1950s Landscape Paintings

Another female artist in need of rediscovery. Strautin was good friends with Lee Krasner and Jackson Pollock and lived near them in Greenwich Village.

A pastoral mid-century landscape with a red farmhouse on the banks of a beautiful river valley by J. Anderson (American, 20th Century). Presented in a rustic wooden frame. Signed ind...

Belgium. Gent Morning Market by Leonard Machin Rowe (1880-1968) signed front lower right, inscribed to the back watercolour painting on artist's paper, unframed Image 9.75 x 13.75 inches, sheet 11 x 15 inches Charming painting by Leon. Rowe, dated on the back as June 1950. Inscribed to the back as a morning sketch in a market in Gent. It depicts a bustling market place, accessed though a stone archway. You can almost hear the clamour of people in this scene, it was clearly a very nice morning. Belgium and Luxembourg were two of Rowe's favourite destinations for his painting trips overseas. Often incorporating figures into his work, his style is very similar to Thomas Morley's paintings of French and Belgian market town scenes. Signed front lower right. To the back are his signature again, date and the inscription. This work forms part of a watercolour collection we currently hold by Rowe. Known as Leon Rowe, the artist was born in central England...

Artist: Julius M. Delbos (Attributed to) – American (1879-1970) Title: Untitled Year: unknown circa 1950 Medium: Watercolor Sight size: 17 x 13.75 inches. Framed size: 28.75 x 24.25 inches Signature: Signed lower right Condition: Very good Frame: Frame in good condition This painting attributed to noted artist Julian Maximillian Delbos (1879-1970) depicts a garden scene with Mediterranean style buildings in the background. It is in very good condition. The colors are vibrant. The simple flat gray-black frame is in good condition with a few scratches and a very small separation in the upper right corner. About the Artist: Julius M. Delbos, born in 1879 in London, England, was a landscape painter, teacher, and lecturer. He was elected an Associate of the National Academy of Design, New York City, in 1945, an Academician in 1948. He was also a member of the American Watercolor Society; the New York Watercolor Club; the Society of Graphic Art; Old Dudley Art Society, London; American Artists Professional League; National Arts Club; and the Century Club...

Woman in Hat in Honduras by Jose Antonio Velasquez, Honduran (1906–1983) Date: 1957 Oil on Masonite, signed and dated l.l. Size: 20.5 x 27 in. (...

"House, and Flowers, and Moonlight," an original oil on canvas by Ralph Rosenborg, is a piece for the true collector. In 1988, Louise Nevelson wrote: "Ralph Rosenborg was the first recognized pioneer whose experimental art announced the coming of Abstract Expressionism in the United States during the mid-1930s. Rosenborg was the first to introduce and instruct Jackson Pollock on Abstract Expressionism while at the Non-Objective Painting Museum in the early 1940s, which became the Guggenheim Museum. Ralph Rosenborg is The American Artist. Rosenborg produced daring artworks and explored the possibilities of movements that are expressive of ideas, sensations and passions intended to provoke pure emotions." Both the technical talent of Rosenborg and his choice of subject matter pair perfectly with custom wood frame. This masterful work is perfect for those who have an affinity for abstracts, abstract expressionism, landscapes, and color-rich works. This Rosenborg painting has an important history, with the rare provenance of moving through both Sothebys and Christies auction houses, as well as two notable dealers including Nat Halper and H. Marc Moyens. Full provenance details are outlined below. Artist: RALPH ROSENBORG (1913-1992) Title: HOUSE, AND FLOWERS, AND MOONLIGHT Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT AND ON VERSO Year Created: 1957 Country of Creation: UNITED STATES Canvas Dimensions: 22.25 x 28.25 INCHES Frame Dimensions:* 33.25 x 39.25 x 1.875 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY RALPH ROSENBORG IN GREAT CONDITION AND FEATURING ITS BEAUTIFUL CUSTOM WOOD FRAME. ORIGINAL ARTIST LABEL IS AFFIXED TO VERSO, AS WELL AS SOTHEBY'S AND CHRISTIE'S LABELS. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED Provenance: CHRISTIE’S, NEW YORK, JAN 12, 2010 COLLECTION OF H. MARC MOYENS SOTHEBY’S, NEW YORK, APRIL 1, 1998 COLLECTION OF NATHAN (1907-1983) & HELEN HALPER (1908-1996), MA HCE GALLERY, PROVINCETOWN, MA (OWNED BY NATHAN HALPER) About the Artist: Ralph Rosenborg, an American painter, was known for his abstract paintings that inclined not toward geometric form, but rather the interpretation of nature. Rosenborg was born in New York in 1913, his talent for the fine art appearing early. While still in high school, he won a scholarship to classes at the American Museum of Natural History, meeting Henriette Reiss, who he continued to study under privately well after the classes ended. Reiss had worked with Wassily Kandinsky earlier in her career, and as such introduced Rosenborg to the vast arena of vanguard European ideas, as well as provided him a broad-based instruction in music, literature, and art history. After four years, Rosenborg was ready to exhibit. He did so initially in group exhibitions at ACA Galleries, and later in Mayor La Guardia’s 1934 Mile of Art at Radio City. He quickly gained notoriety, and began to show frequently throughout the 1930s, leading up to his first solo exhibition at the Eighth Street Theater...

