Modern Art Landscape Paintings

Paradise I 40.0 x 30.0 x 1.5, 20.0 lbs Oil on canvas Hand signed by artist Artist's Commentary: "DREAM SERIES Dreams and memories near and far merge in whimsical coastal landscap...

Beautiful jewel-toned abstract impressionist painting by Manfred H. Kuhnert. The painting depicts the seascape at Crystal Cove Laguna Beach. A small house sits on top of a plane wher...

Le Petit Cheval Blanc by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 130 x 162 cm (51 ¹/₈ x 63 ³/₄ inches) Signed upper right, CLAUDE PISSARRO Dated on reverse, 1988 This work...

Bob Peak may be the heir to Norman Rockwell in portraying the American Scene. Yet Peak's graphic representations depart from Rockwell's tight academic style. In the present work from...

This is an interpretation of a verge along a quiet country lane leading to the delightful village of Tackley on the edge of the Cotswolds. Such a profusion of wildflowers, they just ...

Contemporary figurative acrylic on canvas painting by Polish artist Marta Rynkiewicz. Painting is very colorful and vibrant. It depicts a landscape at the pool. The composition consi...

'Colors in the Breeze III' 2021 by American artist, Ken Elliott. Oil on canvas, 30 x 30 in. / Frame: 31.5 x 31.5 in. This painting of a forest and a field comprises of colors in green, purple, yellow, pink, and blue. Framed in a gold painted frame. Colorado based artist Ken Elliott, focuses on the western landscape and its rich store of ideas and inspiration. Painting rural scenery, the artist does not try to recreate nature or attempt storytelling but instead, wields color boldly, creating vibrant, contemporary landscapes that are both animated and peaceful. Early in his career, he was a student of Wolf Kahn, who inspired his work. Since 1988, Elliott’s work has been exhibited in numerous galleries nationwide. His work is collected in corporate art...

Antique American modernist New York City oil painting. Oil on canvas. Framed. No signature found. Label from Kamil Kubik (1930 - 2011).

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. Albert Naur first studied Philosophy and Law in Copenhagen (1908...

Oil on canvas. Signed to the lower left. Well presented in a contemporary wooden frame.

Of her recent work, Theobald states, "My practice is to make both relief collages and paintings at the same time. The paintings are not an abstraction of an actual landscape, but the...

Oil on canvas. Signed in the lower right. Well presented in a contemporary white frame.

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

"We have to cross this bridge together" by Alexandra Rozenman is a painterly and playful oil painting on linen 60 x 64 x 2.5 inches. This vast abstracted landscape reminds us of how ...

Stunning and bright mid-century abstracted Sedona desert landscape of red bluffs and Seguaro cactus by unknown artist, 1957. Signed lower left illegibly and dated "June 1957" on vers...

Wonderful landscape of lady slipper flowers in Swedish landscape by actress/artist Gunnel Lindbolm (Swedish, b. 1931), circa 1980. Titled and signed on verso and lower left corner. P...

A wonderfully vibrant abstract study of The Fountain Court at the Honourable Society of the Middle Temple, (one of the four Inns of Court exclusively ent...

Born in Hunan, China, Annie Peony Zhang studied at the Guangzhou Academy of Fine Arts and, for over 30 years, has been integrating her Chinese Classical training with modern Western art styles including Impressionism and Post-Impressionism. Zhang has exhibited widely and with success and her works are held in both private and public collections. Annie Peony Zhang's paintings: “Childhood”, (2018), “Wish”(2019) and “Memories” (2020), were accepted into Crocker Art Museum. Three of her works (“Beautiful California”, “Delta Scenery”, “Sacramento River...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

“Desert Moonrise” by Catherine Picard-Gibbs is a dynamic desert scene, inspired by time spent by the artist exploring southwestern regions of the United States. This gestural oil pai...

Autumn. 1967. Oil on cardboard, 68x57 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons a...

Autumn foliage. 1990. Cardboard, oil, 95x70 The composition showcases the vibrant beauty of nature during the fall season. The dominant feature of the painting is the foliage itsel...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

In this colorful, imaginary landscape, diminutive saffron finches fly through the yellow leaves and graceful branches of a tropical Bacarubu tree. The light of the evening sun reflec...

Oil on canvas 13 x 20 inches Signed and dated center right: "Matthew Spender / 1981" Titled on canvas overlap verso: "#16 Remote Foreground" Retail: $2...

This artwork depicts a rural landscape. Yves Calméjane usually uses light impasto techniques, with the weft of the canvas often still visible. The reliefs are quite thin, the paint...

Le Jardin French School, typical of the Ecole de Paris movement circa 1930's period signed oil painting on board, unframed painting: 15 x 12 inches condition: very good provenance: p...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

Desdemona’ is an original abstract painting on canvas by contemporary artist Wendi Weller. Oil pastel mark making details are added to many layers of acry...

Paris, Seine. 1918/19, oil on cardboard, 38x52 cm Signature located in bottom right corner Belay The certificate: M. Roland Souef at November 23, 2011 Pierre Savigny de Belay...

The painting “After Work” is a masterful interpretation of a moment of peace and fatigue that comes after a day of hard work. The canvas depicts trucks that have stopped for a break....

