1950s Landscape Paintings

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 14L x 18H.

This vibrant colourful Scottish Post Impressionist oil painting is by noted Slade School artist and former Director of the Glasgow School of Art Sir Harry Jefferson Barnes. Painted i...

Work on cardboard Golden wooden frame 49.5 x 57 x 4 cm

Antique American modernist surreal landscape oil painting. Oil on canvas. Framed. Signed.

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

A beautiful oil on canvas impressionistic painting featuring a young lady dressed in white and holding a white umbrella while watching the sea and seagulls. The sky shows rainbow col...

This lovely British Post Impressionist 1950's landscape oil painting is from a collection of Peter L Field paintings acquired from the family. The composition is a view through trees...

THE WORKING FARM Size: 48 x 56.5 cm (including frame) Oil on Board A brilliantly executed mid century modernist landscape composition of a farm, painted in oil onto board. Executed...

Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She to...

Signed Nathanson. Could be the famous artist Avraham Naton (Natanson) I am not certain. it is a very lovely Modernist Israeli landscape. Avraham Naton (Natanson), Israeli, born in Bessarabia, 1906-1959. Avraham Naton was born in Rani, Bessarabia to a large secular family. In 1935, after Art studies in Romania, he immigrated to the Land of Israel and settled, first, in Givat Haim and later in Ramat Gan. From the 1940s he worked as an Art teacher in Ramat Gan and Givataim. In 1948 he worked as an illustrator at BaMahane Newspaper. He was one of the Founders of New Horizon Group. Between 1952-1959 he was a member of the Milo Club and served as the club secretary. Education 1930-33 Art Academy, Bucharest, Romania Teaching 1940's Ramat Gan and Givataim Awards And Prizes Jerusalem Prize for Painting and Sculpture 1942 Dizengoff Prize 1953 Milo Club Prize New Horizons, The Ofakim Hadashim art movement began with a group of artists who mounted an exhibition in Tel Aviv's Habima national theater in December 1942, under the name "The Group of Eight". The group evolved into a coherent artistic movement only after the founding of the state of Israel in 1948. Members of the school included Arie Aroch, Zvi Meirovitch, Avraham Naton (Natanson), Avigdor Stematsky and Yehezkel Streichman. The work of sculptor Dov Feigin also appeared in the catalog of the 1942 exhibition, though it was not displayed. In February 1947 five of the original members of the group joined Joseph Zaritsky...

Duncan Gleason lived in New York and other places for work or studies but it was really Southern California where he felt most at home, and looking at his body of work, that love of ...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Antique American modernist nocturnal starlit harbor painting. Watercolor on paper. Signed. Framed.

Oil on canvas modernist city scape painted circa 1950 by Paul K Smith (1893-1977) titled Central City, Colorado. Portrays a city scene of historic buildin...

Vintgae signed tropical nude landscape oil painting. Oil on canvas. Signed. Framed. Image size, 20L x 29H.

3925 Oil on artist board landscape painting Image size 15.5x19.5" Set in a period oak frame

COASTAL SUNSET Size: 55 x 77 cm (including frame) Oil on canvas A restful and soothing large mid-century coastal landscape painting, executed in oil onto canvas. This scenic compos...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 31H.

#5-3305a French Fauvist Style Landscape,acrylic on board signed by Thiollier set in a light-blue wood frame.Image size 10.5 H x 13.50 w

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.

MOONLIGHT Size: 51 x 59 cm (including frame) Oil on canvas An atmospheric modernist style composition executed in oil onto canvas by the well-established Swedish artist Fabian Lundqvist...

'Provençal Panorama', oil on board, by Anna Costa (circa 1950s). This is a unique landscape painted by the artist in vibrant colours in an Impressionist style. A traditional home sit...

4095 Covered bridge landscape oil on canvas set on board Image size 20x24" Set in a custom wood frame

GOLDEN MEADOWS Size: 58 x 70 cm (including frame) Oil on board An large and alluring textured modernist coastal landscape composition, executed in oil onto board and dated 1950. Th...

This stunning Scottish Abstract Expressionist oil painting is by noted Scottish artist William Gear. Painted in 1950 it is an early and significant painting which dates to the early ...

