1990s Landscape Paintings

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Art 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia 199...

Edward Glafke (American 1925 - 1997) Point Lobos, 1993 Oil on board Signed 'Glafke' lower left Signed, titled and dated on the verso 16in H x 20in L In a vintage wood frame with canv...

Signed lower right, 'Leslie H. Van Nimwegen' (Dutch-American, born 1951) and painted circa 1990. A large oil landscape showing a group of male big...

A charming oil painting, depicting an evening scene in the countryside with a figure by a pond and a cottage in the background. Signed to the lower right-hand corner. The title, date...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Olivos ll original impressionist acrylic painting.

Vintage Bulgarian modernist landscape oil painting by Alexander Titorenkov. Oil on canvas, circa 1993. Signed. Displayed in a period frame. Ima...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

Beautiful dynamic clouds above minimal landscape by Judith Fields (American, 20th Century). Signed and dated by artist upper left corner "Judith Fields '99". Presented in a rustic whitewashed frame. Image, 11.88"H x 8.75"W. Judith Fields is an award-winning artist in encaustics, mixed media and watercolor. She is primarily a self-taught artist, augmenting her personal study with various professional workshops around the country. Having worked in many media, including watercolor and acrylics, she has become primarily an encaustic and mixed media artist. Judith works out of her home studio and exhibits at Huntsville Art League. She is a member of International Encaustics Artists...

Wonderful painting of golden striped market baskets being sold in old town square by J. Almeida E (Mexican, 20th Century), circa 1990. Signed lower left....

Green, woods, winter,snow Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States ...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 19...

THE BOATHOUSE Size: 65 x 77 cm (including frame) Oil on canvas A large and serene modernist painting that captures a quiet waterfront scene with minimalistic charm, executed in oil ...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Arboles. original oil canvas painting Josep María Vilá Cañellas (Vic, Osona, 1914 - Barcelona, 2001). Painter and draftsman. He was a disciple of Juan Colom, Ivo Pascual and Emilio B...

encaustic on canvas Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky a...

"Blue Hillock" California Landscape Lupines Poppies Original Painting on Canvas California mountains stream by San Jose artist S. Ramirez-Renard (American 20th century). Detailed pai...

Mallorca. original acrylic painting Onofre was born in Sant Joan Mallorca on March 4, 1930, he decided from a very young age for art in all its facets, designer, dancer, antiquarian...

Melvyn Goode is an English Impressionist landscape painter. His work is highly collected throughout the world and he has had many single artist exhibitions of his work in various g...

Autumn path. Oil on canvas, 61x71 cm, frame included.

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 1964 Dario Cusani...

Sitges original impressionist acrylic painting. Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smel...

An early spring. 1992. cardboard, oil, 85x75 Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...

Artist: Stephanie Peek – American (1940- ) Title: Umber Garden Year: 1996 Medium: Oil on Canvas Size: 10 x 10 inches Signature: Signed, dated, titled on reverse by the artist Condit...

Artist: Linnea Pergola Title: Venice Beach, California Medium: Acrylic Painting on Silk, Signed Size: 31 x 20.5 in. (78.74 x 52.07 cm) Frame: 45.25 x ...

Solvita in the garden 1990, cardboard, oil, 35x50 cm.

Original Iconic oil on canvas painting of the cliffs of Montauk, Long Island by Montauk artist, John Pomianowski. Signed lower left and dated 1999. ...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

This autumnal landscape in oil pastel on paper is by New York City artist Tamar Zinn. Before turning to abstraction, Zinn’s artwork focused on Expressionist invented landscapes, of w...

Impasto oil painting of a Carmel Valley Sycamore Grove. Presented in a wood frame. Signed lower left "H. Vanderhoof." Image, 20"H x 24"L.

Olivos ll original impressionist acrylic painting.

Untitled II by Roy Wilce Oil Pastel Monoprint on Archival Paper, signed lower right image 6x9", paper size is 12"x15", unframed, ships flat Minimal contemporary landscape in cool t...

Contemporary figurative coastal beach landscape by San Francisco, California artist Michael William Eggleston (American, 20th c.). A woman in a bathing ...

Kathleen Piunti (1928 - 2016) The Cardozo, Miami Beach, Florida, 1995 Oil on canvas 32 x 60 inches Signed lower right Provenance: Uptown Gallery, New ...

Sunrise Cardboard, oil, 11x16 cm Still life painting with stylized sunflowers on light-colored background. The focal point of the artwork is the depiction of sunflowers, known for ...

A beautiful large acrylic on canvas board depicting a view of London from the River Thames by George Allen. Signed lower right and presented in it's original painted frame. Royal Academy Summer...

