Linen Paintings

Artwork in acrylic on linen sold with a white frame

Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 1949 at Pikilyi, Vaughan Springs west of Yuendumu in the Northern Territory, he grew up ‘in the bush’. His father was an important tribal elder and medicine man at Yuendumu. It was therefore automatic that he would grow up with the traditional values and knowledge that now influences his paintings. Michael lived at Haasts Bluff until his parents took him to Yuendumu for European education at the mission school. He left school at thirteen, after initiation, and worked at buffalo shooting, driving trucks, droving cattle and in the army, before returning to Yuendumu and then to Papunya to settle in 1976. He worked for a time in the Government store and for the Council. Michael learned to paint at Papunya by observing the senior men such as Billy Stockman and Old Mick Tjakamarra. Although he was tutored by his uncle, Jack Tjupurrula, Michael developed his own style and began painting earnestly from 1983. Michael is known as master desert painter for his depiction of several Dreamings in one painting. For him the understanding of the Dreaming stories that go with his paintings is all important – without the stories his paintings would ‘mean nothing’ as far as he is concerned. His Dreamings include the Possum, Snake, Two Kangaroos, Rock Wallaby, Bush Banana, Honey Ant and Yam. In 1984 Michael won the National Aboriginal Art Award with his painting ‘Three Dreamings’. His reputation as a painter rose rapidly after this. He exhibited his work in the 1986 Biennale of Sydney and featured in ‘The State of the Art’, a British art documentary. In 1987 Michael had been asked to paint a major work (27’long) to decorate the foyer of Sydney’s Opera House and he chose to paint his ‘Possum Dreaming’ story. A great highlight in Michael’s career was in 1988 when he was commissioned to design a 196 sq-metre mosaic in the main forecourt of Australia’s new Parliament House in Canberra. The work was based on his ‘Kangaroo and Emu’ dreaming. Michael was presented to Her Majesty, Queen Elizabeth 11...

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

Oil on linen

Linen, acrylic paint, linocut.

Oil on linen Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced b...

"Woman in the mirror" is a painting by the French artist Maestro Florence Metge. Through her art, she has a very sharp and unique style of bright and c...

Oil on linen Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper, she creat...

"Shining City" 51" x 75" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a t...

Heidi von Faber Honey with Bread Acrylic on linen 80 x 80 cm ( framed/ included in price 85 x 85 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Stillllifes she...

Realistic, Modern Still-Life Painting of Watermelon and a Pine Forest Made is 2022, by Berkshire based artist Ann Getsinger oil on linen 11 x 14 inches 16 x 13 inches in a walnut fl...

"Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representations of actual landscape as much as they are surrogates for the artist’s e...

"Water Lilies: After Monet (Like Looking at a Bad Black and White Photo in an Old Textbook) III" is one of four versions in his popular Waterlily Series fr...

Serendipity Oil On Linen 59 x 47 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other me...

Original Oil Painting by Alexandra Pacula Alexandra Pacula (b. 1979, Poland) is a cityscape and landscape artist, focusing on realism through oil painting. She received her BFA fro...

Denied Warhol Marlon Brando Silkscreen Painting on raw linen by Charles Lutz Silkscreen and acrylic on raw linen with artist's Denied stamp of the...

Blake's painting imagines a quiet moment about the Sultana, a steamboat carrying Union POWs home at the end of the Civil War. Hours later, the vessel exploded, killing over a thousan...

Foamy Wave against Lava Rocks is a contemporary seascape that captures a powerful moment along the shoreline where turbulent waters collide with rugged rock formations. The compositi...

"Passage of Time" 49" x 71" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in ...

Abstract oil painting on canvas and resin. This moody piece has a lot of depth, literally! The layers of paint and resin are built upon each other, the upper layers casting shadows below. The glossy resin over the darker surface also creates a reflective surface. Just off of center is a brighter patch of cerulean emerging from the shades of black and dark grey. This piece can be hung horizontally or vertically. When hung vertically, the word "FUCK" can be read more easily at the bottom of the composition, when horizontal, the lines of the letters hide amongst the stems of the black roses...

An abstract painting of a single lily. The lily sits on the righthand side of the composition against a textured black background. The sage green, grey field on the left of the compo...

In this contemporary abstract painting in acrylic and graphite on linen mounted on a shaped panel by Elizabeth Gourlay, a pale pink stripe of color is warm against neutral beige gray...

Denied Warhol Flowers, (White & Red) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 24 x 24" inches 2008 Lutz's 2007 ''Warhol Denied...

Stone’s luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three di...

This colorful contemporary painting in oil on linen of plants and flowers in a backyard is from Francis Sills' ongoing series of Flora Paintings. The verdant shades of green are comp...

Contemporary oil painting on linen of a lush tropical garden full of plants and botany from Francis Sills' ongoing series of Flora Paintings. Bright shades of lush green in the leave...

