Luis Medina

Light pink and black, Painting, Acrylic on Paper

2021

Original artwork, acrylic on paper. Unframed Layered colour expertly moulds vivid compositions which flirt with optical transcendence. :: Painting :: Abstract Expressionism :: T...

Original artwork, acrylic on paper. Unframed Layered colour expertly moulds vivid compositions which flirt with optical transcendence. :: Painting :: Abstract Expressionism :: This p...

Original artwork, acrylic on paper. Unframed Layered colour expertly moulds vivid compositions which flirt with optical transcendence. :: Painting :: Abstract Expressionism :: T...

Original artwork, acrylic on paper. Unframed Layered colour expertly moulds vivid compositions which flirt with optical transcendence. :: Painting :: Abstract Expressionism :: T...

Abstract Composition in Pink and Black in Acrylic on Cardboard Dynamic abstract in black and pink by Honora Berg (American, 1897-1985). This piece is composed of multiple layers, with bright, bold colors at the bottom, building to black on top. Pink, magenta, yellow, and orange shine through a net of black. Unsigned, but was acquired with a collection of the artist's work. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Numbered "246" on verso Unframed. Art size: 21.25"H x 14"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Untitled (Pink and Black) by Stephen Buckley, 1999 Additional information: Medium: etching with aquatint 64.5 x 49.5 cm 25 3/8 x 19 1/2 in signed, dated and numbered in pencil Stephen Buckley is a British abstract artist. Buckley was born in Leicester. He studied Fine Art under Richard Hamilton at Kings College, Durham University (1962-1967), where he was involved in the reconstruction of Marcel Duchamp's "Large Glass", and then at the University of Reading (1967-1979) under Terry Frost and Claude Rodgers. A group of notable commissions in the early 1970s, from clients including Leith's Restaurant, gave Buckley a strong start to his career. These were followed by a solo exhibtion in Milan in 1973 and another at Kettle's Yard the following year. Solo shows were subsequently held at the Museum of Modern Art, Oxford (1975), Waddington Galleries (1976), Arnolfini Gallery, Bristol (1977), and Arts Council of Northern Ireland (1985) among many others. His teaching career began at Canterbury College of Art (1969-70), before heading to Leeds, The Royal College of Art, and nine years at the Chelsea School of Art (1971-80). He was Artist in Residence at Kings College, Cambridge from 1972-74. In 1994, Buckley was appointed Professor of Fine Art at the University of Reading and Professor Emeritus in 2009. A monograph on Buckley was published in 1989, written by Marco Livingstone. His work has been compared to that of Richard Smith. The work of Buckley is part of public collections and museums worldwide, including the British Council, Government Art, Kettle's Yard, Aberdeen Gallery, Berwick-upon-Tweed Borough Museum and Art Gallery, BUPA House, City Art Gallery, Bristol, City Art Gallery, Huddersfield, Derby Museum and Art Gallery, Leicester Museum, National Art Gallery of Wales, Cardiff, Reading Museum, Southampton City Art Gallery, Swindon Museum and Art Gallery, Tate Britain, London, Victoria and Albert Museum, London, Walker Art Gallery, Liverpool, Whitworth Art Gallery, Manchester. His work is also part of international collections including The Metropolitan Museum of Art, New York, Miami Art Museum, Miami, Florida, Yale Center for British Art, New Haven, Connecticut; Museo de la Solidaridad Salvador Allende...

Untitled 2 (Pink) 1992 (Abstract Painting) Acrylic on pavatex - Unframed This work is one of two earlier works consisting of brush acrylic painted pavatex. The pavatex surface is flat, the painted motive is handmade without using tape for hard edges, creating a soft appearance. The work is treating the figure-ground problem in a playful way, using contrasting colours, creating a pending moment of the elements. Daniel Göttin...

Acrylic on pavatex - Unframed This work is one of two earlier works consisting of brush acrylic painted pavatex. The pavatex surface is flat, the painted motive is handmade without...