Lucille Lee

Woman in Black Hat, Painting, Oil on Canvas

2021

Vogue up your space with Something Fashionable... This fabulous lady is painted on a large sheet of canvas with plenty of extra room for a deep gallery wrap. She is black and white w...

When told where she is needed to go, the lady with red brooch will smile and promise to show. She is always on time and dressed for the date. :: Painting ...

Portrait of a young woman alone in a room, in a black dress. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity s...

I've always found the world of Pierrots and Harlequins intriguing, and a wonderful subject for painting. For this portrait of a Pierrette, I used fabric to represent the frilled coll...

Portrait of a Lady by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas canvas: 44 x 30 inches Very good condition. Provenance: from the...

An Art Deco painting of a Fashionable Lady by contemporary artist Erik Freyman. Watercolor with pastel on paper, signed in pencil Size: 15 x 12 in. (38.1 x 30.48 cm)

Introducing "Madame Grande," an exquisite oil on canvas masterpiece by the renowned artist Geri Eubanks. This captivating artwork features a blonde woman with luxurious golden hair, ...

"Lady in Black” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...