Pierre-Edmond Peradon

Landscape Oil Painting, large French Landscape oil painting, Normandy landscape

1960's

Vintage landscape oil painting on canvas by French artist Marie Marguerite Reol (1880-1963) Garden landscape in the fore with a backdrop of mountains, most likely to be the Pyrenees....

ntique landscape oil painting in it's original frame by French artist Gustave Césaire Garaud (1844-1914) An attractive Barbizon School oil painting on stretched canvas. A river scene with a wooded foreground with plenty of animated detail of the river and the small wooden bridge that crosses it. The artist has animated the painting with raised brush strokes and lush hues of greens and lilacs. The canvas is slightly textured. It is signed in the lower right with an annotation, A. F Aberle, my friend since childhood. MORE ABOUT THIS PAINTING: Medium: Oil on stretched canvas Overall size: 13.5ins x 18ins or 34cms x 46cms (approx) including the frame Date: 1880's Condition: The painting is in good antique condition but you should expect imperfections associated with age, in particular, there are two very small areas of missing paint in the tree. The frame has had renovations throughout but it is in a sturdy condition. Signed: Gustave Césaire Garaud (1844-1914) He was a student of François-Louis Français. His first exhibit at the Salon came in 1878, and he would continue to have showings there until his death. In 1881, two of his works, "Bord du Gapeau près de Montrieux" and "Les Pins de Notre-Dame sous Fenouillet", received honorable mention and were purchased by the Musée d'Art de Toulon. In 1889, he was awarded two third-class medals and, in 1893, two second-class medals. He opened a workshop in Paris, dividing his time between painting there, in Provence and in Brittany. He also created some landscapes in Corsica. Although he never became famous, he enjoyed a good reputation among collectors and was able to organize two exhibits of his own, at the Cercle Volney, in 1891 and 1900. In addition to his canvases, he decorated some private buildings. During this time, he travelled widely; especially to what was then French Indochina. Inspired by these travels, he illustrated several books dealing with the Far East, notably L'Indochine française...

'Plaines de la Midjeda Blida'. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in pre...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...