Roman Castles. Stopover near Marino is an artwork realized by Mario Monti in 1979. Acrylic on Board. 69 x 69 cm; 91.5 x 91.5 with frame. Handsigned in the lower right part. Very good conditions! Mario Monti was born in 1917 and was primarily inspired creatively by the 1930s. The period of the 1930s is characterized by the conflict between many political ideologies, including Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism. Surrealism continued to dominate in Europe, and had influence worldwide. Artists such as Frida Kahlo and Diego Riviera...

A painting depicting a lighthouse in Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, w...

A view of Oak Bluffs, MA on Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of...

Antique American impressionist seascape beach scene oil painting. Oil on board. No signature found. Framed. Image size, 18L x 14H.

Jean Porcher, French, 1927, La vieille 'Fiat abandonnée', Oil on canvas modernist painting Provenance: verso gallery label "Galerie Drouant-David St Honore Paris" Hand signed and dated verso and along top to upper left 19 3/4 x 29, framed 22 x 31 1/2 It depicts an antique abandoned Italian Fiat car...

Sunlit Meadow Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he devot...

This charming mid 20th century English naive oil on board depicts Birnbeck Pier on the Bristol Channel in Weston-super-Mare. The grade II listed Vic...

Behind the barn 1950s. Oil on cardboard. 42,5x49,5 cm "Behind the Barn" is likely to be a captivating and nostalgic artwork that celebrates the beauty of rural life and the tranquility of the countryside. Through the careful composition and skillful use of oil paints, the artist aims to transport viewers to a simpler and idyllic time, where nature and agriculture coexist in harmony. Aleksandra...

Vintage American abstract landscape oil painting. Oil on canvas. Signed. Framed. Image size, 18L x 24H.

Antique American signed abstract expressionist oil painting. Oil on board. Signed. Framed. Image size, 24L x 18H. Circa 1960. This painting has a nice period frame and stong co...

3823 English country landscape painting Image size 15.5x19.5"

Jean Salabet French, B. 1900 Le Grand Hotel, Paris ,1954 Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work i...

A colorful view of Menemsha in Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one...

A gem of a painting depicting a Nantucket lighthouse by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was...

Beautiful watercolor by Nell Blaine, in perfect condition. Framing options available. More photos available upon request. Nell Blaine was an American artist best known for her brightly colored oils and watercolors. Painted in a loosely brushed style, her depictions of still lifes and landscapes have a casual yet poignant quality, similar to the works of Fairfield Porter, Louisa Matthíasdóttir...

'Blue Landscape' is an original painting by the master of Haitian art Antonio Joseph. In the painting, Joseph works with magic realist themes: The landscape is a deep and saturated blue, with greens and yellows covering the Haitian mountains as they emerge out of the sea. The mountains are likewise dotted with the colorful houses so emblematic of Haitian vernacular architecture. The viewer looks out toward at these features while seemly contained within a set of sea walls. In the immediate foreground, pushed up against the picture plane, a mysterious vine grows out of the hard industrial ground, with nearly a dozen different flowers bursting from the same vine. The impossibility of these flowers perhaps relates the artist's work to the strong Latin American surrealist artists, like Frida Kahlo and Remedios Varo, while also referencing Haitian folk culture and spirituality. caesin on masonite 23.88 x 36 inches, artwork 26.38 x 38.25 inches, frame signed "Antonio Joseph" lower right and dated 53 inscribed "172" in green ink, on reverse, center inscribed "380- 91-150" in white chalk, on reverse, center left inscribed "13" in graphite, on reverse, center right Overall good condition; some dust accumulation to surface; tidemarks on reverse; some scratches and surface losses to vintage frame. Presented in a mid-century modern profile wood moulding with gold leaf bevel and 1-inch linen liner. Antonio Joseph was born on April 15, 1921 in Barahona, Dominican Republic to Haitian parents. In his youth he was trained as a tailor and also attended Varones' "La Escuela Graduata" and studied at the Santa Cecilia Music Academy. When he was seventeen, at the time of the "perejil" massacre where thousands of Haitians were murdered, he was smuggled out of the Dominican Republic with his mother, brother and sister. When he arrived in Haiti, he first lived thanks to the practice of tailoring. In 1944, he was the first student and member registered at the Art Centre upon the official opening of the institution. There he studied geometric design and watercolor with DeWitt Peters, who recognized his potential as the Centre's first "discovery" and an asset to the nascent institution. He also practiced sculpture with Jason Seley, ceramics with Edith Wegard, and silkscreen printing with Franck Jacobson. He learned the first notions of composition and perspective with the French sculptor Pierre Bourdelle, who came to Haiti to oversee the creation of the murals of the Cité de l'Exposition in Port-au-Prince. From 1945 to 1949, he worked with Bourdelle on the enormous state-funded project, conceived as part of the festivities commemorating the bicentenary of the founding of the city of Port-au-Prince. In 1952, Paul Keene, an artist from Philadelphia taught and exhibited at the Art Center. While there, he passed on to Antonio Joseph the techniques of casein painting, which combine the virtuosity of oil painting with the possibilities of watercolor. This discovery was instrumental in Antonio Joseph’s career, and he then entered an intense production phase. He at that time produced a series of paintings for which, in 1953, the Guggenheim Foundation awarded him a prestigious research and development grant. He was the first Haitian artist to receive this scholarship in the field of "creative painting...