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...

River Landscape Painting of a Summer Evening in Ireland by 20th Century Artist, Doris Houston (Born 1948). Her work is held in the collections of several Irish Museums. Art measur...

Landscape is an artwork realized by an unknown artist in 1998. Colorful landscape with dense and material brushstrokes. Illegible signature in the lower right margin. 21x33 cm. A...

Waves Crashing Under Purple Clouds - Seascape Original Oil on Canvas Glowing seascape by Mai Tracy Kikuchi (20th Century). Large waves are rolling in, shown in light blue, implying ...

"Two Girls on the Beach" figurative landscape by Santa Cruz, California artist Gladys Hart (American, 1933-2017). Signed "Hart" lower right. Titled, ...

Patio. Original oil canvas expressionist painting

summer, countryside, fields Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States...

Alvaro Peppoloni, is an Italian Postwar & Contemporary artist, born in 1951, who now finds his artistic sanctuary in Castel Ritaldi, an Italian commune nestled within the Perugia pro...

Pastoral landscape in earthy sepia tones of a farm in the mountains by Al Jones (American, 20th Century), 1999. Signed and dated "Al Jones 99" lower right. Unframed. Image size: 20"H...

Abstract expressionist winter landscape of the Highlands of Scotland by this renowned British artist. Acrylic on paper, mounted behind glass in a silver frame. Picture is in excellent condition Signed lower left, inscribed and titled verso Image 16" x 11" Framed 19" x 23" Artist Biography 1954 Born Reading 1972-73 Wimbledon School of Art, London 1974-75 W.S.C.D. Worthing 1975-78 Ruskin School of Drawing, Oxford University 1978 Moved to Ullapool, Northwest Highlands of Scotland Collections Gallery of Modern Art, Glasgow City Arts Centre, Edinburgh City...

High Valley diptych by Roy Wilce Oil Pastel on Paper image 30x42". framed 45.5x61.5" *Shipping cost includes the custom packing required to transport fine art securely. ABOUT THE A...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Bernard Myers...

Run John Hardy, American (1923–2014) Date: 1996 Oil on Canvas, signed Size: 36 x 66 in. (91.44 x 167.64 cm)

Snow,White,Wood ,Russian post Impressionism GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan,...

"The Wind" is an original painting on canvas measuring 30 x 40 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art ...

Tunisian landscape is an original artwork realized in 1994. Oil painting on canvas. The artwork is hand signed and dated by the artist on the lower left margin. Includes frame: 55...

Artist: Evelyne Brigeois – French/American (1946-2016) Title: Behind Paraportiani, Mykonos Year: ca. 1990 Medium: Watercolor Sight size: 20 x 14.75 inches. Framed size: 29.5 x 23.5 inches Signature: Signed lower left Condition: Very good Frame: Framed in original frame. Frame in good condition. This watercolor is by Evelyne Brigeois (1946-2016) a very well-known Boise, Idaho artist. It depicts an area behind Paraportiani. The Church of Paraportiani is on island of Mykonos in Greece. It is in the town of Chora. The painting is in very good condition with no flaws to note. The painting is signed in the lower left corner. It is double matted and enclosed in a simple light wood frame. The frame is in good condition, with a few very faint scratches. Born in France in 1946, Evelyne Brigeois was an internationally acclaimed watercolor artist. Having grown up in a small town east of Paris, Brigeois was particularly drawn to places which seem to have preserved their timeless and peaceful aspect. Crisp precision, strong definition of light and shadow, and beautiful composition distinguish her images of the Greek Islands, Venice and France. Brigeois received many national awards, from the Louisiana Watercolor Society, the Detroit Institute of Arts, Michigan Watercolor...

"Rock River" is an original oil painting on canvas by Dan Muller. Muller depicted a pile of rocks in a river. The artist scratched into the paint to make thin marks among the broad b...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

Surrealist figurative composition by David Lee Musser (American, 1949-2013). Addressed to, titled, dated and signed “Still Life with Milk and Cookies' @ 1992 David Musser" on verso. Presented unframed with painted edges. A long-time resident of Temecula, David worked as a professional musician for many years before changing careers to commercial art. After graduation from San Diego State University with a degree in applied art, David spent the next twelve years as an illustrator, animator and art director in the motion picture/TV industry. In 1994, David opened his own gallery and pursued a career in fine art. After eight...

F. Bueno. Puerto de Barcelona original realist painting

Lavender Hills by Roy Wilce Oil Pastel on Paper image 18x43", framed 30x54" *Shipping cost includes the custom packing required to transport fine art securely. ABOUT THE ARTIST: “W...