Mid Century landscape of a Yosemite's beautiful Tuolomne Meadows stream by Elsie Leona Staben (Trowbridge) (American, 1898-1963).Presented in a wood frame. Signed "Elsie L. Staben" a...

Charles Blondin French, 1913-1991 Aux Cafe Oil on canvas Signed lower right 11 by 14 in. W/frame 16 by 19 in. A "School of Paris" artist during the mid-20th century, Charles Blond...

Outskirts of town. 1959, oil on cardboard, 44x54 cm Realistic sunny landscape Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was a...

Artist's Address - Mid 20th Century Impressionist Oil by Dorothy King - London Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She took up painting professionally after the war and in 1947 was elected to the RBA. In 1959 she was a temporary keeper of its galleries in Suffolk Street and then, from 1961-1974, was a keeper of the South London Art Gallery. Dorothy King’s paintings were exhibited at the Royal Academy, the New English Arts Club and elsewhere in the U.K. and her work is represented in the Metropolitan Museum of Modern Art in New York. A memorial show was held at the Mall Galleries in 1992 after her death in 1990. This piece of the artists house in London was created using oil on canvas and is in a wooden frame. Keywords: Impressionist, impressionism, artist window, address, London, Russell Square...

Tree silhouette. Oil on cardboard, 43x53,5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at ...

Beautiful landscape of a village in Tuscany, with visual texture from use of color and impasto, by B. Ignacio, c.1950. Signed "B. Ignacio" lower right. Presented in a wood frame. Ima...

"Green Landscape" is a landscape painting by Philadelphia born Expressionist painter Bernard Harmon from 1955. The 18" x 24" oil on canvas features a spring or summer landscape, pain...

3950 Mykonos Greece sea view landscape oil painting. Canvas applied to board set in a blue wood frame

Lakeside. 1959, oil on cardboard, 36x49,5 cm Summer landscape by the lake Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints ...

Ernest Fiene depicts Fifth Avenue looking down from 57th Street with an unobstructed view of the Empire State Building. The absence of newer glass and steel architecture gives the painting the charm of old New York. The artist captures a dark, moody blue sky as light bounces back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The people have somewhat of a zombie quality akin to George Tooker. Best viewed with a top and direct gallery light...

The Board measures 13.5 x 12.5 Ernest Hamlin Baker is one of America's greatest artist that no one has ever heard of. Take a look at his full body of work. If you haven't noticed, Er...

A nice impressionist oil on masonite city scene with a young crowd in Rome, Italy, probably the Fontana del Prigione, illegibly signed lower right, title inscribed on verso “Trastev...

Antique American modernist seascape painting. Gouache and watercolor on board, circa 1951. Signed. Housed in a period modern frame. Image size, 37.5 x 29.5.

The sacrificial ceremony, Freemans The Collection of Philip Desind Signed Three times Riggs l.r. A powerful account of moments a tribe member is cut open and the heart is handed over to a young brave, There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. That's easy. To execute a portrait with a great depth of anatomy and structure takes years of academic training. In Riggs's time there were teachers who knew how to pass on this knowledge. He studied at the Art Students League and the Académie Julian . Today, they are very few and far between. - Robert Riggs was a Gay Artist...

An abstract Mid Century Marina scene with Boats, presenting a vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1955 with sailboat...

Signed lower left, dimensions listed include the frame. Joseph Wolins was born in Atlantic City, New Jersey in 1915. He studied at the National Academy of Design from 1935 to 1941 un...

Charming oil painting of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by Cecil ...

Sea. Oil on canvas, 61x70 cm Dontsov German (1916. Saratow, Russia – 2001. Riga, Latvia) His professional carrier began at Art School of Astrakhan (1934 – 1939) and cont...

Work on canvas

beautiful painting by the french painter Malaussena representing a landscape in autumn. Signed and dated 1951. Exposed in Italy according to a label on the back. It comes framed.