William Fisher (1891 - 1985) William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the Villager, a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the Gotham Guide, which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930s. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia, Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

A superb large 1950's oil on board which we believe to depict the tenement buildings of the Milnes Court area in Edinburgh. Clothes hang from T shaped driers as a lady hangs her wash...

5-2807a Acrylic on board in a custom wood frame Image size 7.5x9.5"

A small, colorful Modernist landscape painting by Harold Haydon, depicting "Western View from Sun Deck on Ajax Mt., Aspen, Colo.", dated 1955. This pain...

Gabriel Amat Pagés (Barcelona, ​​August 2, 1899 - September 26, 1984) was a Spanish architect, draftsman and painter who achieved great recognition as a watercolorist. Amat is the s...

SKYLINE Size: 29 x 37 cm (including frame) Oil on board A small and vibrant modernist oil composition, featuring a city skyline where rows of tall buildings are set against a striki...

CITY VIEWS Size: 42 x 49.5 cm (including frame) Oil on board A mid century Swedish cityscape painted in oil onto board. Distinct and expressive brushstrokes convey the energy and hustle and bustle of the city. Rich, earthy, and textured colours in deep reds, blues and greens have been applied swiftly, creating a sense of depth and space in the picture. The artist has probably painted this ‘en plein air’ (outdoors), and so has captured the dynamism of the view before him/her. The painted is housed a very complementary light wood mid century frame...

The laundry is drying 1950s, oil on cardboard, 51x74 cm Published in the book "Biruta Baumane", Anda Treija, Juris Petraškevičs, publisher Galerija Da...

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This work is a charcoal-on-paper composition depicting an interpretation of the famous Alhambra Palace in ...

Plotast, Josef Marc (Joseph Mark) Was born in Southbridge, Massachusetts, on August 8, 1917, studied architecture and art at various universities and art schools in France, Italy, Po...

4085 Stylish and well painted 1950's Italian harbor scene Italian Seascape, oil on canvas applied to board, displayed in a gilt wood frame, signed by De Angelis. Image size 10.5 H x ...

BOATS AT THE JETTY Size: 34 x 70 cm (including frame) Oil on Canvas A restful and very confidently executed mid-century coastal landscape composition, executed in oil onto canvas. ...

Partially signed, lower left, 'Georgetti' for Wedo Georgetti (American, 1911-2005) and painted circa 1955. Accompanied by an Certificate of Authenticity. A substantial, mid-century Post-Impressionist oil cityscape showing a view of Prague Castle, the hereditary seat of King Wenceslas and the Kings of Bohemia. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young...

Landscape is an artwork realized by Alberto Gillani, in 1981. Oil on Canvas. 49 x 69 cm; 79 x 89 cm with frame. Handsigned in the lower margin. Very good conditions