In this contemporary painting in acrylic on linen mounted on aluminum panel by Peter Hamlin, a golden swan with blue green hues in its plumage stands at the center of this fantastica...

Brooklyn artist, Molly Herman creates beautiful, colorful abstract paintings. With pink, blue and green forms, the work is joyous. She is most interested in playing with the language...

Original Oil Painting by Robert C. Jackson. Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full...

Original oil painting on linen by artist Nicholas Reti. Framed.

'Sea Foam 2', 2022 is 47.25 x 35.5 inches, oil on linen painted by French-American artist Frédéric Choisel who explores the poetic intersection between nature and abstraction, drawin...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

Original Oil painting by Edward A. Butler. Edward A. Butler (b. 1948, Philadelphia, PA) completed his BFA at the Philadelphia College of Art. A passionate painter from a young age, ...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

Denied Warhol portrait of Marilyn Monroe Silkscreen Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with artist's Denied stamp of the Andy Warhol Art Authenticati...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

Ioanna Stefou (b. 1981, Lamia, Greece) is a painter based in Athens. In 2006, she completed her degree in Architecture at the National Technical University of Athens and worked in th...

The movement of optics silhouetted and contoured by straight lines and bare flat tints in their formless purity, for me embodies the Divine grace and luminous energy that the soul of...

In this contemporary painting in oil on linen set by night, a graceful, fair-haired female figure swims with her back turned in inviting, dark midnight blue water. A round, luminous,...

A contemporary landscape painting of rainbow trout in midair, caught on a fishing line lined in gold leaf in front of a thicket of lush green tre...

Contemporary oil painting on linen of plants on a porch from Francis Sills' ongoing series of Flora Paintings. The verdant shades of green in the leaves are accented by rich brown an...

William Blake lives and works outside Chicago, IL. As a participant in Civil War reenactments across the country, he portrays the artist Winslow Homer. A graduate of the University ...

Contemporary painting of plants on a porch in oil on linen from Francis Sills' ongoing series of Flora Paintings. Verdant leafy palms in planters stand behind a wooden table with bri...

Purely Botanical exemplifies Heide Follin’s layered approach to abstraction, as vibrant swirls of color create a tactile surface. Known for her “lyrical organic abstraction,” Follin ...

Dark green pine trees, lush flowers and thick shrubbery line the water's edge of an olive and sage green lake with hints of mauve and plum in this peaceful lake and forest landscape ...

In this geometric abstract painting in acrylic on paper on linen mounted on panel, hard edge shapes in shades of blue, black, red and yellow are colorful and vibrant against a sky bl...

The movement of optics silhouetted and contoured by straight lines and bare flat tints in their formless purity, for me embodies the Divine grace and luminous energy that the soul of...

Contemporary abstract painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and delicate lines in blue, lime green and indigo on a luminous blue...

In this contemporary abstract painting in oil on linen mounted on panel, carefully ordered patterns, geometric shapes and lines in vibrant prismatic shades of red, yellow, bright gre...

This painting is an imagined abstract landscape featuring green, yellow, purple and blue. Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick Pye, Mi...

Nathan Brad Hall's work comes together in this show to build an undeniably jaw dropping experience for viewers. “Undercurrents,” says Hall, “is about ...

Signed (at lower right): A. WEISKOPF

Hana-Bi on a grey background 1 — luminous oil on linen. Dimensions are 31 1/2 x 23 1/2 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of Franc...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