Colorful mid century desert landscape with beautiful cacti by Vina McPheeters (American, 1892-1964). Signed "Vina McPheeters" in the lower right corner. Presented in an antiqued bronze-colored frame. Image size: 20"H x 24"W. Vina Pearl McPheeters (American, 1892-1964) was born in Iowa on October 7, 1892. Vina was the wife of Robert Guy McPheeters. By 1930 she had settled in southern California into a home in Montebello (Los Angeles County). Exhibited in her home town of Van Nuys California, studied with Hanson Puthuff, Jack Wilkinson Smith and Bennett Bradbury...

Oil on canvas. Signed Verso. Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum Scho...

Initialed lower left, 'OK' for Ole Kielberg (Danish, 1911-1985); additionally signed, verso, 'Ole Kielberg', titled and dated 1956. A painterly, Post-Impressionist oil landscape showing a lyrical view of a sunflower field with haystacks beyond, all beneath a bright summer sky filled with light-suffused cumulus clouds. Ole Kielberg first attended Copenhagen's Royal Danish Art Academy where he first studied with the classically-trained landscape painter, Aksel Jørgensen...

Work in the village. Oil on cardboard, 20x32 cm

Norman Wilkinson 1878 - 1971 The Foreshore - Dover Oil on canvas, signed lower left and dated 1959 on verso Image size: 24½ x 38¾ inches Art Deco frame Proven...

Wonderful modernist landscape painting. Francis Kelly was born in 1927 in St. Paul, Minnesota. He received his early education in Chicago and California. He served in the United States Navy from 1944 to 1948 when he entered the Art Center School, Los Angeles. During 1951 in 1952 he lived in Paris, attending the Academie de la Grande, Chaumiere. In 1953 he went to the University of Hawaii, Honolulu, and then to the University of California at Los Angeles, where he was graphic laboratory assistant to John Paul Jones. Awarded a Fulbright Grant in 1955 he came to the Graphic Department of the Central School, London. The St. George's Gallery first introduced his etchings in Britain. In 1958 Kelly was awarded the Stacy Grant for painting. His work has been shown at Royal Academy Exhibitions and he has traveled extensively. In 1966 he was appointed Art organizer for the U.S. Embassy "Festival of Arts in Humanities". His paintings were shown in the exhibition "Five American Artists in Britain". During 1976 he acted in a similar capacity on behalf of Windsor & Newton Ltd., who sponsored an exhibition of American artists commemorating the U.S. Bicentennial. He appeared in the film Science in Art. Kelly has studied painting conservation at the Courtald Institute. In 1967 he was sent to the Italian Art and Archives Rescue Fund to Florence to restore flood damaged paintings. In 1971 his book, Art Restoration, was published by David and Charles and in the U.S. by McGraw-Hill. His second book, The Studio and The Artist was published in 1975. Kelly's work has been shown at 24 museums in Great Britain and numerous galleries. Acquisitions have been made by many public and private collections, universities and educational services. During more than 40 years in Britain he has found a growing affinity with the countryside, observing less the well-known landmarks but rather more the timeless rural lanes and by-ways as yet still unspoiled by building and industry. A member of the group in Brighton preserving Brighton's West Pier, he has produced a series of works recording the ravages of time on this finest of Victorian structures.

View of Via Margutta is an original contemporary artwork realized by Nicotra da Cosenza in 1954. Original oil on canvas. Hand-signed and dated by the artist on the lower right corner. Decorated frame is included. Mint conditions. Beautiful intense view depicting the buildings and the roofs in Via Margutta. Interesting light effect and dense and pasty color characterize this painting. This work has been realized by Nicotra Alberto. Nicotra Alberto (best-known as Nicotra da Cosenza) (Cosenza, 1899 - Rome,?) was an Italian painter. He studied in Naples and attended the studies of Michele Cascella...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Boulevard de la Madeleine. Oil on canvas, 33,3x46 cm Street in Paris at evening

At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...

Signed lower right 'A. P. Henneberger' for August Philip Henneberger (German, 1902-1980) and dated 1951. Framed in a period, gilt-gesso and carved wood, Louis XVI style frame. A pan...

Born in London, Peter studied at Hammersmith School of Art 1935-1938 & 1947-1950 and at the London Institute of Education 1951 & 1971. He was awarded the Art ...

Gorgeous figurative landscape of a Carmel roadside grocer by Edda Maxwell Heath (American, 1874 - 1972). Signed and dated lower left corner. Presented in giltwood frame. Image, 20"H ...

ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...

Vintage Southwestern Landscape Oil Painting with Mountains/Mesas, Saguaro Cactus and Trees in fall foliage and Brush in Autumn Colo...

Irish mid-century landscape of Errigal, Co. Donegal. Well painted scene of the Irish landscape with water and mountains. The artist was active during the 1950s-1960s and these soug...

Charles Blondin French, 1913-1991 Marche des Fleurs Devant La Madeline Oil on canvas Signed lower right 11 by 14 in. W/frame 16 by 19 in. A "School of Paris" artist during the mid...

Three fishermen working on a sunny day at the dock in Monterey, California; a rich mid century figurative landscape by an unknown artist (American, 20th Century). Unsigned. Presented...

This work was painted in 1958 ( per the label from Illustration House. It was published in 1959. This is very common in the publishing world where a world of art is commissioned t...

A wonderful pointillist oil on canvas by French post-impressionist painter Jacques Martin-Ferrieres. The piece depicts people visiting a bustling fair - Salon des arts ménagers (Hous...

An original oil on canvas by listed New York female artist Enid Smiley.

Ship repair. 1956, oil on canvas, cardboard, 43,5x61,5 cm landscape with boats Dontsov German (1916. Saratow, Russia – 2001. Riga, Latvia) His professional carrier began...

Artist: Charles Cobelle, French (1902 - 1994) Title: View of Paris 19 Year: circa 1958 Medium: Acrylic on Canvas, signed Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 27.5 x ...

Jean Salabet French, 20th Century Vue du Sacre Coeur, Paris Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of ...

Huile sur toile. Signé en bas à gauche. Dimensions avec le cadre: 42x51 cm. Luis Alberto Solari (n. Fray Bentos , le 17 Octobre, 1918-1913 Octobre, 1993) était un peintre et graveur de l' Uruguay . Il s'installe à Montevideo en 1934 pour étudier au Circulo de Bellas Artes avec le professeur William Laborde entre 1934 et 1937. Il poursuit son intérêt particulier pour la gravure en 1952 lors d'un cours de trois mois à l'Ecole Supérieure des Beaux Arts de Paris avec Professeur Eduard GOERGEN . De 1967 à 1969, il suit des cours de perfectionnement au Pratt Graphic Center et au New York Graphic Workshop auprès du Brésilien Roberto De Lamonica...

Luxembourg. "Old Streets" by Leonard Machin Rowe (1880-1968) signed front lower right, inscribed to the back watercolour painting on artist's paper, unframed Image 14 x 9.75 inches, sheet 15 x 10.75 inches Charming painting by Leon. Rowe, likely to be c.1950 in date as we have several on identical artists paper from Luxembourg by this artist dated around that year. It is signed front lower right and inscribed "Luxembourg". It depicts a busy little street with figures, a dog accompanying its owner who gazes into a shop doorway, and a horse drawn cart. Belgium and Luxembourg were two of Rowe's favourite destinations for his painting trips overseas. Often incorporating figures into his work, his style is very similar to Thomas Morley's paintings of French and Belgian market town scenes. Signed front lower right. To the back is his signature once again and an inscription "Old Streets". This work forms part of a watercolour collection we currently hold by Rowe. Known as Leon Rowe, the artist was born in central England...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Blueprints into Reality - Full-page ad for United Engineers that ran in Fortune Magazine, March 1958, and other business magazines. As Fred Taraba stated, this image is symbolic of optimism and potential. Work includes the original issue of Fortune Magazine with the ad in which United Engineers mentions Stanley Meltzoff. "Here Stanley Meltzoff dramatizes with tools and massive concrete forms...

skiers by Kolkhoz at winter A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht aroun...

Artist: Edward Lynam Grant – American (1907-1998) Title: Untitled Year: 1957 Medium: Watercolor on artist’s board Sight size: 20.5 x 27.5 inches. Framed size: 30.5 x 37.5 inches Signature: Signed, dated lower right Condition: Good Frame: Framed in original frame. Frame in fair to good condition. Mat in fair to poor condition. This painting is a watercolor on Whatman artist board. It is a landscape of countryside on the Delmarva Peninsula, a subject that was a favorite of Edward Lynam Grant. The painting is in very good condition. The mat is toned and needs to be replaced. The driftwood/wormwood frame is in fair to good condition with some scratches. It is signed and dated (1957) in the lower right. Edward Grant...

Belgium. East Flanders - Ghent by Leonard Machin Rowe (1880-1968) signed in both front lower corners, inscribed and dated to the back watercolour painting on artist's paper, unframe...

Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...