dufeu, born in Marseille on March 27, 1836, and died in Grasse on December 1, 1900, is a French painter and engraver.Hailing from a family originally from Egypt, Dufe...

William Rickarby Miller Rapelyea House, New York, 1884 Signed and dated lower left Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York Born in Staindrop, County Du...

Original oil on canvas painting by the well known British artist, David Bates. Signed lower right and dated 1886. The canvas has been relined. Condition is very good. The painting is housed in a period ornate gold frame. Overall framed measurements are 19 by 22.75 inches. About: David Bates British, (1840-1921) David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

Charles Henry Miller Flushing Landscape with Cows, circa 1880 Signed lower left Oil on canvas 13 x 19 inches Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

PICOU Henri Pierre (1824-1895) Nymphs Dancing Oil on canvas signed and dated 1881 low left Old frame regilded with leaves Dim canvas : 62 X 82 cm Dim frame : 80 X 100 cm PICOU Henri Pierre (1824-1895) French Painter 19th century Born on February 27th, 1824 in Nantes - Died on July 17th, 1895 in Nantes Painter of History, allegorical subjects, genre paintings, Symbolist. Pupil of Paul Delaroche...

Antique 19th century English fishing vessels In the English Channel William Henry Williamson was a gifted, London painter of coastal scenes, ...

Watercolor on paper, signed lower right Agustus Knoller and dated 1884. Inscribed on the reverse in pencil "This trotting came off Aug 15th 1884 at Belmont Park near Manayunk." This ...