"Rose Bouquet (Tenor) (2002)" by Aaron Fink (American, b. 1955) Signed, titled, and dated verso. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. Selected Group Exhibitions Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine, Gorham, 2019, with Martha Armstrong, Ben Aronson, Gideon Bok, Sascha Braunig, Bernard Chaet, Susanna Coffey, Aaron Fink, Jon Imber, Dinorá Justice, David Kapp, György Kepes, Kayla Mohammadi, Jim Ritchie, Ann Weber Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, 2017 Boston’s unique approach to Expressionism by uniting works from the late 1930s to the present day through an examination of subject, process, and materials. Influenced by the teachings of German Expressionist Karl Zerbe, and the early work of Hyman Bloom and Jack Levine. Summertime 16: The Big Annual Group Show, Galerie Christoffer Egelund, Copenhagen, Denmark, 2016 Beautiful Decay, Danforth Art Museum, Framingham, MA, 2016 MICA Then and Now, Ethan Cohen Gallery, Beacon, New York, 2013 Stuart Abarbanel, Donald Baechler, Brock Enright, Aaron Fink, Frank Hyder, Peter Greaves, Morris Louis, Herman Maril The Expressive Voice, Danforth Museum, Framingham, MA, 2012 Bon Appetit, Concord Art Association (curated by Meredyth Hyatt Moses), 2010 Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada, 2008 New England Impressions II: Exploring the Woodcut, Concord Art, Concord, MA, 2008 with artists: Doug Andersen, Leonard Baskin, Aaron Fink, Don Govett, Peik Larsen, Michael Mazur, Barry Moser, Brian Shure, Heidi Siebel, Annie Silverman, Andrew Stevovitch, James Stroud. Right to Print: Segura Publishing Company, Scottsdale Museum of Contemporary Art, Go Figure: The Figure in Contemporary Art – A Response to Art History, McIninch Art Gallery, Southern New Hampshire University, 2007 Fourteen Artists/Fourteen Years: Mahaffey Fine Art, Portland Art Museum, Portland, OR, 2006-2007 More Than One: Prints and Portfolios from the Center Street Studio, Boston Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA, 2002 A Tribute to John Powers, Hatton Gallery, Colorado State University, Fort Collins, CO, 2000 A Salute to Boston, Wiggin Gallery, Boston Public Library, Boston, MA, 1998 Be Still Dear Art, New England School of Art and Design, Boston, MA, 1998 Attributes of the Artist, The Art Complex Museum, Duxbury, MA, 1997 Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA, 1997 The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA, 1997 Face and Figure, Museum of Fine Arts, Boston, MA, 1996 Grand Illusions: Four Centuries of Still Life Painting, Museum of Fine Arts, Boston, MA, 1994 The Label Show, Museum of Fine Arts, Boston, MA, 1994 Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan, 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 Includes works by Thomas Bang, Jennifer Bartlett, Jonathan Borofsky, Chuck Close, Steve Currie, Rackstraw Downes, Aaron Fink, Audrey Flack, Nancy Graves, Eva Hesse, Brice Marden, Claes Oldenburg, and more. Fast Forward: Six Years of Collecting for a New Museum, Samuel P. Harn Museum of Art, Gainesville, FL, 1993 A Decade of Print Publishing, Neuberger Museum of Art, Purchase, NY, 1993 The Art Collection of the Federal Reserve Board: Five Years of Accessions, Board of Governors Building, Washington, DC, 1992 The Object: Found, Observed, Imagined, Fitchburg Art Museum, Fitchburg, MA, 1991 The Unique Print, Museum of Fine Arts, Boston, MA, 1990 8 Artists/8 Visions, DeCordova Museum, Lincoln, MA, 1990 The 1980s: Prints from the Collection of Joshua P. Smith, National Gallery of Art, Washington, DC, 1989-1990 The Age of Pluralism, Centro di Cultura Ausoni, Rome, Italy, 1989 Award Candidates Show, American Academy and Institute of Arts and Letters, New York, NY, 1987 70’s into 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, 1986 Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY, 1986 Highlights: Selections from the Bank of America Headquarters, San Francisco, CA, 1984 Local Visions IV: Portraits, Hayden Gallery, MIT, Cambridge, 1984 Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The Modern Art of the Print: Selections from the Lois and Michael Torf Collection, Museum of Fine Arts, Boston, and Williams College Museum of Art, 1984 Painting and Sculpture Today, Indianapolis Museum of Art, 1984 The New Portrait, Institute of Art and Urban Resources, Project Studio One, Long Island City, New York, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Boston Now: Part II, Institute of Contemporary Art, Boston, MA, 1983 Jon Abbot, Aaron Fink, Tom Lieber, Chris Wool, Delahunty Gallery, New York, NY, 1983 The Figure Beside Itself: Contemporary Figurative Prints, University of Massachusetts, Amherst, MA, 1982 Art of the State, Rose Art Museum, Brandeis University, Waltham, MA, 1982 Boston Now: Figuration, Institute of Contemporary Art, Boston, MA, 1982 A Private Vision: Contemporary Art from the Graham Gund Collection, Museum of Fine Arts, Boston, MA, 1982 Boston Printmakers 32nd National Exhibition, DeCordova Museum, Lincoln, MA, 1979-1980 Works on Paper from the Yale School of Art, Victorian College of the Arts Gallery, Melbourne, Australia, 1978 S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Children's Hospital, Chicago Choate Rosemary Hall...

"Memories" Textile Painting 59" x 98" inch by Neama El Sanhoury Medium: fabric appliqué on linen ARTIST BIO Neama El Sanhoury's upbringing in what she describes as a cultured house...

"Elephant" Textile Painting 28" x 22" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and gen...

Denied Warhol Green Electric Chair Painting by Charles Lutz Silkscreen and acrylic on linen with the Denied stamp of the Andy Warhol Art Authentication Board. 22 x 28" inches 2008 L...

Landscape Painting of the Hudson River, New York State, USA by British Contemporary Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measures 18 x 16 inches Angela Wakef...

Robin Hextrum's (US based) "Pegasus" is an original oil painting that depicts a mythical white horse with wings. Artist Statement: This painting is part of my "Magical Realism" ser...