WILLIAM VERDULT – Untitled [VENETIAN REFLECTIONS] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A DREAMLIKE IMAGINING OF VENICE AT SUNSET [Venetian Reflections] sho...

Nicely painted mid century impressionist bather scene by John Edward Costigan (1888 - 1972). Oil on board. Framed. Signed verso.

A really beautiful and large example of British 1930s painting by female artist Phyllis Bray. Bray was a British artist and illustrator known for her inv...

Bold landscape of the Maple lined lane by California artist Eleanor Perry (American, 1903-1996). Signed and dated "Eleanor Perry / August 1972 / Acrylic" on verso. Presented in a sim...

The work was created in nature under the inspiration of the beauty of the Ukrainian landscape.

This oil painting on paper is what artist Ashley Eliza Williams calls a "restless object." Derived from field studies of lichen, each of the restless objects in this 2022 body of wor...

Aude AZAÏS "The Shadow of Their Desire" - Terrace in Marqueyssac Pastel on paper (framed under glass) H. 65 cm; W. 50 cm Signed lower left - 2023 It was after seeing a small reprodu...

Nicholas Turner is a painter of quiet compositions that are beautifully structured and well-painted. Born in London, Turner spent many years in Bristol before moving to Monmouthsh...

Charles Cobelle, French (1902 - 1994) - Pantheon 9. Year: circa 1960, Medium: Acrylic on canvas, signed lower right, Size: 12 x 16 in. (30.48 x 40.64 cm), Frame Size: 15 x 19 inches,...

Signed lower right: Hugh H. Breckenridge Provenance The artist; The collection of Mrs. E. Richardson Cherry, until 1954; Private collection, New York, New York Landscape with House...

Otis Dozier (1904 - 1987) Dallas Artist Image Size: 30 x 40 Frame Size: 32 x 42 Medium: Oil Dated 1980 "In Flight" Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...

Hidden Shell by Romina Milano immerses viewers in a kaleidoscope of marine life, where vibrant coral-like branches weave across the surface in energetic layers of red, yellow, blue, ...

Charming mid century folk art painting of an autumn valley by Farris (American, 20th Century)Signed "Farris" lower left. Tag on verso from Ohio frame shop ...

The painting “Landscape from the Botanical Garden in Batumi. Georgia” takes the viewer to the heart of the Georgian coast, to the cozy corner of the Botanical Garden, where nature an...

Signed lower left "Pieter Smoor" and dated 1966. Titled "Iglesia San Antonio" on old Mendocino Art Center label verso. A semi-abstract landscape showing a view of the dome of a ren...

This is an interpretation of a verge along a quiet country lane leading to the delightful village of Tackley on the edge of the Cotswolds. Such a profusion of wildflowers, they just ...

An extra-large contemporary figurative landscape. Signed: Steffen Bue Dated: 2024 Titled: "The everyday journey" Ready to hang. 14 day return period. With its earthy deep brown a...

Compelling fauvist seascape with boldly colorful ocean waves and glowing sunset by Northern California artist John Ramm (American, 1879-1948), 1929. Impasto brush strokes add depth and interest to high voltage color palette. Signed lower right corner and dated on stretcher "29" . Condition: Good; minor edge losses professionally restored/in-painted. Signature slightly augmented to enhance readability. Image size: 22"H x 28"W. The son of German immigrants, John Henry Ramm was the son of German immigrants, and his father had been a Duke in his native land. Ramm moved to San Francisco in 1893 and worked as an apprentice to a photographer. He married Nettie Hoist in Sacramento and they lived in San Francisco. He was a close friend of painter Manuel Valencia...

Panther in the Grass is by artist Jeff Slemons .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape...

Artist: Vadim Zang Title: Morning Train in Reims Medium: Oil on Linen Year: 2018 Style: Impressionism Dimensions: 14" x 14" x 0.8" inch (36 x 36 x 2cm) Presentation: Unframed, Galler...

Landscape. 2007. Oil on cardboard, 22x30,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

Charles Wittman (French, 1876 - 1953) The entrance to a Venetian palazzo Oil on canvasboard 11 x 14 in. (27.8 x 35.6 cm.)

"Sunset" is a work that takes you to the heart of the Ukrainian Carpathians, where time seems to have stopped. The canvas skillfully depicts an ancient wooden church sparkling in the...

A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived. Signed Lower Right; Framed; Note: titled and signed on verso. Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist. Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist. Murals "Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943 Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia, She was a member of the National Academy of Design. Magafan died April 24, 1993, in Woodstock, New York, at the age of 76. References "Collections National Academy Museum". Retrieved 2017-03-08. "Jenne Magafan". Retrieved 2017-03-08. Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984. "Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015. "Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book...

This is a signed, original, mid-century modern abstract landscape oil painting with white flowers (roses) in an Henri Matisse / Pablo Picasso aesthetic by listed WPA artist, G. Ralph...

Title: Parisienne Fantasy 2 Year: 1959 Medium: Watercolor on Paper, signed Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 31 x 37 inches

Georges R. Quinio (1927 - 1999) After studying at Ecole Nationale des Beaux-Arts in Paris, Georges R. Quinio lived in his native Island of Corsica & devoted his time to the painting...

America Martin "Sunflowers In The Morning" Oil & Acrylic on Canvas 35.5 x 81.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws insp...